Emma Barry and Genevieve Turner write one of my favourite historical romance series and Free Fall is their fifth story in it. I love that it’s set in the 1960s, a decade I was born into, but don’t remember much of … other than a vague black-and-white memory of MamaB, in bouffant hair, sitting on the coffee table, smoking, and weeping over Bobby Kennedy’s assassination flickering on our tiny, bunny-eared TV. Barry and Turner’s series avoids America’s many ’60s tragedies and focusses instead on the American race to space. Their novels are peopled with astronauts, space scientists and engineers, and Jello-mold-making wives. There is one marvelous female engineer heroine and her grumpy second, Parsons, the scowling engineer who makes an appearance in this present volume. To us, living in these bizarre times, and without the ’60s’ take-to-the-streets ethos, Barry and Turner give their novels a setting that feels like a more innocent, less fraught one. Yet, just around the corner are the women’s movement that will change the genre and us forever and the loss of whatever hope and possibility our American neighbours wrought in Camelot. What I really liked about Free Fall, by way of introduction, is how it’s a domestic novel and more focussed on the heroine’s growth. Vivian Grace “Vivy” Muller is loud, brash, colourful, big in every way, physically, in her laugh, walk, and taste for “bouffant hair” and “winged eyeliner”: “She laughed too loudly, and she did more than wink at boys, and she was always losing her gloves.” Continue reading
If there’s one underused trope Miss Bates loves, it’s marriage-in-trouble, which is why she pounced on Barry and Turner’s novella-ish, category-length A Midnight Feast. It centres on the leader and doyenne of the space-race, 1960s-set American astronaut world that makes up Barry and Turner’s Fly Me To the Moon series, Colonel Mitch Dunsford and his wife of twenty-years-and-six-kids, Margie.
Barry-Turner have produced an adept narrative: alternating, especially in the first half, between Mitch and Margie’s present estrangement, set in 1965 Houston, and their courtship, young marriage, and flat middle years of care and children on her part and demanding, exhilarating career-making on his. Barry-Turner adroitly portray a marriage void of friendship, connection, and mutual desire, interspersed with chapters that chronologically fill in the intervening years, starting with a heady, whirlwind courtship set in 1945. In that sense, Barry-Turner tell a whole lot of story with a circumspect page-count; yet, their carefully-crafted snapshots of love, lust, affection to benign neglect and cutting indifference still allow the reader to get to know and possibly like their hero and heroine. The narrative is also beautifully bound together with a holiday sequence: starting with a make-it-or-break-it Thanksgiving for Mitch and Margie’s troubled marriage to a lovely Valentine-Day’s-1966-set epilogue. Continue reading
Miss Bates isn’t keen on films, or novels set in the early 1960s. She doesn’t like the bouffant dos, or sprawling skirts. For some – ahem, white males – Americans, however, it was an exciting, vibrant time and remains an unexplored setting for romance. It’s fitting that Emma Barry and Genevieve Turner’s collaboration, Star Dust (first in the “Fly Me To the Moon” series) is set during America’s “space race” with the Soviet Union. Uncharted territory then, and uncharted setting in romance. Barry and Turner’s Texas-set romance features Lieutenant Commander Christoper “Kit” Campbell, a blond, blue-eyed giant of an astronaut and Anne-Marie Smith, a diminutive divorcée and mother of two adorable children. They meet as bickering neighbours when Anne-Marie, Lisa, and Freddie move next door to Kit. Anne-Marie and Kit become friends over back-porch star-gazing, add benefits to friendship, fall in love, and achieve an HEA.