When I started Secret Nights, I thought I would end up DNF-ing; instead, it sucked me in and I read into the wee hours and again at dawn. I’m groggy and tired, but trying to understand why I enjoyed it as much as I did. To start, I think the reason I thought I would DNF is there’s something about Crews’s narrative voice that grates. When I start one of her novels, I’m instantly turned off by the feeling she’s leading me along her narrative; I can see her composing on a computer. If I end up enjoying the novel, then it’s because, despite that intrusive storytelling voice, the sheer romance-y-ness of it is compelling. In this case, it was (in others, not) and I don’t even enjoy marriage-in-trouble romance:
Riley Kittredge has always known exactly what he wanted. His land, his horses. His woman. He met and married Rae Trujillo far too young, and their young love combusted right after they said their vows. But their passion has never managed to burn itself out. Yet when Rae shows this time, it’s not a night of pleasure she demands, but a divorce. Rae should have moved on a long time ago. She knows she and Riley just don’t work. They might make great lovers, but that doesn’t make a marriage. And now Rae wants a new life, complete with a baby. But when her husband offers to be a father, to give her the family she’s always secretly desired, she and Riley will both have to face demons from their past—and choose love over fear at last.
Riley and Rae were high-school sweethearts and their young love didn’t exactly combust until “something happened” and Rae left Riley to move back in with her parents. Then, for the next eight years, Rae drove to Riley’s horse ranch, to the house he built for them, to fight and have sex. Eight years of yelling and sex doesn’t seem plausible to me because surely a person needs some peace and friendly conversation? What do I know, though, spinster that I am? A friend of mine once told me that her 30-year marriage consisted of yelling and great sex, so maybe? In any case, when the novel opens, Rae asks Riley to divorce because she wants to have a baby. Her friend Abby’s baby, Bart, has set all hormones firing. This is less of a plot point, in the end, than the blurb suggests and that was a good thing. I’m glad baby-making didn’t play such a great role, instead the working out of a relationship where’s there’s a lot of love, but not much by way of understanding, forgiveness, or communication. (more…)