REVIEW: Maisey Yates’s SEDUCE ME, COWBOY

Seduce_Me_CowboyJonathan Bear, grumpy, huge, solitary, made several cameo appearances in previous Copper Ridge romances, as heroine Rebecca Bear’s overprotective, gruff, and scary older brother in Last Chance Rebel, one of the many Yates contemporary roms set in Copper Ridge, Oregon. With each one Miss Bates picks up, she thinks this’ll be the one to break her, the one where she throws her hands up and says, “I’m done with this series.” Well, hell no. Seduce Me, Cowboy is fresh and moving and one of the best of the lot. It gripped MissB., kept her up till the wee hours. She’d been drumming her fingers in impatience and anticipation of Jonathan’s story and Yates delivered, giving him an unlikely yet perfect heroine. Twenty-four to Jonathan’s thirty-five, Hayley Thompson is already far removed from Jonathan. She is a “good girl” to his “bastard son of the biggest bastard in town,” a beloved, coddled, and protected pastor’s daughter to his abusive, abandoned childhood, and virgin to his one-night-stands experience. But Hayley is preparing to break out, to be more than what she calls her family’s “beloved goldfish” and she starts by taking a job with the elusive, mysterious, and bearish Jonathan Bear, on her way out of Copper Ridge and the first step to her “plan for independence.”      Continue reading

TBR Challenge Review: Judith Arnold’s BAREFOOT IN THE GRASS

Barefoot_In-Grass_2This summer, Miss Bates listened to a Brene Brown series of lectures called “The Power of Vulnerability: Teachings of Authenticity, Connection, and Courage.” (It’s a wonderful series, especially if you’re given to self-protection and perfectionism, as Miss Bates is. Austen’s Miss Bates is beautifully vulnerable, which leads Emma to take that nasty shot at her at the picnic.) One interesting point Brown made was that vulnerability does not mean oversharing, or as Miss Bates less elegantly puts it, TMI. In reference to the same, Brown said you have to really think about who deserves your story. Reading Judith Arnold’s seminal romance about breast-cancer survivor Beth Pendleton and Ryan Walker, the builder-rogue who falls in love with her, Miss Bates thought about Brown’s words a lot. Too often, in romance, the heroine keeps secrets, secrets that result in an annoying Big Mis (I’m looking at you, secret babies) and a sure-fire way to  being dumped onto the DNF pile. Barefoot In the Grass, on the other hand, is about a private woman, not a secretive one, whose story earned its privacy. Beth is a charming, intelligent, sympathetic heroine who confronted physical and psychic pain and fought a hard battle to embrace life, as echoed by the novel’s title and Beth’s oft-declared promise-to-self to find joy in “walking barefoot in the grass.”  Continue reading