Mini-Review: Liz Talley’s CHARMINGLY YOURS

charmingly_yoursLast year, Miss Bates named Liz Talley’s Sweet-Talking Man one of her best 2015 roms. And even though Talley has left behind Miss Bates’s beloved category, the Superromance, Miss B. followed her to a new publisher hoping for the same blend of humour, realistic characterization, and love coming at the hero and heroine from unexpected places. Talley has a real talent for creating heroes who’ve been hurt by a past love, without turning alpha or cold. They’re vulnerable and a little lost in affairs of the heart, susceptible to too easily falling for a girl again. Her heroines are no wilting southern belles, though they retain a kind of genteel naïveté. Then, they surprise you, with earthiness and a plunge into free-spiritedness and their discovery of possessing an independent self, free from familial and social constraints. Charmingly Yours contains these elements and new ones. Unlike the realistic superromance, Charmingly Yours has a definite women’s fic woo-woo vibe. Rosemary Reynolds of Morning Glory, Mississippi,  and her coterie of besties, mourn the loss of their dear friend, Lacy Guthrie. In true women’s fic woo-woo fashion, Lacy has left a potentially woo-woo object and mission to her friends – a charm bracelet, for which they must each provide a new charm in the pursuit of a mission Lacy set for them. In Rosemary’s case, Lacy exhorted her to have an adventure, to leave behind her staid life and overprotective mother, and do things well-brought-up young southern ladies wouldn’t. Continue reading

REVIEW: Rebecca Rogers Maher’s ROLLING IN THE DEEP, Or “Hope Hurts”

Rolling_In_DeepAs a spinster of modest means, Miss Bates was intrigued by Rogers Maher’s premise for Rolling In the Deep. Who doesn’t buy the occasional lottery ticket and dream big? Ramòn “Ray” Lopez and Holly Ward stock shelves at a Poughkeepsie Cogmans, a “Walmart-like” superstore. Single-mum Holly is a Cogmans veteran; Ray, a newcomer. They shoot the breeze when they share an aisle, tell each other about their lives, and harbor a shy attraction. Holly survived a nasty divorce. Brett, her ex, and she share custody of Drew, their eight-year-old son. Brett, a cheating, domineering husband, is still nasty, insulting and demeaning Holly. She is anxious and self-effacing. She believes Drew is better off with his father: there’s a marked difference between the quality of Drew’s life when he’s with Brett and his wife Emma and when he’s with Holly in a dreary apartment and sparse life-style. But she’s “too selfish” to give him up; she loves him. At first, Ray appears the cheerier of the two. Newly arrived from Queens, Ray works two jobs, at Cogmans and a local restaurant, hoping to fulfill his recently-deceased mom’s wish for him to attend culinary school. Ray carries an uprooted grief, but seeing Holly smile and chat make him happy. He wants a date, but senses her single-mum’s caution. On a lark, he asks her to go halfsies on a Powerball ticket. When they win eighty million dollars apiece, their fledgling attraction and financially-straitened lives change overnight. 
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