Mariah Fredericks’s second Jane Prescott mystery, Death Of A New American, has a rich, layered, vivid backdrop: 1912 New York. Indeed, Fredericks’s vibrantly-rendered historical detail may be as immersive and compelling as her mystery and characters. Of the latter, her amateur sleuth, lady’s maid Jane Prescott, is eminently sympathetic: intelligent, observant, and compassionate. Jane’s lowly social status allows her the freedom to fade into the background and take in the details of the wealthy, privileged, and as aristocratic as Americans can be, families she serves. Fredericks may write about the rich and powerful, but the moral core of her mystery lies with the people of the “downstairs”. Their lives, thanks to the historical context in which Fredericks situates them, will change as social, economic, and political tides sweep over early twentieth century New York.
Fredericks has penned a novel as richly conceived historically as it is domestically. When it opens, the papers are crying the news of the Titanic‘s sinking. On the domestic front, Jane is preparing a trip to the Long Island home of the Tylers, as her mistress, Louise Benchley, prepares to marry their nephew, William. Charles, William’s uncle, is the powerful, influential, and famous-for-fighting-the-emerging-Italian-NY mafia, police commissioner. But, who is the “new American” and how and why does she die?
It’s been a while since I read a Camden sort-of historical romance. I’ve also drifted away from inspirational romance, thanks to the end Harlequin’s Love Inspired Historical line, where many a favourite author resided. With A Desperate Hope, Camden has moved away from the inspirational (which was fairly “light” to begin with) and towards “Americana” à la Deeanne Gist. (I loved Gist’s Tiffany Girl, but haven’t seen anything from her since. This makes me sad.) But Camden is a solid stand-in and I enjoyed the 1908 upper-state-NY-set historical fiction with a mild romance running through it. Unlike standard inspirational fare, the hero and heroine, while they’ve believers, also have a youthful affair, the heroine had lost her virginity to the hero, and there’s a fair amount of ale-drinking. Hurrah for Americana: this felt more believable than the inspirational romance’s leached ethos. Continue reading
Miss Bates had every reason to want to read Cathy Pegau’s Murder On the Last Frontier: feminist-writer heroine, wintry setting (MissB’s favourite!), blue-eyed deputy hero, and that gorgeous hat! Sailing from her native Yonkers, journalist Charlotte Brody arrives in 1919 Cordova, Alaska, to join her doctor-brother, Michael. Charlotte’s plans are to write about northern frontier life as it confronts twentieth century American concerns: financial boom-times, women’s changing roles, mechanization, and the “soon-to-be-voted” Volstead Act. Charlotte is a proponent of women’s rights, especially the struggle for suffrage, and writes from that unique perspective, sending dispatches to Yonkers’s Modern Woman Review. Cordova is a small, but growing northern frontier town with sufficient amenities and a population, especially its upper echelons, who prides itself on its successes and attractions. Michael introduces Charlotte to the Kavanaughs, town mayor and wife, his fiancée Ruth and her most respectable father, the Reverend Bartlett and his missus. Continue reading
Miss Bates is always happy to salute Wendy the Superlibrarian; Wendy’s led Miss Bates into many a romance love and is responsible for her obsessive love of category romance. Miss B. made a mental note to read Lacy Williams after reading Wendy’s review of her first inspirational historical category romance, Marrying Miss Marshal, which languishes in Miss B’s TBR still. 😦 It wasn’t a wholehearted Wendy endorsement, but it stayed with her because, like Wendy, Miss B. was intrigued by a “marshal,” that is, law-enforcing Western heroine. Reading A Cowboy For Christmas, Miss B. doffs her Stetson to Wendy for recognizing Williams’ potential in that early review. Lacy Williams’ A Cowboy For Christmas captivated Miss Bates from start to finish. Set in Wyoming in December of 1900, Wiliams’ novel tells the redemptive, healing story of two people who’ve suffered plenty and are ready and deserving of human and divine succoring.
Heroine Daisy Richards, with her “empty pinned up sleeve,” after a terrible runaway-horses-and-wagon accident, though fragile, frightened, and angry-sad, finds a way, with the help and support of the eponymous cowboy-hero, Ricky White, to embrace a full life. She learns to be strong and laugh again. Ricky (again with that unfortunate choice of name for a hero; what’s wrong with Rick?), former gambler, drinker, brawler, and promiscuous, with a new-found faith in God’s redemptive power, excavates the goodness that has been in him all along by helping and loving Daisy. As Daisy gains in confidence and begins to return Ricky’s feelings, what she doesn’t know is that he’s implicated in her accident. Continue reading