Mini-Review: Cara Bastone’s CAN’T HELP FALLING (Forever Yours #2)

Bastone is as much at the top of her romance-game in Can’t Help Falling as she was in Just a Heartbeat Away. I may have enjoyed the latter a smidgen more than the former, but it doesn’t stop Can’t Help Falling from being one of the best romances I’ve read this year.

Falling picks up where Heartbeat leaves off and includes lovely cameos from the first romance’s hero and heroine, hero’s son and pooch, Seb, Via, Matty, and Crabby. While Heartbeat tells Seb and Via’s romance, Falling is about the road to love and commitment for Seb’s and Via’s best friends, Tyler Leshuski and Serafine “Fin” St. Romain:

Serafine St. Romain doesn’t need her psychic powers to know she’s no longer in Tyler Leshuski’s good graces. True, she did tear him to pieces when he asked her out, accusing him of being shallow and selfish. Despite the energy crackling between them, the gorgeous sports writer is a no-strings, no-kids kind of guy. And Serafine, raised in the foster system, intends to be a foster parent herself. She won’t compromise that dream, even for a man as annoyingly appealing as Tyler.

In a simpler world, Tyler would already have gotten Serafine out of his system. For him, women equal fun. Not this kind of bone-deep, disconcerting desire. Life gets even more complicated when he becomes the guardian of his much younger sister. Suddenly, he’s way out of his depth. Serafine’s the only person who can connect with Kylie. He can’t jeopardize that for a fling. But maybe…just maybe…he’s finally ready to risk everything on forever.

The blurb, however, makes the romance more lighthearted than it is. While Bastone can write great comic scenes and with great wit, neither Tyler, nor Fin start the narrative in a particularly good place and they experience anguish, doubt, and heartache. Continue reading

Cara Bastone’s JUST A HEARTBEAT AWAY

Just_Heartbeat_AwayI didn’t think a romance writer could pull off a romance narrative without a betrayal. I’ve thought, until now, the romance narrative needed a tearing-asunder moment to work (executed with varied degrees of success depending on the author’s control of craft). Cara Bastone proved me wrong and her début romance, Just A Heartbeat Away, tossed my assumptions about the romance narrative out the window and bade me reevaluate its elements. Oh, there’s plenty of conflict (without a betrayal, or tearing-apart moment). Bastone replaces betrayal with doubt and misunderstanding with insecurity. She has her hero and heroine indulge much inner-lusting, my preferred form of lusting, and smooshes several love scenes, usually peppered throughout the narrative, into one extended scene as close to the end without making it The End. As a result, a fresh, engaging romance narrative, as original as true to the genre and a new auto-buy author for yours truly. It’s a romance novel like Just a Heartbeat Away that renews my faith in the genre and reminds me why I fell in love with it to begin with.
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