Much as Miss Bates loves the HP line, she’s never been much for the connected HP-series. A few years ago, the line went with a crud-awful interconnected hotel-setting series and it was ugh. So MissB. was leery of trying another one in this “Di Sione” series, but, hey, Jennifer Hayward! woot!, one of the more original, more interesting HP writers (her The Italian’s Deal For I Do one of MissB’s favourite HPs EVAH). The past few books have never reached The Italian’s Deal‘s heights, but they’ve consistently been well-written and absent of the insane WTF-ery that distinguishes the line. Hayward seems to like the idea of the “deal” as a romantic premise, essentially the opening to a good ole marriage-of-convenience romance narrative, in this case, a marriage-deal for Nate Brunswick and Mina Mastrantino. The product of Benito Di Sione’s affair with his secretary, Nate has a huge-o-rama shoulder chip about his illegitimacy, place in the Di Sione family, except in his relationship with his paternal grand-father, Giovanni, his eschewing of marriage and anything that says “feels”. When Nate was a teen, Giovanni gave him a place at the family-company-table, thus saving him from a life on the streets. Now that Nate’s created and expanded his personal fortune as well as the family one, he wants to give dying, fragile Giovanni the gift of the “Di Sione ring,” which seems to have a mysterious special significance for Giovanni. In one of Nate’s Palermo hotels, he meets an adorably curvy, tiny chambermaid who, it turns out, is none other than the possessor of the precious ring.
Now that Miss Bates has read her second Michelle Smart romance, she can say that Smart is writing some awfully interesting HPs. Plot- and convention-wise, her roms are made of melodrama and hyperbole, but they’re also wonderfully tongue-in-cheek aware of the HP’s tropes. In Married For the Greek’s Convenience, melodrama and hyperbole come in the form of the novel’s premise and hero’s and heroine’s fraught families. Elizabeth Young and Xander Trakas met, wooed, wedded, and consummated their love as just-past-teens ten years ago from the story’s opening. When it opens, bitterness reigns, especially for Elizabeth. Mere days after their Caribbean-beach wedding, Xander abandoned Elizabeth (ostensibly because he cared about her and was protecting her) and asked her to ensure their marriage was annulled. Now Xander needs Elizabeth. Firstly, he recently discovered the judge never confirmed the annulment. Secondly, he needs a “convenient” wife to present a respectable front to a judge who will decide whether he can retain temporary custody of Loukas, his eight-year-old nephew, while his brother and sister-in-law are recovering from addictions, so severe that SIL needs a liver transplant. Wow. Moreover, the people vying for Loukas’s custody? His cold-hearted, avaricious, negligent parents. Xander’s mother makes Cruella de Vil look like Florence Nightingale. Continue reading
Contemporary romance is a big and diverse animal. Its “infinite variety” inhabits a breadth of verisimilitude, from HP fantasy to the realistic, at times gritty, MC urban wasteland, which, MissB argues, meet and mate in the fantasy realm when the straight-line continuum is arced to a circle. All this to say that along realism’s continuum, where tropes work at one point, may fail on another. Sarah Morgan’s third “From Manhattan With Love” romance, Miracle On 5th Avenue, is an example in comparson to her HP, Playing By the Greek’s Rules (possibly MissB’s favourite HP were it not for that pesky Lynne Graham writing annoyingly good HPs, like The Greek’s Chosen Wife.) The Greek’s Rules contains a naïvely endearing, full-force of positivity heroine and brooding, cynical alpha hero, as does Miracle. What works in one doesn’t in t’other, or maybe imitation isn’t the highest form of flattery when an author imitates herself?
Miss Bates was travelling for work on old chugga-chugga trains this week and, to their rocking motion, read a rom novel and novella, Sabrina Jeffries’s The Danger of Desire and Meredith Duran’s “Sweetest Regret”, two of her favourite romance writers. Jeffries’s rom was the follow-up to one of last year’s top MissB. roms, The Study of Seduction. As for Duran, it had been a while and MissB. was most happy to find herself in Duran’s erudite, moving romance ethos.
Jeffries’s late-Regency Danger of Desire sees yet another St. George’s Club heroes, Warren Corry, Marquess of Knightford, so-called rakehell (though he never behaves as such) pit himself against the shenanigans of miss-dressed-as-boy, Delia Trevor. Clarissa, Study of Seduction‘s heroine, asks Warren (possibly the worst rom-hero name ever) to look out for Delia. Delia, on her part, spends her nights, disguised as a young man, gambling her way to discovering the identity of the man who cheated her deceased brother of her, and his wife and son’s, living. Delia’s mystery and intrigue isn’t the only challenge facing her and Warren as they, at least initially, spar and circle each other. Warren, on the surface devil-may-care, contains a psychic wound, which explains his reluctance to marry. Continue reading
Kate Noble writes romance of complexity and thought. And her most recent The Dare and the Doctor is wrought in this vein: thoughtful, with nuanced characters caught in believable dilemmas, and with growing feelings of love for the wrong person. Miss Bates admits that, while she enjoyed the novel in its entirety, prose and characterization and plot, her favourite part was the opening section for its epistolary nature. Miss Margaret Babcock of Lincolnshire, horticulturist extraordinare, she of rose cross-breeding fame, found a friend and kindred spirit in Dr. Rhys Gray, former army surgeon and now Greenwich-based, when he attended her father at their estate and relieved him of his gout. Since, and serving in a marvelous series of exchanged letters, Margaret and Rhys have enjoyed a close, warm, and witty correspondence, deepening and growing their friendship. Knowing that Margaret’s dream is to present her prize roses to the Horticultural Society, Rhys arranges for her to meet with them in London. Margaret travels to London to stay with their mutual friends, Lord Ashby, Ned; wife, Phoebe; and cherubically fun six-month-old, Edward. Rhys, in turn, travels from his Greenwich laboratory to London to reconnect with old and dear friends Ned and Phoebe and see Margaret.
Maisey Yates continues her Copper Ridge, Oregon saga in yet another of Miss Bates’s belated Christmas romance reads, Hold Me, Cowboy. It was the perfect antidote to the bad after-taste of Sandas’s Untouchable Earl. Miss Bates was captured and gave a rueful chuckle when she read in Yates’s first chapter: ” ‘I just need to … I need to rip the Band-Aid off.’ ‘The Band-Aid?’ ‘The sex Band-Aid.’ He nodded, pretending that he understood. ‘Okay.’ ‘I want this,’ she said, her tone confident. ‘Are you … suggesting … that I give you … sexual healing?’ ” You see, dear reader, Miss Bates suffered from nearly 300 pages of “sexual healing” in her previous rom-read/review and it brought out the snark big-time, but Yates understands the fundamental untruthfulness of the healing in “sexual healing.” It takes all manner of touch to heal. What distinguishes romance from erotica is that the central couple may start with sexual touch, but to make a romance and reach the HEA, there must be other kinds of touch, motivated by emotions that aren’t lust, emerging from the impetus to comfort, care for, and succour. To give Sandas some credit, Miss Bates thinks she understood that, but failed in execution. Yates, on the other hand, did the clever and adroit romance writer thing: there’s lust and it’s pleasurable for her protagonists, but it’s a stopgap to other kinds of touch and talk that will connect, bind, and drive them to an HEA of commitment, fidelity, and love.
Miss Bates was uncertain about Karina Bliss’s “rock star” series. Miss B. was more madrigal-girl than black-kohl-rimmed-eyes rocker-chick in her teen years. The world of Bliss’s series didn’t appeal. Nevertheless, given that Bliss’s A Prior Engagement is one of her favourite category romances, she was willing to take on the raucous. What she found, instead, was a moving and funny romance, believable characterization, and engaging, trope-twisting genre-bending. At first, Fall is harmless enough. Picking up from the riff Bliss set up in Rise, she moves the action from rocker-millionaire-bad-boy Zander Freedman to his PA, Dimity Graham, and drummer, Seth Curran. While Zander is happy with his love, Elizabeth, the band’s fortunes and future are awry and Dimity is in full powerhouse damage-control mode. Zander’s reputation in tatters and recent throat surgery has put the band at risk of ever “rising” again. Dimity finds herself at the local watering-hole near Zander’s LA mansion with Seth, still mourning the loss of his high school sweetheart to another man, the news of Mel’s engagement putting the heart-broken icing on the proverbial non-wedding-cake for him. They drink too much, he cries on Dimity’s shoulder, and – yada yada yada – they do the beast with two backs. Dimity offers to play pretend-girlfriend when they return to New Zealand to help Seth get Mel back (while Dimity also machinates to save Zander’s career and their band, Rage). Continue reading
Miss Bates has been reading rom long enough, ten years to date, that it’s harder and harder to find a new-to-her category author (category being her primary romance consumption). BUT Amy Andrews is new to Miss Bates and she’s sorry she took as long as she did to read her. There was much to like about Andrews’s Swept Away By The Seductive Stranger and the title wasn’t it. The characters, their conflicts, inner and outer, the setting, and their surprisingly honest and realistic romance were.
Nurse Felicity Mitchell is fulfilling the dream of a life-time riding the Indian-Pacific rail to Adelaide when she meets and is attracted to Callum Hollingsworth. Though neither are one-night-stand aficionados, their overwhelming attraction, during dinner with the retirees they share the train with, it appears will lead them to share their deliciously cramped overnight berths. A medical emergency puts a stop to their soon-to-be-tryst and reveals their respective professions as nurse and doctor, respectively. Nevertheless, the post-adrenaline restlessness following the medical emergency’s resolution has them share a night of never-to-be-repeated passion between “strangers on a train”. With the inevitable hokey coincidence of the romance novel plot, it turns out the strangers on the train will soon be co-workers in the clinic, as Callum appears at Nurse Felicity’s Vickers Hill clinic to take over for two months while one of their doctors goes on maternity leave. Continue reading
Miss Bates is a Tessa Dare fan. She read the first three Spindle Cove novels and adored them, especially the third, A Week To Be Wicked, with its bespectacled paleontologist-heroine and dissolute rake-hero. Also, it’s a road romance and Miss B. loves a road romance almost as much as she does a closed-cabin one.
Do You Want To Start A Scandal, Spindle Cove #5, doesn’t take place in Spindle Cove, but at the Nottinghamshire estate of Sir Vernon Parkhurst and, as such, is more a closed-estate romance, with a dash of closed-room mystery thrown in. Heroine Charlotte Highwood and hero Piers Brandon, Marquess of Granville, are Sir Vernon’s guests. When the novel opens, neither is in a good place. Charlotte’s marriage-machinating mum, reminiscent of Austen’s Mrs. Bennett, has landed her in the humiliating position of being a gossip-rag’s ridiculed gull, the Prattler‘s. Charlotte is the source of the eponymous “scandal” and the moniker plagues her throughout. Piers, on the other hand, is everything proper, controlled, and aristocratic. His presence at the Parkhurst estate, however, is not in the convention of the languid gentleman enjoying a few weeks in the country. He’s on official crown business, spying on Sir Vernon, who may be asked, by the government, to take a sensitive overseas position. Piers is there to find out if scandal, tryst, blackmail, or any politically-lethal weakness, may put the crown at risk of humiliation. So, Charlotte, prodded by her mother, is on a husband-finding mission while Piers is on a fact-finding one.
Liz Talley’s Perfectly Charming is her second Montlake-published Morning Glory novel. Talley used to write great Super-romance for Harlequin. While Miss Bates loved Talley’s Harlequin work, the first Morning Glory, Mississippi, novel was shrug-worthy. But Talley is a strong enough writer to convince MissB. to give the series another try. The series premise is an interesting, though conventional one. Three childhood friends lose #4 in their tight, supportive circle to cancer. Lucy leaves a charm bracelet and wish for each with enough money attached that each heroine can have an adventure, take a chance, and make a change in her life. When her life has taken its turn, she passes the bracelet on. Jessica Culpepper, Perfectly Charming‘s heroine, has already had her life turned upside down when the novel opens. Her “American Dream” existence, the cheerleader who married the wealthy high school football star and had a white-picket fence life, ended in divorce when Benton slept with the florist and told Jess their marriage no longer fulfilled him. Jess’s world crashed, but Lucy’s legacy allows her to leave her loving Morning Glory family and friends, to take a nursing job in Pensacola. Now a year after the divorce, Jess has healed and Florida is the final step in making her psychic cure complete. Continue reading