I have droned on and on, to your great boredom, about how I love romance and how my second love is the mystery-romance-historical combo, like Deanna Raybourn, or Susanna Kearsley, C. S. Harris, Jennifer Ashley … *sobs* and the no-longer-writing-new-Renegades-of-the-Revolution Donna Thorland. Let’s face it, I love the hybrids as much as I love romance, so let’s let that second love thing die. Now, with Tessa Arlen’s first in A Woman of WWII series, I’m adding another much-anticipated series to the beloved list. Given the stay-at-home state of things, Arlen’s Poppy Redfern and the Midnight Murders made for the perfect comfort read: with a Christie-Foyle’s-War-inspired English village + eccentrics setting and intrepid, engaging, loveable heroine, the eponymous Poppy, a too-charming-for-his-and-Poppy’s-own-good American Army Air Force hero … and no less than a Midsommer Murders corps of village-body-count! While I toiled away at WFH and dabbed lipstick for Zoom meetings, I enjoyed, in the time-interstices, my reading of Poppy, her American hero, and their joint sleuthing. Continue reading
Mariah Fredericks’s second Jane Prescott mystery, Death Of A New American, has a rich, layered, vivid backdrop: 1912 New York. Indeed, Fredericks’s vibrantly-rendered historical detail may be as immersive and compelling as her mystery and characters. Of the latter, her amateur sleuth, lady’s maid Jane Prescott, is eminently sympathetic: intelligent, observant, and compassionate. Jane’s lowly social status allows her the freedom to fade into the background and take in the details of the wealthy, privileged, and as aristocratic as Americans can be, families she serves. Fredericks may write about the rich and powerful, but the moral core of her mystery lies with the people of the “downstairs”. Their lives, thanks to the historical context in which Fredericks situates them, will change as social, economic, and political tides sweep over early twentieth century New York.
Fredericks has penned a novel as richly conceived historically as it is domestically. When it opens, the papers are crying the news of the Titanic‘s sinking. On the domestic front, Jane is preparing a trip to the Long Island home of the Tylers, as her mistress, Louise Benchley, prepares to marry their nephew, William. Charles, William’s uncle, is the powerful, influential, and famous-for-fighting-the-emerging-Italian-NY mafia, police commissioner. But, who is the “new American” and how and why does she die?
Miss Bates is familiar with Tasha Alexander’s Lady Emily mystery series. She read the first few, And Only To Deceive, A Poisoned Season, maybe A Fatal Waltz. The Adventuress is tenth (!) in the series and Alexander’s tried-and-true formula is evident. Reminiscent of Raybourn’s Lady Julia series, Alexander’s series introduces a widowed, precocious Victorian lady-sleuth who finds love and romance and displays her sharp sleuthing skills with each novel. Miss Bates abandoned both Victorian “Ladies” because of romance dearth, despite dashing heroes. This tenth novel finds Emily at the French Riviera with beloved agent-for-the-Crown husband and sleuthing partner, Colin Hargreaves, celebrating the engagement of best friend Jeremy Sheffield, Duke of Bainbridge, to American heiress, the eponymous “adventuress,” Amity Wells. Jeremy, Emily, and Colin are part of quite a party: Amity’s crass parents; peevish, unsavory brother Augustus; Margaret and Cécile, Emily’s friends; Jack, Jeremy’s brother; Cristabel, Amity’s friend; and, Misters Neville and Fairchild, Jeremy’s bosom pals. Amidst luxury hotels stays, celebratory dinners, and site-seeing, murder mystery arrives when Mr. Neville is found, an apparent suicide, in Jeremy’s room. Emily soon suspects more nefarious reasons for Mr. Neville’s death. Was Chauncey Neville the murderer’s target, or was the poisoned whiskey meant for Jeremy? Continue reading