It was nice to start the reading year with a quiet book, with flawed, believable characters, and still get a satisfying HEA. That’s Noelle Adams’s The Return. In a way, it reminded me of another recent read, Lacy Williams’s Small-Town Girl. Adams and Williams manage to convey a certain grit to their heroes and heroines and yet still imbue them with vulnerability and kindness. It’s nice to read, refreshing. My reading world didn’t rock, but it had a nice gentle swing, leisurely and hopeful, for the few days I spent in The Return‘s company. It helped that The Return is a second-chance romance for two good people: florist Ria Phillips and the boy who loved her and left her just when they were new lovers at eighteen, Jacob Worth. The novel opens with more humour and light-heartedness than it ends, despite its HEA. At its opening, Ria is trying to convince her town that, after eight years, she’s NOT holding a torch aloft for Jacob Worth. Until he “returns” to Azalea, Virginia, as his grandfather lies dying (turns out grandfather had a lot to do with why Jacob abandoned Ria and none of it good on gramps’s part). It’s obvious from their first reunited meeting that these two love each other and belong together, but there’s plenty of hurt and years and change to integrate into a new relationship. No matter how difficult and valid Jacob’s reasons were for leaving, he still left without explanation and never again contacted Ria. He was young, proud, hurt, and stupid. But he’s an awfully nice guy and gets softer and more vulnerable as the novel progresses. Continue reading
Dear readers and friends, if there’s one quotation that ran through my mind this annus horribilis, it’s Fitzgerald’s, “It occurred to me that there was no difference between men, in intelligence, or race, so profound as the difference between the sick and the well” (The Great Gatsby). And we have lived it every single day since March, when the subtle rumbling of the covid avalanche came to our attention. Then, lockdown … and a strange, united elation of singing from balconies and applauding health care workers and a kind of strange peace for those of us staying home that took the form of bread-baking and staring out windows. And, what I thought would be “reading time”, despite WFH. It wasn’t. Not the reading time part: instead a length of days, lost, in dream and lethargy. Of the books I did read, few stood out. Here they are. Continue reading
There comes a time when a reader and a category must part ways and with this, Lynne Graham’s Cinderella’s Royal Secret, the time has come for me and the HP. If you’re looking for the HP’s requisite elements, they’re here, but their mix is a recipe gone bad, or my taste for them is off. Either way, I’m out. The only thing I still enjoyed about Graham was her humour, definitely evident, the rest was meh and way too much telling over showing to bring this baby to baby-filled post-HEA bliss. It started out all right, again because it was funny. Prince Rafiq is in Oxford to inaugurate something. Back home in the mythical kingdom of Zenara, the days are numbered before he must take another wife (yes, even though he’s only 28, this would be wife #2; the first one conveniently dead; they married when he was 16, squeeky-yucky detail #1 among others). Izzy Campbell is the chambermaid at his hotel, toiling at toilettes to finish her teaching degree and help her prodigal parents and twin sister (who also toils) to care for her disabled baby brother. It’s a misery-fest, but this family is CHEERFUL. Rafiq walks out of the bathroom as Izzy enters the hotel suite with her cleaning cart and it’s lust-at-first-sight. They have dinner, fall into bed, and, lo and behold, though Rafiq is infertile, Izzy is on the pill (were it not for those pesky anti-biotics and a butterfly stomach of subsequent heaving and puking, well, it could’ve worked) … tara! Broken condom and a few months later, Izzy makes her way to Zenara to tell Rafiq he’s going to be a father … twins no less. Miracle of miracles, his very own babies … Rafiq and Izzy must marry … and you know the rest. Continue reading
Lacy Williams’s His Small-Town Girl isn’t a perfect romance, but it is true to the genre. And that was something I wanted to read after two lugubrious duds. Williams came from one of my favourite category lines, with favourite authors too, Harlequin’s “Love-Inspired” historicals (aka inspiehistrom). Since that line shut down, she has navigated to self-publishing and this series is, I would say, “kisses-only” contemporary, ne’er a soupçon of inspie content. But it still carries her ability to draw characters, write a fine line, and create a heart-tugging romance. There is something alive about Williams’s characters: they reach out to the reader and the reader cares about them. Even though overall His Small-Town Girl is an angsty read, the quick-fire, at times banterish exchanges between hero Cord Coulter and heroine Molly English lend a light, engaging touch. Angsty as heck is what these two are: Cord has returned to Sutter’s Hollow after years away in Houston to repair and sell his legacy, his grandmother’s run-down ranch. Orphaned with his baby brother, Cord suffered at the hands of his grandmother (and she’s never redeemed, which is a good thing in a contemporary that avoids the all-sunshine label in small-town Texas). As he tries to bring order into chaos, deal with an impending mortgage, and not lose his general contracting work back in the city, Molly English comes walking onto his ranch, sunshine to his grump, willing to do any labour to stay. Continue reading
I adore a reunited-lovers trope and Michelle Douglas has given us a gem of a treatment in Redemption Of the Maverick Millionaire. She has penned a betrayal story that is NOT a sexual betrayal and yet, is viscerally compelling. With my beloved category romances at a minimum of goodness and telescoping my category reading to a handful of authors, a great category is always welcome. Redemption Of the Maverick Millionaire is a great category romance, well-written, tightly-paced, and driven by character and sentiment.
Damon Macy encounters Eve Clark at a moment when he cuts a deal to buy property in her beloved town of Mirror Glass Bay. What she doesn’t know is that he’s motivated by one sole desire: to make up for how he hurt her four years ago and gain some measure of peace by redeeming his then godawful actions. Hence, the title. What he doesn’t know is that Eve wanted that property to be developed, not to keep it pristine. Mirror Glass Bay can’t afford that: to keep their town’s essential services, like an elementary school and clinic, residents like small-business owner Eve need to drum up investment. For a few minutes, Eve believes Damon has foiled and upended her life again … and Damon is mortified. He swiftly moves into Eve’s beachfront hotel, the only deal in town, and goes about ensuring that Eve gets exactly what she wants: investment, development, and the revivification of her beloved home, where she’s lived since his betrayal, with her gran, having left Sydney and the corporate world behind. Continue reading
After an excess of mystery-reading, I was ready for some romance. And you can’t get more of a romance-concentration than in an HP. And Dani Collins being one of my favourite HP authors, I was set. I stayed up way past my bed-time to finish A Hidden Heir To Redeem Him and it wasn’t because it blew me away. Rather, there’s something so viscerally satisfying in the HP that even a less-than-stellar effort from a favourite author keeps you glued to the page. Is it over-the-top-ness? Is it every wish-fulfillment fantasy for safety and devotion? Is it pure escapism and thus a respite from this surreal, frightening year? Probably all of the above. Hidden Heir hit the notes, but Collins didn’t always hit them as perfectly as her Cinderella’s Royal Seduction, which is as perfect an HP as Sarah Morgan’s Playing By the Greek’s Rules or Lynne Graham’s The Greek’s Chosen Wife. These three titles distill the best of the HP. They’re tightly focus on the couple’s relationship. A Hidden Heir, on the other hand, lost its way when the hero’s and heroine’s painful backgrounds overwhelmed their romance.
There are books I hoard until I know another one is imminent. But the wait for another Russ Van Alstyne/Clare Fergusson mystery was seven years in the offing. I kept One Was A Soldier and Through the Evil Days piled on the night-table, winking and beckoning and giving me the come-hither-reader. But I resisted. Now, with, finally, after a seven-year wait, a new Russ/Clare novel, Hid From Our Eyes, I decided to go whole hog and catch up on all of them. With covid-work and sundry tasks, reading-time has been at a premium, usually consisting of three sleepy-eyed pages and then oblivion until the alarm chirps. Nevertheless, I was glad, even piecemeal, to sink into One Was A Soldier, though it was as unlike the previous books in the series as I’d ever expected. Oh, I liked it, loved it for Russ and Clare, but it did come as a surprise. For one thing, Spencer-Fleming played with her narrative timeline and frankly, for another thing, I barely recognized Clare and Russ, their personalities usually running along the lines of serene wisdom to street-smart a-whole-lot-o’-mess respectively, suddenly turned on their head. Reverend Clare was a hot mess and Russ, an island of calm and reasonableness … until I started reading Through the Evil Days, but that’s for another post. (Be warned, what follows contains spoilers, so continue if you’re already a series fan and have read up to the present volume.)
I adored Rock Hard, Gabriel Esera and Charlotte Baird’s story, and was delighted to find the opening scene to Love Hard was their wedding day. By the time I tapped the final page, I realized it was the novel’s best, most vibrant one, with droll moments and full of affection, fun, and Esera family high-jinks. The Eseras are QUITE the clan. It is in this scene we are introduced to hero and heroine as they take their places as groomsman and maiden of honour. They are Jacob Esera, Gabriel’s rugby-star younger brother, and Juliet Nelisi. They are also former HS antagonists and, as a result, there’s a lovely dose of banter when they reunite. Not all is light and fluffy, however; they share a great sadness. Juliet’s best friend and Jacob’s HS sweetheart, Calypso “Callie,” died of meningitis soon after giving birth to their daughter. Callie and Jacob were teen parents. Jacob has been a single-dad to Esme going for six years.
If there’s one thing I miss, it’s a good category romance. With many categories going the way of the bodice-ripper and trusted, true category writers absconding with their talents to other publishing pastures, it’s a rare and wonderful thing to have a few trusted category friends. One such is Sherri Shackelford, whose inspirational histrom I continue to miss. Though I’m not a fan of Intrigue, or this inspie-light parallel category, I ready by author and every other perimetre be damned (it’s how I *shudder* followed Sarah Morgan, beloved HP-author, to WF). In Shackelford’s latest, Stolen Secrets, I found the same delightful sense of humour and likable protagonists as I did in the histrom. The “suspense” part wasn’t to my particular interest, but I went along, and the narrative clipped along nicely, just to reach the HEA for heroine Lucy Sutton and hero Jordan Harris. When Shackelford’s scene opens: Lucy and Jordan are meeting in a coffee shop, a year after Lucy lost her fiancé and Jordan’s mission partner, Brandt Gallagher. Jordan has had a long road to recovery from the blast that killed Brandt and both Jordan and Lucy are still raw from grief. Their meeting is interrupted by a shooter in the café and Jordan and Lucy barely make it out alive. Continue reading
I looked forward to a new-to-me author, Weatherspoon, and have always been a sucker for an amnesia narrative. It’s residual love from my many years of day-time soap-opera watching. Weatherspoon’s premise attracted me; sadly, her execution didn’t hold my love, or attention.
Premise first: Chef Evie Buchanan, tv-cooking-show-darling, is pushed down the stairs during a pre-Christmas cast-party and left in the stairwell for two days. (The believability-metre for Weatherspoon requires a wide reader berth.) Her agent, Nicole Pruitt, finds her and takes her to the hospital, where she’s declared fit (after two days unconscious at the bottom of a stairwell?!), except for the teensy problem of brain trauma and total amnesia. Best-friend Blaire and assistant Raquelle enter the picture to care for her while she’s in hospital. We soon learn, however, that Evie is without family, though her emergency contact is one Jesse Pleasant, co-owner of a California dude ranch. (Why did Evie name him her emergency contact when she lives with Blaire?) Jesse and his brother, Zach, come to NYC to take Evie home with them for recuperation. In the meanwhile, Nicole and Raquelle will hold the SM fort and keep Evie’s memory-loss out of the media spotlight. In California, Evie will have a chance to heal, reunite with her found-family (parents and beloved grandmother died ten years ago), as well as the man who broke her heart, Zachariah Pleasant, cowboy, entrepreneur, and heart-crusher.