Much as Miss Bates loves the HP line, she’s never been much for the connected HP-series. A few years ago, the line went with a crud-awful interconnected hotel-setting series and it was ugh. So MissB. was leery of trying another one in this “Di Sione” series, but, hey, Jennifer Hayward! woot!, one of the more original, more interesting HP writers (her The Italian’s Deal For I Do one of MissB’s favourite HPs EVAH). The past few books have never reached The Italian’s Deal‘s heights, but they’ve consistently been well-written and absent of the insane WTF-ery that distinguishes the line. Hayward seems to like the idea of the “deal” as a romantic premise, essentially the opening to a good ole marriage-of-convenience romance narrative, in this case, a marriage-deal for Nate Brunswick and Mina Mastrantino. The product of Benito Di Sione’s affair with his secretary, Nate has a huge-o-rama shoulder chip about his illegitimacy, place in the Di Sione family, except in his relationship with his paternal grand-father, Giovanni, his eschewing of marriage and anything that says “feels”. When Nate was a teen, Giovanni gave him a place at the family-company-table, thus saving him from a life on the streets. Now that Nate’s created and expanded his personal fortune as well as the family one, he wants to give dying, fragile Giovanni the gift of the “Di Sione ring,” which seems to have a mysterious special significance for Giovanni. In one of Nate’s Palermo hotels, he meets an adorably curvy, tiny chambermaid who, it turns out, is none other than the possessor of the precious ring.
Now that Miss Bates has read her second Michelle Smart romance, she can say that Smart is writing some awfully interesting HPs. Plot- and convention-wise, her roms are made of melodrama and hyperbole, but they’re also wonderfully tongue-in-cheek aware of the HP’s tropes. In Married For the Greek’s Convenience, melodrama and hyperbole come in the form of the novel’s premise and hero’s and heroine’s fraught families. Elizabeth Young and Xander Trakas met, wooed, wedded, and consummated their love as just-past-teens ten years ago from the story’s opening. When it opens, bitterness reigns, especially for Elizabeth. Mere days after their Caribbean-beach wedding, Xander abandoned Elizabeth (ostensibly because he cared about her and was protecting her) and asked her to ensure their marriage was annulled. Now Xander needs Elizabeth. Firstly, he recently discovered the judge never confirmed the annulment. Secondly, he needs a “convenient” wife to present a respectable front to a judge who will decide whether he can retain temporary custody of Loukas, his eight-year-old nephew, while his brother and sister-in-law are recovering from addictions, so severe that SIL needs a liver transplant. Wow. Moreover, the people vying for Loukas’s custody? His cold-hearted, avaricious, negligent parents. Xander’s mother makes Cruella de Vil look like Florence Nightingale. Continue reading
Miss Bates read Kathy Altman’s Tempting the Sheriff with great joy amidst reader-mourning. Harlequin Books recently announced it would end the Superromance line in June 2018. The line has been a MissB favourite for ages. In its monthly titles, she discovered many of her favourite romance writers, Sarah Mayberry, Janice Kay Johnson, and more recently, Liz Talley. Altman, on the other hand, wasn’t as prolific, but MissB remembers Altman’s first, The Other Soldier, and how she loved it. With Altman’s fourth, Miss Bates can see that, like JKJohnson, Altman had the potential to be another favourite. Sadly, it is not to be. But Tempting the Sheriff is a great romance, nevertheless, in the JKJohnsonian vein. As small-town romances go, it doesn’t paint a halcyon picture of small-town life and its denizens. Castle Creek’s citizens are nosy, eccentric, chaotic (sometimes as lovably as Jodi Thomas’s), and occasionally shiftless, sometimes rowdy; they behave lovingly, but also criminally. Small-town life is close and neighbours do know and help each other, but they also feud like crazy and sometimes, small-town life is, well, boring. Into this Pennsylvania town, Altman introduces her hero and heroine: visiting Erie cop, Vaughn Fulton, in Castle Creek to clear out and sell the house he inherited from a deceased uncle; and, Sheriff Lily Tate, workaholic town protector haunted by personal tragedy. Small-town nosiness and proximity aside, Vaughn and Lily must work together when the mayor hires Vaughn to fill in as Lily’s deputy. Continue reading
Kate Noble writes romance of complexity and thought. And her most recent The Dare and the Doctor is wrought in this vein: thoughtful, with nuanced characters caught in believable dilemmas, and with growing feelings of love for the wrong person. Miss Bates admits that, while she enjoyed the novel in its entirety, prose and characterization and plot, her favourite part was the opening section for its epistolary nature. Miss Margaret Babcock of Lincolnshire, horticulturist extraordinare, she of rose cross-breeding fame, found a friend and kindred spirit in Dr. Rhys Gray, former army surgeon and now Greenwich-based, when he attended her father at their estate and relieved him of his gout. Since, and serving in a marvelous series of exchanged letters, Margaret and Rhys have enjoyed a close, warm, and witty correspondence, deepening and growing their friendship. Knowing that Margaret’s dream is to present her prize roses to the Horticultural Society, Rhys arranges for her to meet with them in London. Margaret travels to London to stay with their mutual friends, Lord Ashby, Ned; wife, Phoebe; and cherubically fun six-month-old, Edward. Rhys, in turn, travels from his Greenwich laboratory to London to reconnect with old and dear friends Ned and Phoebe and see Margaret.
Until reading Mary Burchell’s A Song Begins, Miss Bates found it hard to believe that anyone could rival her beloved Betty Neels. And yet, here she is, enthralled with Mary Burchell. And all she can say is, MOAR! A Song Begins is the first of Burchell’s Warrender Saga, a series of thirteen romances she wrote for Mills and Boon stretching from 1965 to 1985. They are set in the opera world and feature harsh, closed-off heroes and heroines who can hold their own against them. Burchell and Neels share the exclusive heroine POV and the mystery, which Miss Bates loves, of knowing the heroes only by their actions. Their kindness and love for the heroine are hinted at with only very occasional near-tender gestures. Otherwise, they’re cyphers of raised eyebrows, mysterious smiles, flashing, angry eyes, suppressed frustration, and an exacting work ethic, to which our heroine’s inexperience is subject, in Neels’ case in the surgery and Burchell’s on the stage. A Song Begins opens with Anthea Benton, aspiring singer from Cromerdale, trying to win a TV singing spot to help her pay her way to London and voice training. Anthea’s family is financially humble; while loving and supportive of her aspirations, they cannot afford to help her. This TV spot is her only chance and it is foiled by one of the judges, the famous conductor, Oscar Warrender. Anthea’s disappointment is short-lived, however, because she receives word, through her voice teacher, Miss Sharp, that a mysterious benefactor is funding her move to London to study with none other than the maestro himself, Oscar Warrender! Continue reading
Miss Bates was ignorant of Lauren Layne’s Wedding Belles series and ended up reading book three, To Love and To Cherish, without reading one and two. S’allright though, because Wedding Belles #3 fills in the romances of the first two heroines as they weave in and out of the heroine’s story. Alexis Morgan is the Wedding Belles’s head honcho, the guru of wedding planners, with Brooke and Heather close behind. The company was her baby, her vision and sole focus. But there’s someone behind the scenes too. While Alexis is the Wedding Belles’s face, heart, and soul, she is not its only purse. Her silent partner is hero Logan Harris, friend, accountant, and bankroll from the moment they met in a Harlem bar eight years ago. For Logan, it was love at first sight; for Alexis, it was a niggling feeling of “something,” but her focus was so strongly on her business that her awareness of Logan has been akin to a cold cup of coffee you leave on the counter. As the years roll by, she takes their bi-weekly financial meetings for granted. She takes him for granted. Her emotional and physical skittishness and Logan’s British gentleman manners have long put the kibosh on seduction. Now, with Logan and Alexis in their early thirties, things coalesce. Logan’s Alexis-torch is more-than-smouldering, especially when his father is ready to retire and hand the London-based family company to him. Logan must let Alexis know how he feels, find out if she cares for him as he does her – or, he returns to London.
Miss Bates was uncertain about Karina Bliss’s “rock star” series. Miss B. was more madrigal-girl than black-kohl-rimmed-eyes rocker-chick in her teen years. The world of Bliss’s series didn’t appeal. Nevertheless, given that Bliss’s A Prior Engagement is one of her favourite category romances, she was willing to take on the raucous. What she found, instead, was a moving and funny romance, believable characterization, and engaging, trope-twisting genre-bending. At first, Fall is harmless enough. Picking up from the riff Bliss set up in Rise, she moves the action from rocker-millionaire-bad-boy Zander Freedman to his PA, Dimity Graham, and drummer, Seth Curran. While Zander is happy with his love, Elizabeth, the band’s fortunes and future are awry and Dimity is in full powerhouse damage-control mode. Zander’s reputation in tatters and recent throat surgery has put the band at risk of ever “rising” again. Dimity finds herself at the local watering-hole near Zander’s LA mansion with Seth, still mourning the loss of his high school sweetheart to another man, the news of Mel’s engagement putting the heart-broken icing on the proverbial non-wedding-cake for him. They drink too much, he cries on Dimity’s shoulder, and – yada yada yada – they do the beast with two backs. Dimity offers to play pretend-girlfriend when they return to New Zealand to help Seth get Mel back (while Dimity also machinates to save Zander’s career and their band, Rage). Continue reading
There’s a certain kind of novel Miss Bates adores and it appears Juliana Gray has written one in A Most Extraordinary Pursuit. Maybe it’s the summer Miss Bates spent in Greece reading Elizabeth Peters. Maybe it’s the heroines: feral spinsters, independent, prickly, and devoted to their work. A hero who may or may not be “heroic,” a combination 007, Indiana Jones, and Lord Peter Wimsey; he’s ambiguous, as are the heroine’s feelings for him. Nevertheless, hero and heroine must work together to solve a mystery, a mystery set in a locale east of their western European English setting, a place hot and difficult to navigate linguistically and culturally, where the narrative isn’t easy to read, Egypt, India, or Greece. Not since Deanna Raybourn’s first Veronica Speedwell mystery has Miss Bates found and enjoyed a novel of this ilk, not until Gray’s Pursuit.
Our heroine and narrator, Miss Emmeline Rose Truelove, has faithfully served the Duke of Olympia and his Duchess, Penelope, for six years. Emmeline and her employers’ relationship is a close and protective one. Sadly, Emmeline’s beloved Duke died while trout-fishing and his now-Dowager Duchess entrusts her with finding the missing heir, grand-nephew Mr. Maximilian Haywood, off studying Knossian ruins in Crete. Miss Truelove seems to have, at least initially, two companions on her voyage aboard the Duke’s yacht “Isolde” and throughout her journey-pursuit of Mr. Haywood: the charming “reprobate,” Freddie, Marquess of Silverton and Queen Victoria’s finger-wagging, admonishing ghost! Continue reading
Miss Bates has been reading rom long enough, ten years to date, that it’s harder and harder to find a new-to-her category author (category being her primary romance consumption). BUT Amy Andrews is new to Miss Bates and she’s sorry she took as long as she did to read her. There was much to like about Andrews’s Swept Away By The Seductive Stranger and the title wasn’t it. The characters, their conflicts, inner and outer, the setting, and their surprisingly honest and realistic romance were.
Nurse Felicity Mitchell is fulfilling the dream of a life-time riding the Indian-Pacific rail to Adelaide when she meets and is attracted to Callum Hollingsworth. Though neither are one-night-stand aficionados, their overwhelming attraction, during dinner with the retirees they share the train with, it appears will lead them to share their deliciously cramped overnight berths. A medical emergency puts a stop to their soon-to-be-tryst and reveals their respective professions as nurse and doctor, respectively. Nevertheless, the post-adrenaline restlessness following the medical emergency’s resolution has them share a night of never-to-be-repeated passion between “strangers on a train”. With the inevitable hokey coincidence of the romance novel plot, it turns out the strangers on the train will soon be co-workers in the clinic, as Callum appears at Nurse Felicity’s Vickers Hill clinic to take over for two months while one of their doctors goes on maternity leave. Continue reading
Miss Bates is a Tessa Dare fan. She read the first three Spindle Cove novels and adored them, especially the third, A Week To Be Wicked, with its bespectacled paleontologist-heroine and dissolute rake-hero. Also, it’s a road romance and Miss B. loves a road romance almost as much as she does a closed-cabin one.
Do You Want To Start A Scandal, Spindle Cove #5, doesn’t take place in Spindle Cove, but at the Nottinghamshire estate of Sir Vernon Parkhurst and, as such, is more a closed-estate romance, with a dash of closed-room mystery thrown in. Heroine Charlotte Highwood and hero Piers Brandon, Marquess of Granville, are Sir Vernon’s guests. When the novel opens, neither is in a good place. Charlotte’s marriage-machinating mum, reminiscent of Austen’s Mrs. Bennett, has landed her in the humiliating position of being a gossip-rag’s ridiculed gull, the Prattler‘s. Charlotte is the source of the eponymous “scandal” and the moniker plagues her throughout. Piers, on the other hand, is everything proper, controlled, and aristocratic. His presence at the Parkhurst estate, however, is not in the convention of the languid gentleman enjoying a few weeks in the country. He’s on official crown business, spying on Sir Vernon, who may be asked, by the government, to take a sensitive overseas position. Piers is there to find out if scandal, tryst, blackmail, or any politically-lethal weakness, may put the crown at risk of humiliation. So, Charlotte, prodded by her mother, is on a husband-finding mission while Piers is on a fact-finding one.