REVIEW: Donna Alward’s TREASURE ON LILAC LANE, Or Letting Your Light Shine

Treasure_On-Lilac_LaneIn her most recent Donna Alward review, Miss Bates declared Alward the “queen of domestic romance” in reference to her category novels. The first novel in her Jewell Cove series, The House On Blackberry Hill, written under a different publisher, introduced new elements to Alward’s winning category themes: a certain mysticism, a woo-woo-ness and preciousness that didn’t sit thoroughly well. Miss Bates is an Alward fan (from the moment she closed the final, sopping-Kleenex page of The Cowboy Who Loved Her, one of Miss Bates’ favourite category romances and one she’s often suggested to successfully turn readers onto the genre); she was ready to like Blackberry Hill. Treasure On Lilac Lane, however, turned out even better. Alward tempered the woo-woo with a gentle inspirational element, whisper-thin but moving nonetheless, cranked up the fleshiness, and re-introduced her signature working-class, or lower-middle-class hero and heroine, battered by life, struggling to find their way and waylaid by attraction, desire, and love. Continue reading

REVIEW: Maisey Yates’ TO DEFY A SHEIKH, Or Kickboxing As Seduction

To_Defy_SheikhWith the Middle East in conflagration, Miss Bates’s taste for the desert sheikh romance is less and less palatable, requiring a greater and greater suspension of disbelief. If there’s a sheikh romance that engages and convinces, it’d be Maisey Yates’s. (Miss Bates’ loved last year’s Pretender To the Throne, though it was set in a fictional Greek island kingdom. Settings, in the HP romance, are interchangeable. The circum-Mediterranean world suffices, with its images of heat, passion, and enough foreign-ness to satisfy the safe-seeking sensibilities of HP readers.) In To Defy A Sheikh, Yates sets up a fascinating premise: hero and heroine meet after sixteen years under unusual circumstances. The heroine, Samarah Al-Azem, former princess of Jahar, attempts to murder Sheikh Ferran Bashar of Khadra, her childhood playmate. He is the reason for her father’s execution, the father who destroyed Ferran’s family … though, as revealed in the course of the romance, her and Ferran’s family were embroiled in the most sordid of affairs, with infidelity and control and violence as their causes and outcomes. Not all parties were guilty; the ones who were dealt the hardest blows are the innocents, the children, Ferran and Samarah. As adults, Ferran is tormented by guilt and Samarah burns with revenge. Continue reading