Reading Michelle Smart’s Once a Moretti Wife was balm to Miss Bates’s reading soul after its wounding by Knox’s Madly. Admittedly, if you’re an HP reader, you’re going to recognize some of the line’s pernicious elements in Smart’s novel: a hero and heroine plagued by abusive and/or disappointing families, a heroine the nonpareil to the hero’s usually negative views of women, and a gargantuan mis. MissB. had one of two choices: cling to every accusation thrown at the HP, even though conventions are givens and if you don’t like them, don’t read them, OR revel in its wit and characters’ vibrancy. Add a dollop of amnesia to the heroine, show her disoriented and weak, even while the dark, nasty hero conjures his revenge against her, then catches her when she collapses at his feet and nearly has a heart attack from his fear over her well-being. Marvelous, thought MissB., this is going to be great! And it was. Continue reading
Miss Bates will always love Donna Alward’s categories, but her move to longer contemporaries offers readers uneven results: some books, reviewed here, have been great; others, so-so. But Alward’s depth and sensitivity will also see Miss Bates’s return to her books time and again. She did so with Alward’s second Darling, Vermont, contemporary romance, Someone To Love.
Willow Dunaway, owner of The Purple Pig Café, is Darling-born and raised. An unhappy childhood and adolescent trauma saw her leave Darling for years. Now she’s back with a new-found contentment in her business, yoga practice, and embracing of serenity. Willow has fought a long, hard battle to come back from some devastating experiences and the semi-colon tattoo on her forearm proves it to herself daily. She has found many things in her re-found hometown that she sought: friendship, community, and purpose. She does not, however, date … until she meets widowed single-dad and firefighter, Ethan Gallagher. In some delightful initial exchanges, Willow’s flower-child, vegetarian ways clash with Ethan’s carnivorous alpha-tendencies. Continue reading
In 1817 London, 20-year-old heroine Georgette Frost, “accustomed to flights of imagination” leaves the family business, Frost’s Bookshop, to seek her fortune, in pursuit of reward money for locating 50 000 Royal Mint stolen gold sovereigns. Hero Sir Hugo Starling, 32, Georgette-described “hawkish of feature, and stuffy of temperament … [r]epresentative of everything chill and sterile about the life of the mind: study, solitude, and sternness,” discovers boy-clad Georgette on her way to adventure and fortune. As a self-styled stodgy rescuer of females and taker-carers of everyone, doctor and younger son of a duke, Hugo cannot allow Georgette to proceed on her foolish errand without protection. He resolves to return her to his friend and her brother, Benedict, and she resolves to foil him. Theresa Romain’s witty pen is immediately evident in Passion Favors the Bold. Among histrom writers, Romain is gently humorous and deeply compassionate towards her characters and never more so than in her second Royal Rewards romance.
Miss Bates is a loyal reader to certain romance writers because they offer engaging romance about goodness: Liz Fielding, Marion Lennox, Carla Kelly, Jessica Hart, and Kate Hewitt. Their heroes and heroines may be melancholic, mistaken, even a little sharp at times, but they are fundamentally good – decent, caring, and kind. No one is smarmy, no one is mean, and no one dominates. It’s fair to ask if this makes their books, their characters, boring? Miss Bates would argue not because they create characters who are good people with plenty of personality. The dialogue is strong, the inner conflicts are believable, and the romance, well, it’s of the sigh variety. When MissB reaches the end, she is replete with sighs of satisfaction. Such a book is Liz Fielding’s The Sheikh’s Convenient Princess.
The premise is outlandish, but Fielding’s hero and heroine are believably fleshy, in their dilemmas, their give-and-take and back-and-forth of witty banter, serious sharing, charming flirtations, and deepening affection. When we meet Sheikh Bram Ansari, he is “disgraced, disinherited, and exiled.” Youthful shenanigans led his father to disinherit him and put his younger brother on the throne, a younger brother who also married Bram’s arranged fiancée, Safia. Enter Ruby Dance, temporary PA (when Bram’s right-hand-man is laid low by a skiing accident). Bram may not have seen kith nor kin in five years, but he’s cleaned up his act and is now a man worth billions. He can afford Ruby Dance. Continue reading
MissB. returned to a beloved series with Jodi Thomas’s Wild Horse Springs. Crossroads, Texas’s denizens’ stories continue. Thomas’s series has steadily produced one excellent ensemble-romance after another and MissB. is always happy to return. Wild Horse Springs is a particularly strong addition, if only because the town’s long-lonely sheriff finally gets his HEA. The novel focuses on three couples and a compelling RS plot. Sheriff Dan Brigman falls for newly-arrived country singer, Brandi Malone; our PTSD-ed Texas Ranger hero, Cody Winslow falls (literally! you’ll see) for park ranger Tess Adams; and, we finally have a reunion between high-powered lawyer, former-Cross-Roads cowboy Lucas Reyes and Sheriff Brigman’s daughter, Lauren. The romances unfold in conjunction with some pretty nasty doings. Former waif now grown and happily ensconced in family love and support, Thatcher Jones, finds and loses a little girl – silent, obviously physically abused, and in much need of rescuing. Sheriff Brigman is on the case, as are various Cross-Road-ites and the novel concludes, other than with HEAs for our couples, with an exciting rescue operation. Continue reading
Amanda Ashby’s opening meet-cute to her new series, Sisters of Wishing Bridge Farm, won MissB over. Heroine Emmy Watson works hard to retain ownership of her deceased Aunt Ivy’s farm by turning the Connecticut venue into a wedding site and herself a wedding planner. Not everything has gone as planned, however, and she’s at the airport, waiting to pick up the best man whose local-inn accommodations were flooded by the groom’s gormless brother. There’s nought to be done, the best man’ll have to stay with her. Unfortunately, the airport terminal also coughs up a ghost from Emmy’s past, her one-week-end-stand, Christopher Henderson. Ashby’s talent for witty writing is evident in the re-meet-cute, as Emmy echoes Casablanca‘s Rick: “Of all the arrival gates in all the world, he walked into this one.” It turns out he not only walked into her arrival gate, he’s walking into her first wedding planner’s job as – the best man. Christopher too is non-plussed by seeing Emmy again, especially when she whisks him into her truck and drives away. As a travel writer, he’s seen some weird stuff, but this is a first: “He’d been in a lot of strange situations on his travels, but as far as he was aware, this was the first he’d ever been kidnapped by a wedding planner.” Ashby’s witty writing and pop-culture references engaged MissB and she looked forward to the novel.
Miss Bates has enjoyed many a Shalvis romance. In particular, she liked the Animal Magnetism and Lucky Harbor series, but there was something about them that made her abandon them. Miss Bates would say this is because Shalvis tends to start strong and end weak and can’t let a series go after the first successful volumes. Nevertheless, Shalvis’s talent for quick, funny dialogue and smooth prose convinced MissB. to delve into the San Francisco-set Heartbreaker Bay series, of which Accidentally On Purpose is third.
Shalvis’s romances are signature: strong, mouthy heroine meets strong, silent, dominating, domineering alpha hero. Accidentally On Purpose is true to type. Elle Wheaton is independent, successful, and determined to become more so. She is the Pacific Pier Building’s general manager and working toward an accounting degree. She’s blonde, curvy, beautiful and fills out a wrap-around dress and stilettos to make men sigh. Only one man is impervious to her charms: the building security firm head, Archer Hunt. Turns out, however, that Archer and Elle share a past, a past Archer can’t seem to get beyond to the desirable, desiring woman Elle has become. Years ago, desperate sixteen-year-old Elle was caught in a heist, trying to return stolen property to save her sister’s life, and rookie cop Archer rescued her, saving her from the clinker and a life on the streets. Now, Elle’s confidence and success aren’t sufficient to help Archer ever see her as anyone other than the frightened, hungry teen he first encountered. Archer and Elle are friends of a sort, though their exchanges run more to antagonistic than camaraderie. Continue reading
Miss Bates has followed the fortunes of Karen White’s heroine, Melanie Middleton, her on-again, off-again fraught relationship with writer Jack Trenholm, and her ghostly encounters, malevolent and benign, through four books. Though written in first-person narration and with a maddeningly slow-moving romance, MissB enjoyed every one, especially when they culminated in pleasing romantic conclusions. How could she pass up an opportunity to learn of Jack and Mellie’s further adventures? And how not to revisit beautiful Charleston and the vintage homes that feature in each mystery? Be warned, readers, if you haven’t read the first four books, MissB’s review of #5, The Guests On South Battery, contains spoilers. It’s inevitable when each book, while resolving the ghostly mystery at its heart, only moves Mellie and Jack’s relationship one smidgen forward. But there’s epilogue-satisfaction to The Guests On South Battery. When it opens, wife and husband, Mellie and Jack, their ten-month-old twins, JJ and Sarah, and Nola, Jack’s daughter from an earlier marriage, and now Melanie’s step-daughter, are living a good life. Continue reading
Contemporary romance is a big and diverse animal. Its “infinite variety” inhabits a breadth of verisimilitude, from HP fantasy to the realistic, at times gritty, MC urban wasteland, which, MissB argues, meet and mate in the fantasy realm when the straight-line continuum is arced to a circle. All this to say that along realism’s continuum, where tropes work at one point, may fail on another. Sarah Morgan’s third “From Manhattan With Love” romance, Miracle On 5th Avenue, is an example in comparson to her HP, Playing By the Greek’s Rules (possibly MissB’s favourite HP were it not for that pesky Lynne Graham writing annoyingly good HPs, like The Greek’s Chosen Wife.) The Greek’s Rules contains a naïvely endearing, full-force of positivity heroine and brooding, cynical alpha hero, as does Miracle. What works in one doesn’t in t’other, or maybe imitation isn’t the highest form of flattery when an author imitates herself?
Without a doubt, Elizabeth Hoyt’s Duke Of Sin was one of the best romances Miss Bates ever read. It was natural, therefore, that she greatly look forward to Duke Of Pleasure, Hoyt’s 11th Maiden Lane novel. She had a glimpse of its hero, Hugh Fitzroy, Duke of Kyle, as probity to Valentine Napier’s debauchery in Duke Of Sin. Therein and as Duke Of Pleasure opens, Hugh Fitzroy has been pursuing the Lords of Chaos, a group of immoral, aristocratics who use and abuse children and women. With Valentine’s semi-taming by his house-keeper-heroine, Bridget Crumb, Hugh finds himself relying on Valentine’s Constaninopolean correspondence to help him identify and eventually destroy the Lords. Late one night, he is beset and hurt by a hired group of thugs near the notorious St. Giles area of London. The night-bound Ghost of St. Giles rescues him, the boy who doubles as the information-gathering daylight guttersnipe, Alf. When Alf, at the end of their encounter, boldly kisses Hugh, he realizes that the guttersnipe “from the dung head that was St. Giles” is a guttersnipette! Hugh brings Alf to his ducal abode to help him pursue the Lords. What Alf finds in Hugh is an emotionally closed off widower with two troubled young sons , still mourning the mere months-old loss of their mother and Hugh’s estranged wife, Katherine. At 21, Alf herself feels a certain restlessness with her life, wondering what it would be like to live as a woman, have children, and how to react to the strange heart-and-body-stirrings Hugh elicits in her. Continue reading