MINI-REVIEW: Trish Milburn’s THE TEXAN’S COWGIRL BRIDE

Texan's_Cowgirl_BrideMiss Bates is always interested in a romance novel portraying an ill hero, or heroine (though it’s interesting that she has yet to read an ill hero). As Fitzgerald’s narrator, Nick Carraway, said in The Great Gatsby, ” … there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well.” This has made for some great romance novels; in both cases, the heroine is ill, or recovering from a life-threatening illness: Donna Alward’s How A Cowboy Stole Her Heart and Karina Bliss’ Here Comes the Groom. Indeed, how a romance writer treats the topic (sorry for the pun) makes for compelling reading, especially the hero and heroine’s navigation of their relationship in mortality’s crosshairs. It’s the only reason Miss Bates made it through the sole J. R. Ward Blackdagger Brotherhood novel she ever read, Lover Eternal. (She quite liked it, but one was enough, thank you.) Trish Milburn’s The Texan’s Cowgirl Bride, a mouthful of a title, held that promise for Miss Bates. She really, really wanted to like the story of Savannah Baron, peach-pie-baker par excellence and store-owner, faced with a life-threatening illness, and soldier-turned-private-investigator, widowed hero, Travis Shepard. Milburn’s romance novel is set up with interesting premises: its problems lie in their execution. Continue reading

Review: Elizabeth Camden’s INTO THE WHIRLWIND “Do Not Go Gently”

Into The WhirlwindAfter two lemons, Miss Bates finally scored a peach in Elizabeth Camden’s Into The Whirlwind. It’s not sweet, but it’s refreshing and substantial. Miss Bates sought to read Camden’s effort after the recommendation that Against The Tide received from Dear Author. There is much to love about this story, says Miss Bates, but there are caveats and warnings for the unsuspecting reader. The narrative is sweeping, interesting, and well-written. The hero and heroine are admirable, likeable, and real. This novel is designated as “inspirational” and “romantic,” but exhibits a dearth of both, which is not to say that you shouldn’t read it. You should; pleasure awaits you. It is a novel that requires patience and understanding as character is revealed, internal worlds unfold, as we come to know and love our hero and heroine and all who surround them. We have to enter “into the whirlwind” with Zack and Mollie, the people they interact with, and the stalwart, hard-working, resilient, teeming city of Chicago at one of the most difficult and triumphant moments in its history; Chicago is as much a character as the fictive figures who make their lives in it. Read on, for Miss Bates’s further assessment of this complex novel