Reading my umpteenth Kearsley novel, I noticed something in her narrative I hadn’t beforehand: a common emotional trajectory that may be characterized as melancholy mood to joyful conclusion. Because they are the most historical of historical romances, their melancholy comes from Kearsley’s initial presentation of her characters as trapped by history. But she builds their strength, intelligence, and virtue and proves to us how these qualities can sometimes defeat history’s choke-hold. She writes about ordinary people (when considered through the lens of big-name, big-battle, big-power sweep) but extraordinary in how they wrest happiness out of what appear to be insurmountable obstacles determined by history and its cruel, expedient masters, men of power over honour. At their centre are women and child characters who are victimized but not victims, exercise agency within constricting circumstances and yet are often trapped by forces beyond their capacity to fight back. In the end, characters escape to a happy life by circumventing evil using wiles without losing their essential goodness. The Vanished Days‘ Lily Aitcheson and her helpers are such. Her story is told in a dual-timeline alternating between childhood/youth and the novel’s “present-day”, the early 1700’s. Her story is narrated by one Adam Williamson, who is tasked to investigate Lily’s claim for compensation as the widow of a man who perished in Scotland’s 1698-Darien-colony-bound fleet. The blurb fills in historical detail further:
There are many who believe they know what happened, but they do not know the whole of it. The rumours spread, and grow, and take their hold, and so to end them I have been persuaded now to take my pen in hand and tell the story as it should be told… Autumn, 1707. Old enemies from the Highlands to the Borders are finding common ground as they join to protest the new Union with England, the French are preparing to launch an invasion to carry the young exiled Jacobite king back to Scotland to reclaim his throne, and in Edinburgh the streets are filled with discontent and danger. When a young widow, Lily Aitcheson, comes forward to collect her lost husband’s wages, former soldier Adam Williamson is assigned to investigate her petition. As Lily tells her story, Adam has only days to discover if she’s being honest, or if his own feelings are making him blind to the truth. But sinister figures lurk in the background – is Adam being used as a pawn in an increasingly treacherous game?