I never knew I was a fan of the tropish goodness of a marriage-in-trouble romance until I read Nicole Helm’s Bride For Keeps. It’s not that I avoided the trope, it’s just not one that’s done often, or at least favoured by the authors I tend to read. One of my earliest reviews was of Ruthie Knox’s marriage-in-trouble novella, “Making It Last.” There was an edge to Knox, an anger, that made the marriage compromise, no matter how cheerfully I tried to review it at the time, about diminishing the hero and heroine. This is not the case for Helm’s category-length romance.
Bride For Keeps opens with a family bombshell for the hero: the diagnosis of his father’s MS accompanied by the revelation that he is the product of his mother’s affair. Dr. Carter McArthur is floored: he has striven to be the perfect son, to stand in his father’s medical and community footsteps, giant, important, arrogant footsteps. His one rebellion, his one out-of-perfection decision was to marry wild-child Sierra Shuller. Continue reading
Deanna Raybourn’s third Veronica Speedwell, Victorian-set mystery finds her prickly, sleuthing pair, Veronica and Stoker, where they’ve settled since book one’s conclusion: in Bishop’s Folly, setting up the Earl of Rosemorran’s museum from his vast, eclectic, esoteric collection. In A Treacherous Curse, their museological endeavours are interrupted by a mystery that tickles their adventurous spirits and curiosity, challenging and deepening their relationship. Unlike my other favourite historical mystery series, C. S. Harris’s Sebastian St. Cyr, it is interesting to note how Raybourn’s sleuthing protagonists are not endowed with a strong sense of justice. They’re driven by a crossword-puzzle-doer’s instincts, the need to solve the quandary, or as Veronica quips, “To investigate one murder is a curiosity. To investigate two is a habit.” This is not by way of criticism. It isn’t fair to compare persimmons with pineapples, but I do like to muse on authors’ world-building and thematic choices. What gives Raybourn’s series moral impetus, at least in these initial volumes, is the revelation of our main characters’ pasts. (In A Treacherous Curse‘s case, Stoker’s is under scrutiny.) Maybe this will change in future volumes? What else informs Raybourn’s series’ moral impetus is the fierce protectiveness and loyalty that Veronica and Stoker (aka Templeton-Vane) hold for each other. There’s romance dearth for romance readers, but enough of a spark to keep me reading, for this and sundry reasons. (I am delighted that Veronica ogles Stoker’s Laocoönian body, while he exhibits near-prudish bashfulness. So much fun in those scenes!) Continue reading
In 1817 London, 20-year-old heroine Georgette Frost, “accustomed to flights of imagination” leaves the family business, Frost’s Bookshop, to seek her fortune, in pursuit of reward money for locating 50 000 Royal Mint stolen gold sovereigns. Hero Sir Hugo Starling, 32, Georgette-described “hawkish of feature, and stuffy of temperament … [r]epresentative of everything chill and sterile about the life of the mind: study, solitude, and sternness,” discovers boy-clad Georgette on her way to adventure and fortune. As a self-styled stodgy rescuer of females and taker-carers of everyone, doctor and younger son of a duke, Hugo cannot allow Georgette to proceed on her foolish errand without protection. He resolves to return her to his friend and her brother, Benedict, and she resolves to foil him. Theresa Romain’s witty pen is immediately evident in Passion Favors the Bold. Among histrom writers, Romain is gently humorous and deeply compassionate towards her characters and never more so than in her second Royal Rewards romance.
Kate Noble writes romance of complexity and thought. And her most recent The Dare and the Doctor is wrought in this vein: thoughtful, with nuanced characters caught in believable dilemmas, and with growing feelings of love for the wrong person. Miss Bates admits that, while she enjoyed the novel in its entirety, prose and characterization and plot, her favourite part was the opening section for its epistolary nature. Miss Margaret Babcock of Lincolnshire, horticulturist extraordinare, she of rose cross-breeding fame, found a friend and kindred spirit in Dr. Rhys Gray, former army surgeon and now Greenwich-based, when he attended her father at their estate and relieved him of his gout. Since, and serving in a marvelous series of exchanged letters, Margaret and Rhys have enjoyed a close, warm, and witty correspondence, deepening and growing their friendship. Knowing that Margaret’s dream is to present her prize roses to the Horticultural Society, Rhys arranges for her to meet with them in London. Margaret travels to London to stay with their mutual friends, Lord Ashby, Ned; wife, Phoebe; and cherubically fun six-month-old, Edward. Rhys, in turn, travels from his Greenwich laboratory to London to reconnect with old and dear friends Ned and Phoebe and see Margaret.
Miss Bates has been reading rom long enough, ten years to date, that it’s harder and harder to find a new-to-her category author (category being her primary romance consumption). BUT Amy Andrews is new to Miss Bates and she’s sorry she took as long as she did to read her. There was much to like about Andrews’s Swept Away By The Seductive Stranger and the title wasn’t it. The characters, their conflicts, inner and outer, the setting, and their surprisingly honest and realistic romance were.
Nurse Felicity Mitchell is fulfilling the dream of a life-time riding the Indian-Pacific rail to Adelaide when she meets and is attracted to Callum Hollingsworth. Though neither are one-night-stand aficionados, their overwhelming attraction, during dinner with the retirees they share the train with, it appears will lead them to share their deliciously cramped overnight berths. A medical emergency puts a stop to their soon-to-be-tryst and reveals their respective professions as nurse and doctor, respectively. Nevertheless, the post-adrenaline restlessness following the medical emergency’s resolution has them share a night of never-to-be-repeated passion between “strangers on a train”. With the inevitable hokey coincidence of the romance novel plot, it turns out the strangers on the train will soon be co-workers in the clinic, as Callum appears at Nurse Felicity’s Vickers Hill clinic to take over for two months while one of their doctors goes on maternity leave. Continue reading
As you may already know, Miss Bates is a great fan of Christmas-set romances. She anticipates them annually, with much love for publishers’ covers going all out on snow, tinsel, sparkly trees and eggnog-sipping lovers. Romance writers offer a plethora of love in the snow, under the tree, and on the slopes. But there is no closed-cabin romance as good as the one where our couple is snowed in. One of Miss Bates’s favourite Christmas titles is a snowed-in-closed-cabin joy (actually a truck bed, but you’ll have to read it to find out), contemporary category romance Kathleen Creighton’s One Christmas Knight. One of Miss Bates’s favourite historical Christmas romances is Lauren Willig’s The Mischief Of the Mistletoe, with its projectile Christmas pudding as THE key plot point and one of the most endearing heroes ever written. Miss B. has written of her great Christmas romance loves before and won’t bore you, dear reader, with more. Well, maybe one, because it’s a recent addition and deserving of praise: Kat Latham’s Three Nights Before Christmas. This year, MissB’s inaugural Christmas romance post is classic vintage rom, Betty Neels’s The Fifth Day Of Christmas. Because if The Divine Betty can do ordinary days well, with such warmth and wit, what will she do with Christmas!!?? Continue reading
Marion Lennox sure knows how to put her heroes and heroines in a dangerous pickle. The last Lennox Miss Bates reviewed had a heroine dangling over a ravine. The hero rode in on an SUV to rescue her. In Lennox’s latest, the puerile-ly-titled Saving Maddie’s Baby, Dr. Maddie Haddon, eight months pregnant, is trapped in a mine shaft with an injured miner. She went harrying in to help, with no thought to mine collapses or massive baby belly. It would appear that Lennox, at least on the basis of her last two efforts, does love a TSTL heroine, except the heroine acknowledges she’s TSTL:
Heroes and heroines don’t choose to be brave, Maddie decided. Mostly they have bravery thrust upon them. In her particular case, a heroine was created when vast chunks of rock trapped one doctor in an underground mine, a mine she should never have been near in the first place. This heroine wasn’t brave. This heroine was stupid.
And with that rueful opening, Miss Bates had to forgive the TSTL heroine because she was thoroughly engaged in Lennox’s re-united-husband-and-wife medical romance.
Miss Bates wasn’t enamoured of the first Marion Lennox romance she read, Her Royal Baby. There was something treacly to it, a heroine too good to be believed, a hero so honorable under his gruff exterior, he makes Capt. von Trapp look like a debauché. But something happened when she read Lennox’s latest, From Christmas To Forever. The elements that irritated suddenly charmed, the syrup goo-y sweetness moved. And Miss Bates lost her Lennox side-eye. Sometime it takes a while to “get” a writer (and sometimes, one never does … delegating said to the heap of “I tried, but she doesn’t work for me.”): to learn to appreciate her thematic concerns, understand her choice of narrative threads, her particular take on the classic romance narrative of encounter/attraction-repulsion/consummation/disintegration, and reconciliation. Lennox clicked for Miss Bates when she saw Lennox as a contemporary Carla Kelly, a Kelly transplanted to a contemporary Australian-set romance. Like Kelly, we find the officiously caring hero, slightly broken but eager to do good in the world heroine, and thematic concern with service and love making for the happiest couples. Continue reading
Donna Alward’s foray into longer contemporary romance is akin to Sarah Morgan’s: coming from wildly, deliciously wonderful categories to extended characterization, detailed setting, and broader themes with mixed success. Readers, like Miss Bates, who adored their categories, followed them, if not happily, then trustfully into new romance territory. Alward and Morgan never fail to deliver heart-stirring and thoughtful romance, however, and surprise readers in the varied ways they use romance conventions. If you enjoy Morgan’s Puffin Island, you’re sure to like Alward’s also Maine-set Jewell Cove. Summer On Lovers’ Island is fourth in the series, after The House On Blackberry Hill, Treasure On Lilac Lane, and novella, Christmas At Seashell Cottage. It stands alone, but Miss Bates enjoys Alward’s small-town world, especially how she imagines and imbues it with a strong sense of its historical past and interconnected characters and families. Her premise is strong, each novel illustrating a character’s growing pains entering small-town life new, or anew in Treasure‘s case, and meeting, not always cutely, a long-established, town-native mate. Lovers’ Island‘s heroine is newcomer Dr. Lizzie Howard, on leave from her high-powered ER position at a big-city hospital. She agrees to take Charlie’s, her best friend’s, maternity leave practice for a few months, a practice Charlie shares with veteran and goldenboy-hometown-hero, Dr. Josh Collins. Lizzie’s got him pegged when she considers his star status at Jewell Cove’s Fourth of July baseball game, “Local star, hometown hero, Jewell Cove’s favorite son.” Continue reading
A few years ago, Miss Bates read Michelle Celmer’s Caroselli’s Christmas Baby, a marriage-of-convenience, friends-to-lovers narrative she greatly enjoyed. Celmer’s latest and the subject of this post, More Than A Convenient Bride, is based on similar premises. South African heroine, Julie Kingston, best friend to, and research assistant of Dr. Luke Wakefield, has to leave the US when her work visa is not renewed by immigration. Friends for years since they met working for MSF, Julie and Luke are devoted to the health and well-being of the residents of small-town Royal, Texas. They are also more committed to their friendship and mutual medical mission than any significant others. Workaholics and free spirits, they agree to a marriage of convenience to ensure Julie stays where she can continue to help Luke rake in the millions by inventing life-saving surgical aides, while acting as chief of surgery at the local hospital and continuing his philanthropic work. These are highly intelligent, committed, professional protagonists and Miss Bates looked forward to their come-to-love story. It didn’t hurt that marriage-of-convenience and friends-to-lovers are two of her favourite tropes. Continue reading