Tag: Bedroom Door Ajar Romance

REVIEW: Bliss Bennet’s A MAN WITHOUT A MISTRESS, Or The “Primrose Path of Dalliance”

Man_W:O-MistressNow that Miss Bates has read Bliss Bennet’s second romance novel, she can place her in histrom-world with Rose Lerner, Cecilia Grant, and recent discovery Blythe Gifford. They all have the rare, and becoming rarer, ability to create main characters who reflect their times and are in turn uniquely, likably themselves. Their main characters’ constraints are not solely those of personality or circumstance, but political, economic, social, and/or gender strictures. Bennet creates creatures of their time and yet uniquely themselves, approachable and sympathetic to the reader. In her second Pennington romance, Bennet tells the story of Sibilla Pennington, sister to Rebel Without A Rogue‘s Kit Pennington. Like Lerner’s Lydia in True Pretenses, Bennet’s heroine is a young woman grieving her beloved father’s recent loss. Neither Lydia nor Sibilla were daddy’s-girls-spoiled-princesses. Their fathers’ love and acknowledgement allowed them the unique opportunity for women of their time, to lead lives of social and political purpose. Without their paternal lodestones, they’re adrift. Their only recourse is to place their political championing onto their reluctant brothers and make marriages of convenience to further their charitable causes.  (more…)

REVIEW: Jennifer Lohmann’s A SOUTHERN PROMISE, Or Love and Justice

Southern_PromiseMiss Bates loves category romance above all others and it’s been a while since she read and reviewed one. Jennifer Lohmann is a new-to-Miss-B author, but after reading A Southern Promise, one she’ll happily return to. Detective Howie Berry of the Durham, North Caroline PD, meets the daughter of Durham’s foremost family, Julianne Dawson, née Somerset, in the back seat of a police cruiser. He tells her that her beloved Aunt Binnie was murdered. Lohmann’s opening is wonderfully rendered, hinting at her protagonists’ characterization, setting up tension and conflict, and giving the reader a glimpse into their silent musings. Between Julianne and Howie is a whole city’s past, intertwined with their own demons. Lohmann sets up her cross-class-conflict-of-interest tropes from this opening scene, enriching her narrative and adding depth. The cross-class element is rarely convincing in contemporary romance, but Lohmann understands it better when she situates it in the mind and heart of one of the two main characters. Howie Berry is the result of a one-night stand between a Durham tobacco mill worker and David Berry, the Somerset tobacco company’s vice-president. Julianne is the daughter of the now-defunct tobacco company’s owner. With a wrong-side-of-the-tracks hero, – how refreshing! – Golden-Girl heroine AND a murder, what could go right between these two? (more…)

MINI-REVIEW: Lauri Robinson’s THE BOOTLEGGER’S DAUGHTER

Bootlegger's_DaughterMiss Bates loves to see historical romances beyond Regency England and anytime 19th century. She adores ye old duke and governess/housekeeper and still enjoys reading them, but she welcomed Robinson’s unusual and uniquely set 1925 Minnesota romance, with its strait-laced law-upholding federal agent hero, Ty Bradshaw, and law-bending bootlegger’s daughter, resort/club manager Norma Rose “Rosie” Nightingale. When the novel opens, Rosie is collecting her Uncle Dave from the local jail, arrested for boozing and carrying on. Except Rosie knows Dave is lethally allergic to alcohol. And, she knows something’s up when smooth-talking, broad-shouldered and too handsome for words lawyer Ty Bradshaw shows up to defend Dave. Though only 25, Rosie’s a savvy gal. She nursed and lost most of her family in the flu epidemic of ’17 and now protects her three younger sisters and father, Roger Nightingale, with all her might. She suspects Ty of being a federal agent, but Ty’s strong, capable, and frankly, quite charming presence convinces her father to keep him on to investigate Dave’s poisoning (as Ty rightly figures out) and dangers to the Nightingales’ livelihood. Papa Roger toes a fine line between a legitimate business and supplying Minnesota 13 (some very fine hooch) to the big lights in the bright cities. But Ty, posing as a private investigator (as he confesses to Rosie and Roger, “not” a lawyer) has another agenda, one he’s determined to see through, even if Rosie, Roger, the Nightingale sisters and resort keeping local families employed and fed are collateral damage. Continue reading