One of the many things I love about Susanna Kearsley’s, Lauren Willig’s, Karen White’s, and now Beatriz Williams’s writing is their fidelity to the HEA. They hybridise various forms, historical novel, romance, gothic novel, mystery, murder or otherwise, social novel, they mash it up and produce novels that never fail to end up among my year’s favourites. Like their closest predecessor, Mary Stewart, they write in the first person (which used to be a romance-rarity but not so these days), creating a young, female protagonist who moves from innocence to experience during the narrative’s course. All this can well describe Beatriz Williams’s The Summer Wives, a novel that had me in its thrall over two days, waking up at dawn today to finish it. Initially, the novel impressed me as convoluted, with a plethora of characters and three historical narrative strands, but the voice of its central character and first-person narrator, Miranda née Schuyler Thomas, offered an Ariadne ball as I made my way through Williams’s labyrinth of love, hate, revenge, and betrayal. Underlying it was the susurration of Shakespeare’s Tempest, not only thanks to the eponymous heroine, but an island with native and visiting denizens, the sea’s ever-present beauty and danger, and a mystical, outside-of-time atmosphere. I would read it, stopping for a cup of tea and a biscuit, and whisper to myself, “Full fathom five thy father lies … ” Continue reading
Priscilla Oliveras is a new-to-me contemporary romance author and one I’d heard good stuff about from romance-reading Twitter friends. I was happy to add her title to my TBR and appreciated what she had on offer: as Oliveras herself self-identifies on her bio, a “Latinx” heroine, Sofía Vargas.
Resort To Love opens with the hero’s, Nathan Hamilton III’s, arrival at the now-defunct, dilapidated, Floridian Paradise Key Resort, where he and Sofía fell in love, consummated their love, and set a path to an on-again, off-again romance through their college and early-career years. Sofia hasn’t seen Nat in two years, but the sight of him sets her immediately back in their high-school sweetheart days and everything their love entailed, especially as illicit “cross-class romance”: “Their forbidden romance – him in management, her a summer employee – had heightened their adolescent hormones.” Sofía is beset by memories and feelings, but her primary emotions are grief (she’s recently lost a friend), anxiety, and anger. On his part, Nathan too is overcome by tidal waves of desire and love, but he’s also hurt from Sofía’s rejection: “It’d been two years since they’d been together. Two years since she told him not to contact her again.” There be reasons! Continue reading
I’d never read a Maxwell romance and embarked on A Match Made In Bed with curiosity and enthusiasm. Because I’m a naïve, gullible reader who’s too easily pleased, I lauded Maxwell to a Twitter friend and smiled smugly to myself on having “discovered” a great, new-to-me historical romance author. Unfortunately, I didn’t end up where I began. A Match Made In Bed showed initial promise. The hero and heroine intrigued me and the narrative promised compelling themes about money, women’s place in society, class, and family dynamics.
Soren York, Lord Dewsberry, and Miss Cassandra Holwell meet at a house party held outside of London. It’s not their first encounter. They share an interesting history: their Cornish-origined families have long feuded over past deception. Soren, aware of Cassandra’s dislike, yet woos her … because he needs an heiress’s money to bolster his soon-to-be-lost estate, Pentreath Castle. The novel opens with great banter and a wonderful antagonistic attraction between Cassandra and Soren. Even though Soren is mercenary, Maxwell manages to show us how he’s also kind and honourable. Cassandra is bookish and intelligent and has a lot of our sympathy, nursing a childhood hurt inflicted, unknowingly mind you, by Soren.
I never knew I was a fan of the tropish goodness of a marriage-in-trouble romance until I read Nicole Helm’s Bride For Keeps. It’s not that I avoided the trope, it’s just not one that’s done often, or at least favoured by the authors I tend to read. One of my earliest reviews was of Ruthie Knox’s marriage-in-trouble novella, “Making It Last.” There was an edge to Knox, an anger, that made the marriage compromise, no matter how cheerfully I tried to review it at the time, about diminishing the hero and heroine. This is not the case for Helm’s category-length romance.
Bride For Keeps opens with a family bombshell for the hero: the diagnosis of his father’s MS accompanied by the revelation that he is the product of his mother’s affair. Dr. Carter McArthur is floored: he has striven to be the perfect son, to stand in his father’s medical and community footsteps, giant, important, arrogant footsteps. His one rebellion, his one out-of-perfection decision was to marry wild-child Sierra Shuller. Continue reading
Things are looking up reading-wise since my last post. I had a few quiet days at home to catch up on work and find some leisure reading time. DNF-ing a few turgid titles helped too: there’s no greater reading downer than that awful reviewer’s ARC-obligation. You can kill it with snark, or you can kill it by shutting down the Kindle before crossing the reading Rubicon. You know, that point where you’ve bloody read 68% of The Thing and you might as well finish it. Enough, though, of reading despondency.
I made a few decisions about reading and things are looking up. When I’m in a romance-reading slump, there’s only one author who can coax me back from the reading blues: Betty Neels. I put the ARC list away and started Betty Neels’s Tabitha In Moonlight (you can follow along with my nightly #bathtubromreading hashtag on Twitter). I put Frankopan’s The Silk Roads away for a less fraught working time. Then, I plunged back into the ARC pile with the express purpose of divesting myself of a few more dreary, meh titles. What I found instead was a funny, charming, flawed little romance in new-to-me Lenora Bell’s What A Difference A Duke Makes. It has all the eyebrow-raising qualities of wallpaperhood, but it delighted me. It’s first in a new series and I liked the characters so much that I’m looking forward to reading the second, about the hero’s Egyptologist sister and her archaeological rival and nemesis. Continue reading
My reading trajectory through Alisha Rai’s Hurts To Love You, third in her Forbidden Hearts series, went from gleeful enthusiasm to tempered affection. The novel tidies and resolves the story (I assume because I haven’t read the first two in the series) of the complicated, convoluted relationships between the Kane and Chandler families. Complications and convolutions that must’ve been illuminated, to an extent, in Hate To Want You and Wrong To Need You. Reading Hurts To Love You felt like I was late to game, like walking into a dinner-party when the crux of the conversation is already underway. After a while I gave up trying to keep up with the sundry relationships and backstories and just enjoyed the romance between outsider Gabe Hunter and Baby Chandler rich-girl, Evangeline, or “Eve”. Gabe and Eve’s romance opens with a lot of mutual lusting from afar, which is a lot of fun. But, to start, to the premise. While Eve might be a wealthy Chandler, Gabe is the adopted son of the Kane family housekeeper. The Kane-Chandler family “feud” started when Maria Chandler and Robert Kane were killed in a car accident years ago, with the mystery of why they were in the car together in the first place resolved by the end of this third-in-series book. Continue reading
Whether it was my mood, or a super-busy two weeks, I slogged through the first in Kaye’s new series, From Governess to Countess. If I had to give you a baseline of my narrative immersion, it’d be: perked up to the premise, dragged my way through two-thirds and zipped through the last. Kaye’s novel is well-researched, with a fascinating and nicely developped setting, a lovely heroine and engaging secondary characters. The hero, on the other hand, is concocted out of bleached-out niceness and a copious dose of cluelessness.
I loved the premise: a mysterious “Procurer,” a woman, in 1815 London, seeks out disgraced women to offer them a task that may reestablish their finances and reputation. She is a “procurer” of second chances and her first mission is Miss Allison Galbraith, a Scottish herbalist, whose work has been derided by London’s medical establishment. The Procurer offers Allison a job, in St. Petersburg, as governess to the three orphaned children of Duke and Duchess Derevenko, presently in the care of their military-officer Uncle Aleksei, recently returned from defeating Napoleon. Continue reading
One of the first romance novels I read when I returned to the genre and combed through best-of lists for titles to throw money at was Lisa Kleypas’s Dreaming Of You. I adored Sarah and Derek, the casino setting, the pesky, bespectacled heroine and hardened with a secret heart of gold hero. Ostensibly, Lorraine Heath’s Beyond Scandal and Desire has echoes of Kleypas’s romance classic, but in many other ways, it is an entirely different beast, unique to Heath’s vision. Beyond Scandal and Desire‘s cross-class promise, its ingenue heroine who’s too smart to stay that way and guttersnipe-made-good hero kept me reading through a slow, though evident of a sure writing hand, first third. The similarities to Kleypas saw me through the premise’s set-up. What kept me rivetted was Heath’s weaving of a tale about the need to be recognized, acknowledged, loved, and validated, a journey both hero and heroine take in their unique ways, about what family means, and where we can meet on a plane of forgiveness and reconciliation. To start, the novel’s gothic opening sees a London aristocrat deliver a new-born to the East End Widow Trewlove, by-blow of an affair? shame of the aristocracy? Yet, the birth scene had been one of tenderness and love between mother and father … whatever happened here, I wanted to know.
A groggy, caffeine-heavy morning for me after a night reading into the wee hours, thanks to Lauren Willig’s Gothic romance, historical mystery The English Wife. The novel opens in January 1899 in Cold Spring NY, at “Illyria,” Bay and Annabelle Van Duyvil’s country estate. Bay and Annabelle’s hermetic existence has thus far been the bane of Bay’s appearances-are-all mother, Alva. Formidable, humorless Alva is ever flanked by Janie, her mousy, silent daughter and Anne, the mouthy, flamboyant niece she took in. To Alva’s great society-loving heart, Bay and Annabelle are finally celebrating the opening of their magnificent estate by holding a costume ball for New York’s best, brightest, and finest. Until now, Bay and Annabelle’s life has been a mystery. Rumours of eccentricities and infidelities swirl around them, about them … maybe because they keep to themselves and, at least on the surface, appear to live an idyllic existence with twins Sebastian and Viola. Bay and Annabelle don’t seem to give a fig about what the “best people” think, rendering them endlessly fascinating to the society pages and ensuring Alva Van Duyvil’s frustrated, officious meddling. Continue reading
Miss Bates dislikes romance where the heroine has to choose between two suitors. She prefers her romance protagonists to know this is the one, no matter how antagonistic or impossible their relationship seems to be, whether thanks to external, or internal reasons, or both. But romance authors have time and again humbled Miss Bates by proving that her most hated tropes can be redeemed. Carla Kelly’s Libby’s London Merchant redeems the two-suitor trope most finely.
As with most Kelly romances, there’s a lot more to it than meets the eye. Kelly uses the genre’s formulaic narrative arc and conventions to dress her most beloved themes: her young, intelligent, but inexperienced heroines have to learn the lesson that hard work and purpose go hand in hand with finding a person to love and share their lives with. In Libby Ames’s case, her struggle to figure out who she loves, the Duke of Knaresborough, Benedict Nesbitt “Nez”, who comes calling as the chocolate merchant “Nesbitt Duke”, or her neighbour and friend, Dr. Anthony Cook, is also the story of Libby’s coming-of-age, taking on adulthood by figuring out what will make life as meaningful as it is love-filled. Continue reading