REVIEW: Francis Duncan’s MURDER FOR CHRISTMAS

Murder_For_ChristmasMiss Bates launches her annual Christmas romance reviewing month with … a Christmas-set murder mystery, a “not-a-romance” review of Francis Duncan’s 1949 Murder For Christmas. (Duncan’s work was recently reissued, revived, and thank the Good Lord for that, because it’s glorious.) And yet, Murder For Christmas contains a vein of commentary about Miss Bates’s most beloved and oft-read genre in the voice of Duncan’s romance-reading, old-bachelor, amateur sleuth, Mordecai Tremaine, an engaging, loveable, and despite his appearance seventy years ago (with Duncan’s first Tremaine mystery, Murder Has A Motive) fresh-feeling main character. Duncan’s Murder For Christmas has that old-fashioned Agatha-Christie closed-room, country-estate premise with elegant prose, adept plotting and pacing, and a great voice in Mordecai Tremaine. Miss Bates would venture to say there is something cleaner, more sophisticated in Duncan that Christie lacks (*runs away in fear from Christie fans*). Continue reading