Linda Goodnight is probably best known for writing inspirational category romance fiction. The Memory House, first in the Honey Ridge, Tennessee series, isn’t inspirational, though it contains similar elements and themes, such as how the past bears on the present, memory and its hold on the psyche, prodigality and redemption, grief, loss, joy, and love. It’s also a deviation from Goodnight’s category norm in carrying two narrative threads, one contemporary and the other, historical. Goodnight orchestrates these various components with relative success, making the “memory house,” a restored antebellum mansion now a present-day B&B and its peach orchard the focus of the dual narratives/romances.
Eli Donovan, 36, ex-con, prodigal son and black sheep, hies to Honey Ridge, at the behest of his parole officer, to take custody of a six-year-old son he didn’t known about. With a dead mother and ailing, failing great-aunt as Alex’s guardian, the down-on-his-luck and broken Eli must find a job and learn to be a father overnight. He makes his plea to Peach Orchard Inn owner, Julia Presley, who needs her orchard cared for and carriage-house renovated to ensure the solvency of her business with more paying customers than what she sustains presently. The gentle, sad divorcée Julia carries as great grief and regret as Eli: her son, Mikey, would’ve been fourteen on the day Eli shows up at the inn, were it not that he’d disappeared/been abducted six years ago. Eli and Julia are kindred spirits: broken and saddened by life’s circumstances. But they find, in each other and the magical Peach Orchard Inn, serenity and comfort, friendship and a sense of belonging. Continue reading