One of the things Miss Bates loves about Marion Lennox’s romances is how kind her characters are and yet still often hurt others. Because that’s what we do, an unkind word, a slip of the sarcastic tongue, a nay in place of, with a small giving of self, what could be a yay. But Lennox also understands and sympathetically portrays what that yay might cost, what vulnerability, uncertainty, and fear have to be overcome to reach assent. Lennox’s Stranded With the Secret Billionaire, and this review’s subject, is a book illustrative of this theme and characterization.
Penelope “Penny” Hindmarsh Firth, at 27, has run away from home. She runs from a bullying father, milk-toast mom, and selfish half-sister whose fiancé and soon-to-be-father of baby is none other than Penny’s ex-fiancé, Brett Taggart. Penny has run from urbane Sydney to NSW and, when the novel opens, is trapped in a rising creek, in her low-to-the-ground pink sports-car accompanied by Samson, her cute-as-a-button-but-useless-in-a-crisis poodle. Enter reclusive billionaire-living-as-sheep-farmer Matt Fraser, astride Nugget, to rescue Penny and ensure Samson’s continued spoilage. Continue reading
Donna Alward’s migration to the lengthier contemporary (from MissB’s beloved categories) has resulted in hit-or-miss romances. With the third in her Darling, Vermont series, Somebody’s Baby, Alward hits her stride. Like one of Miss B’s favourite categories, Alward’s Her Rancher Rescuer, the protagonists of Somebody’s Baby are young – really young – not the usual put-together super-people that contemporary romances tend to give us, but callow. And because Alward makes them somewhat unlikeable, at least initially, in their callowness, their growth is the more believable.
Oaklee Collier is 24 and works in Darling’s publicity department. She is all things FB, Twitter, and promoting tourism and local businesses. It’s no wonder Twitter plays a clever, interesting role in the narrative. As a Twitter aficionado, MissB enjoyed this, among many others of the novel’s aspects. Oaklee is texting, tweeting, and all around being distracted by her phone when she hits a mangy dog. Overwhelmed by guilt and hoping to save the dog, she carries him to the local vet’s, where her brother’s best friend and high school “white-steeded knight” works, Dr. Rory Gallagher. When Rory overhears her, as she enters the clinic muddied, bloodied, and carrying a whimpering doggie, he has the typical rom response to the best friend’s little sister, “Unless he was mistaken, that voice belonged to Oaklee Collier. A complete and utter pain in the ass.”
Miss Bates ran a gamut of reactions to Mary Burchell’s Warrender Saga. She adored the first and loathed (DNF-ed) the second and third. And yet, the first, A Song Begins, was so good, she get kept trying to read one after another. Well, fourth time’s a charm because The Curtain Rises is masterful. There is much in it that Miss Bates usually dislikes, but it totally totally swept her away with its emotional intelligence. To set the scene for MissB’s reader: Nicola Denby, possessed of looks, sound judgement and reasoning, and a doting, country-life-middle-class-respectability English family, goes off to London to earn her living as a secretary. Family connections see her become assistant to her prima donna aunt (who must never be referred to as “Aunt”) Gina Torelli (Torelli is a fascinatingly machinating character: a mercurial, temperamental fairy god-mother, vain and sharply intelligent, one of romance’s greatest secondary characters). Nicola was engaged to a brilliant viola player, Brian Coverdale. When Brian was on tour in Canada, he took ill and yet rushed to Toronto from Montreal at the conductor’s, Julian Evett’s. Brian, sadly, died of some consumptive-like illness and Nicola is left with great enmity towards Julian, who soon turns up to direct her aunt’s Covent Garden production. Continue reading
Reading Michelle Smart’s Once a Moretti Wife was balm to Miss Bates’s reading soul after its wounding by Knox’s Madly. Admittedly, if you’re an HP reader, you’re going to recognize some of the line’s pernicious elements in Smart’s novel: a hero and heroine plagued by abusive and/or disappointing families, a heroine the nonpareil to the hero’s negative views of women, and a gargantuan mis. MissB. had one of two choices: cling to every accusation thrown at the HP, even though conventions are givens and if you don’t like them, don’t read them, OR revel in its wit and characters’ vibrancy. Add a dollop of amnesia to the heroine, show her disoriented and weak, even while the dark, nasty hero conjures his revenge against her, then catches her when she collapses at his feet and nearly has a heart attack from his fear over her well-being. Marvelous, thought MissB., this is going to be great! And it was. Continue reading
The day-job ate all of MissB’s reading time in the past few weeks. She greatly missed writing her blog and is so happy to be back this week with a review of Ruthie Knox’s Madly. Hopefully, a two-week hiatus won’t be repeated.
Truth be told, part of it was work and part of it was MissB trying to get through Knox’s long-anticipated return to romance with New York #2, Madly. And, it is “mad,” a wildly unhappy, chaotic romance about Allie Fredericks (Truly‘s heroine’s, May’s, baby sister) and Winston Chamberlain (About Last Night‘s hero’s, Nev’s, older brother). Madly is one of the most fraught romances Miss Bates has ever read (barring Judith Ivory’s Beast, which MissB. loathed) and she struggled to get through it. Continue reading
Don’t let Kate Hewitt’s light-hearted Falling Hard cover fool you into thinking this is a rom-com. Falling Hard has hard and difficult truths for its hero and heroine: they’re either living them, heroine Meghan O’Reilly, or living with them, hero Quinn Freeman. Falling Hard opens innocuously when Quinn’s mother, Margo, asks him to return to their home town, Creighton Falls, New York, to renovate a hotel the family lived in and owned until they abandoned the town and took their wealth and success to New York. Ah, thought MissB, typical charmingly roguish, wealthy but drifting bad boy hero receives his comeuppance by small-town cute and a more-than-capable Amazonian heroine. Miss Bates should’ve known that Hewitt always delivers more than that: more complexity, more nuance, more vulnerability. And vulnerable they are; Miss Bates would even say two of the most heart-breakingly sad protagonists she’s read. Which only makes their HEA, of course, the more deserving.
Miss Bates will always love Donna Alward’s categories, but her move to longer contemporaries offers readers uneven results: some books, reviewed here, have been great; others, so-so. But Alward’s depth and sensitivity will also see Miss Bates’s return to her books time and again. She did so with Alward’s second Darling, Vermont, contemporary romance, Someone To Love.
Willow Dunaway, owner of The Purple Pig Café, is Darling-born and raised. An unhappy childhood and adolescent trauma saw her leave Darling for years. Now she’s back with a new-found contentment in her business, yoga practice, and embracing of serenity. Willow has fought a long, hard battle to come back from some devastating experiences and the semi-colon tattoo on her forearm proves it to herself daily. She has found many things in her re-found hometown that she sought: friendship, community, and purpose. She does not, however, date … until she meets widowed single-dad and firefighter, Ethan Gallagher. In some delightful initial exchanges, Willow’s flower-child, vegetarian ways clash with Ethan’s carnivorous alpha-tendencies. Continue reading
Jonathan Bear, grumpy, huge, solitary, made several cameo appearances in previous Copper Ridge romances, as heroine Rebecca Bear’s overprotective, gruff, and scary older brother in Last Chance Rebel, one of the many Yates contemporary roms set in Copper Ridge, Oregon. With each one Miss Bates picks up, she thinks this’ll be the one to break her, the one where she throws her hands up and says, “I’m done with this series.” Well, hell no. Seduce Me, Cowboy is fresh and moving and one of the best of the lot. It gripped MissB., kept her up till the wee hours. She’d been drumming her fingers in impatience and anticipation of Jonathan’s story and Yates delivered, giving him an unlikely yet perfect heroine. Twenty-four to Jonathan’s thirty-five, Hayley Thompson is already far removed from Jonathan. She is a “good girl” to his “bastard son of the biggest bastard in town,” a beloved, coddled, and protected pastor’s daughter to his abusive, abandoned childhood, and virgin to his one-night-stands experience. But Hayley is preparing to break out, to be more than what she calls her family’s “beloved goldfish” and she starts by taking a job with the elusive, mysterious, and bearish Jonathan Bear, on her way out of Copper Ridge and the first step to her “plan for independence.” Continue reading
Miss Bates rolled joyously around in Lucy Parker’s romance writing like the first touch of clean sheets. She listened to Act Like It, Parker’s first contemporary romance, alternating with reading the second, Pretty Face. MissB. is a fickle rom-reading mistress, rarely glomming, as she did when she first started reading rom ten years ago. But Parker’s original setting, flawed, likeable characters, and witty writing, yet still heart-tugging and romantic, captured and held on for two days of continuous listening and reading. Though this review will focus on Pretty Face, everything she says about it may be applied to Act Like It (with the exception of one of the best audio-book narrators Miss Bates has ever listened to). Like Miss B’s Ruby Lang discovery, Parker made it onto a “not-to-be-missed” romance writer list by page three of Pretty Face and oh, ten minutes into Act Like It.
There be many reasons why MissB. liked Parker’s work, but she’ll start with the setting. Original, engaging, charming, Parker’s novels take place in London’s West-End theatre scene amidst actors, agents, directors, celebrity gossip-rags, and paparazzi bulb-flashes. Kudos to Ms Parker for normalizing the scene, for eliciting sympathy from her reader for the “pretty faces”, male and female, with their vulnerabilities, weaknesses, insecurities, and everyday yearnings, to love and be loved, find a life-partner, and enjoy understanding, support, affection, and tenderness. Continue reading
Miss Bates is a loyal reader to certain romance writers because they offer engaging romance about goodness: Liz Fielding, Marion Lennox, Carla Kelly, Jessica Hart, and Kate Hewitt. Their heroes and heroines may be melancholic, mistaken, even a little sharp at times, but they are fundamentally good – decent, caring, and kind. No one is smarmy, no one is mean, and no one dominates. It’s fair to ask if this makes their books, their characters, boring? Miss Bates would argue not because they create characters who are good people with plenty of personality. The dialogue is strong, the inner conflicts are believable, and the romance, well, it’s of the sigh variety. When MissB reaches the end, she is replete with sighs of satisfaction. Such a book is Liz Fielding’s The Sheikh’s Convenient Princess.
The premise is outlandish, but Fielding’s hero and heroine are believably fleshy, in their dilemmas, their give-and-take and back-and-forth of witty banter, serious sharing, charming flirtations, and deepening affection. When we meet Sheikh Bram Ansari, he is “disgraced, disinherited, and exiled.” Youthful shenanigans led his father to disinherit him and put his younger brother on the throne, a younger brother who also married Bram’s arranged fiancée, Safia. Enter Ruby Dance, temporary PA (when Bram’s right-hand-man is laid low by a skiing accident). Bram may not have seen kith nor kin in five years, but he’s cleaned up his act and is now a man worth billions. He can afford Ruby Dance. Continue reading