REVIEW: Elly Griffiths’s THE LANTERN MEN (Ruth Galloway #12)

The_Lantern_MenI am nearing the finish-line to the Ruth Galloway series, with only the most recent left to read, the June-released Nighthawks, before I join the thousands of readers awaiting the next installment. Chatting with a fellow-reader in church today, we agreed it’s time for Dr. Galloway and DCI Nelson to be together, pretty please, Ms Griffiths …

Like the previous eleven, The Lantern Men sees the familiar team, this time initially separated by choice or circumstance, come together to find a serial killer’s missing and murdered women (the women are long-buried and I can vouch, for the squeamish, that nothing gross, or violent appears in the novel; sentiments are terrible, but descriptive physical detail is at a minimum). Here are further details from the publisher’s blurb:

Forensic archaeologist Ruth Galloway changed her life—until a convicted killer tells her that four of his victims were never found, drawing her back to the place she left behind.

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REVIEW: Elly Griffiths’s THE STONE CIRCLE (Ruth Galloway #11)

The_Stone_CircleAfter that at best forgettable romantic suspense, it was great to be back with Ruth, Kate, DCI Harry Nelson and his team, and the delicious complications of their personal lives amidst a series of crimes, a decades-long missing child, the murder of a King’s Lynn eccentric, and thank the reading gods after the last book’s Italian setting, Norfolk-set in the fog, rain, and cold.

The Stone Circle is definitely a Ruth Galloway which sees the past impinge on the present like the tides that rise near Ruth’s cottage, both in terms of the crime and the lives of its detecting figures. The publisher’s blurb will provide further detail:

DCI Nelson has been receiving threatening letters telling him to ‘go to the stone circle and rescue the innocent who is buried there’. He is shaken, not only because children are very much on his mind, with Michelle’s baby due to be born, but because although the letters are anonymous, they are somehow familiar. They read like the letters that first drew him into the case of The Crossing Places, and to Ruth. But the author of those letters is dead. Or are they?

Meanwhile Ruth is working on a dig in the Saltmarsh – another henge, known by the archaeologists as the stone circle – trying not to think about the baby. Then bones are found on the site, and identified as those of Margaret Lacey, a twelve-year-old girl who disappeared thirty years ago.

As the Margaret Lacey case progresses, more and more aspects of it begin to hark back to that first case of The Crossing Places, and to Scarlett Henderson, the girl Nelson couldn’t save. The past is reaching out for Ruth and Nelson, and its grip is deadly.

The bearing the past has on the present is treated in a more reflective fashion than the blurb’s somewhat sensationalist final sentence. Ruth often ruminates how the past plays its role in the present, how it should be studied and respected. Griffiths’ themes are always about solving a crime to put the past to rest, offer restitution to lives lost unjustly, and let their rest-in-peace give way to the living being able to carry on, even thrive. Continue reading

MINI-REVIEW: Elly Griffiths’s THE DARK ANGEL (Ruth Galloway #10)

The_Dark_AngelOf all the Ruth Galloways I’ve read, this is the one I liked least. Not that it would convince me to abandon the series, that, I still adore and anticipate the next read and the one after that, until, alas, I’ll have to wait for the next book to be published.

In The Dark Angel, Griffiths transports her protagonists, Dr. Ruth Galloway and DCI Harry Nelson, to Italy, where they become involved in a murder investigation. The blurb sets out some of the details for us:

It’s not often that you’re called to the Italian countryside on business, so when archaeologist Angelo Morelli asks for Ruth Galloway’s help identifying bones found in picturesque Fontana Liri, she jumps at the chance to go, bringing her daughter along for a working vacation. Upon arriving, she hears murmurs of Fontana Liri’s strong resistance movement during World War II, and senses the townspeople have a deeply buried secret. But how could that connect to the ancient remains she’s been studying? Just as she’s getting her footing in the dig, DCI Nelson appears, unexpectedly and for no clear reason. When Ruth’s findings lead them to a modern-day murder, their holidays are both turned upside down, as they race to find out what darkness is lurking in this seemingly peaceful town.

Be warned, dear reader, that I will discuss the series’ happenings and bring about SPOILERS. If you’re keen on reading from book #1, and I encourage you to do so, you may want to return to the review in future.

I’ve realized that one of my favourite things on the blog is to foil the publisher’s blurb. 😉 Truth be told, Ruth jumps at the chance to go to Italy (accompanied by her friend, Shona, and Shona’s son, Louis, whose relationship with Ruth’s daughter, Kate, makes for the only comic relief) because her relationship with Harry, ever complicated, has become more so. Secondly, though Harry, because reasons, is still with his wife Michelle, he goes to Italy when he sees there’s been an earthquake in the region and is worried about Ruth and, as he calls her to Ruth’s annoyance, their daughter, “Katie”. Continue reading

REVIEW: Elly Griffiths’s THE CHALK PIT (Ruth Galloway #9)

The_Chalk_PitIf there’s one thing I love about being on summer break, it’s catching up on my favourite contemporary mystery series, Elly Griffiths’s Ruth Galloway. If you haven’t read them, what are you waiting for when you can have the perfect combination of archaeological (bones!) detail, northern England coastal descriptions, a wonderful, smart, funny heroine, a broody, old-fashioned-copper hero, his engaging team, and literary allusions, wonderful writing, great pacing? With every mystery, Griffiths intertwines it with parallel literary references; needless to say, I love this. In The Chalk Pit, Ruth’s daughter, Kate, has a tiny part in an Alice In Wonderland production. Alice, with its subterranean nightmarish surrealism, reflects Ruth’s recent excavations in Norwich’s chalky tunnels, the world of people who “sleep rough”, lives swept under the rug by society, and DCI Harry Nelson’s pursuit of those who are murdering them and snatching, “disappearing”, Norfolk’s women. The blurb provides further details:

Far below Norwich is a maze of old mining tunnels. When Ruth Galloway is called to examine a set of human remains in one of them, she notices the bones are almost translucent, a sign they were boiled soon after death. Once more, she’s at the helm of a murder investigation. Meanwhile, DCI Nelson is looking for a homeless woman who he hears has gone “underground.” Could she have disappeared into the labyrinth? And if so, is she connected to the body Ruth found? As Ruth and Nelson investigate the tunnels, they hear rumors of secret societies, cannibalism, and ritual killings. And when a dead body is found with a map of what seems to be the full maze, they realize their hunt for the killer has only just begun—and that more bodies may be underfoot.

While this description does credit to Griffiths’s mystery, it doesn’t capture what the series’s fans enjoy as much: the complex relationship between Ruth and Harry, Griffiths’s shifting perspectives as investigations occur, making the mystery more compelling, the likeable secondary characters with fully-formed personalities, including the children, and Griffiths’s ability to create fascinating, multiple settings, whether police headquarters and its interview rooms, Ruth’s isolated coastal cottage, a school-playground, a cathedral, a homeless drop-in centre and shelter, a hospital waiting-room, and a narrative seamlessly immersive in action and introspective in the glimpses we get of the characters’ inner lives. Continue reading

REVIEW: Elly Griffiths’s THE WOMAN IN BLUE

Woman_In_BlueI wasn’t enamoured of the last Ruth Galloway mystery I read, The Ghost Fields, though the previous one, The Outcast Dead, was one of my favourites. My moue of disappointment with The Ghost Fields didn’t deter me from plunging into another Ruth Galloway, The Woman In Blue. Griffiths’s Norfolk-set mystery series is one of my great comfort reads and I’ll never miss a one. I read many series (my favourite being, as you may well know by now, C. S. Harris’s Sebastian St. Cyrs), but the Ruth Galloways, though not cozies by far, offer a true comfort escape. Maybe it’s because Ruth reminds me of yours truly: living on her own for years, with a gourmandesque penchant for overeating, content with her books, work, and cat, Flint. Now somewhere along the way, Ruth manages (be warned, spoilers ahead, if you’re not up-to-date on the series) to have a tender, not-icky, one-night-stand with my second favourite series character, DCI Harry Nelson, fall in love but retain her proud independence (Nelson is married to the ethereally beautiful Michelle) and the result: the know-her-own-mind, mulish Kate, Ruth’s daughter, five in The Woman In Blue. Ruth teaches at North Norfolk University, has a vain peacock of a dislikeable boss, and is, in each book, embroiled, in her capacity as a forensic archaeologist, in a police murder investigation and once more, is close to her unrequited love, DCI Harry Nelson. Continue reading

What Else I’ve Read

Spy_Among_FriendsThough it’s been a slow-reading year since the fall (thanks, all-consuming day-job), the Christmas holidays offered an opportunity to polish off two books I’ve been making my way through: Ben Macintyre’s A Spy Among Friends: Kim Philby and the Great Betrayal and Elly Griffiths’s Ruth Galloway murder mysteries #7, The Ghost Fields. I enjoyed both in that distracted, desultory way one does when other obligations and responsibilities get in an uber-reader’s way. Of the two, Macintyre’s book proved the more compelling. An account of the activities of one high-profile Soviet spy in the UK’s MI-6, Macintyre, rightly so, is more interested in telling the story of how the old boys club that was Britain’s spy agency bolstered, supported, and lauded a traitor, a snake in their arrogant, smug grass. Griffiths’s volume, on the other hand, contained a lacklustre mystery, but my love for Ruth, her five-year-old daughter, Kate, friend Cathbad, DCI Nelson and his team, and Nelson’s wife, Michelle, proved to be strong enough, and their continued relationship complications interesting enough, to keep me reading past the ho-hum mystery plot.  
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MINI-REVIEW: Elly Griffiths’s THE OUTCAST DEAD (Ruth Galloway #6)

Outcast_DeadMy love for Griffiths’s Ruth Galloway mysteries continues with the sixth installment, The Outcast Dead. I loved catching up with Ruth, daughter Kate, and DCI Harry Nelson and his team of DIs, as well as Cathbad and his dog, Thing. It’s the reason I return again and again to the series: because the core characters are likeable and interesting. With every book, while Griffiths has stalled any further relationship between Harry and Ruth, the group grows ever closer, either in friendship, or intimacy. The Outcast Deads sees an addition: a new DI who, Griffiths hints in one sly little scene, may play an ever-more interesting part in Nelson’s life (or this could be a red herring, only more reading will answer my questions) and a possible new love interest for Ruth, an American no less! Events concluding The Outcast Dead, in particular, see interesting developments and changes. As for the mystery itself, while compelling and seeped in Ruth’s love of the “dig,” well, it was emotionally the most difficult of the lot.  Continue reading

MINI-REVIEW: Elly Griffiths’s A DYING FALL (Ruth Galloway #5)

Dying_FallGosh, I love these Ruth Galloway mysteries. Totally hooked. Reader-ga-ga. I have six in the TBR and one anticipated in 2020 before I await the next volume (as I do C. S. Harris’s Sebastian St. Cyr historical mysteries). As always, I try to read each volume slowly and savor, but the last quarter sucks me in; today, errands and chores forgotten, I sat in the old reading chair and inhaled A Dying Fall

To sustain a great series, as Griffiths and Harris do, requires a lovely balance of various elements: firstly, there must be an element of surprise in the mystery, its context and motivations; secondly, an element of familiarity, in the detecting figures; thirdly, those familiar figures, if they prove introspective about their lives, which Ruth and Harry prove to be in every volume thus far, and the events occurring around the crime, grow more compelling. So, the new, the familiar, and the nuance in the familiar make for a beloved, anticipated-next-book series. Continue reading

Elly Griffiths’s Ruth Galloway Mysteries: A ROOM FULL OF BONES, #4

Room_Full_BonesAs I mentioned in a previous post, when I had an Audible account, I listened to Elly Griffiths’s first three Ruth Galloway mysteries. Recently, I read #4, A Room Full of Bones, and it may be my favourite yet. (I have the rest stacked and ready to go all the way to the most recent, #11, The Stone Circle. I’m hooked, yes, and a fan.) Like her standalone mystery, The Stranger Diaries, Griffiths has a winning combination of elements: a likeable, detecting, female lead, literary and genre allusions to make a reader smile fondly, a snappy style, smooth voice, moreover in the third person (my preference), and a great balance between the central mystery (the variable) and the personal lives of her detecting team (the given). That combination of original material with the steady thread of a group of compelling characters can see me follow a detecting series for years (witness my love for and obsession with C. S. Harris’s Sebastian St. Cyr Regency mysteries, all the elements of Griffiths’s within a historical setting). Griffiths’s protagonist, Ruth Galloway, is an academic, a forensic archaeologist professor at North Norfolk University, who’s drawn again and again, thanks to her “bones” expertise, into police cases headed by DCI Harry Nelson of the Norfolk police and his team members. Continue reading

Part Two of An Abundance of Mysteries: Dorothy Sayers’s STRONG POISON

Strong_PoisonWhile I gallopped through Massey’s Widows and Griffiths’s Galloway #2 and 3, I trotted through Sayers’s Strong Poison, savouring her wit and stopping to chuckle and admire what Sayers did with a sentence. While the Bellona Club had me thinking about Sayers, the Great War, and the memento mori theme, A Strong Poison elicited a more emotional response (with memento mori lurking), fitting for a novel introducing the great love of Peter Wimsey’s life, Harriet Vane. To return to a comment I made in my previous post, about the interweaving of the detecting with the detective’s personal life, Strong Poison perfectly exemplifies this. As a matter of fact, I would say the mystery’s rational aspect, the working out of the crime thanks to the detective’s mind and abilities (except for the post-mo detective story, which I don’t read, which probably owes the crime’s solution/resolution to randomness, or “dumb luck”) is balanced by their personal lives. In Strong Poison, Lord Peter Wimsey falls in love, at first sight, with the accused (of her lover’s murder no less). Wimsey’s detecting powers are at the service and mercy of his heart. A detective, amateur or otherwise, may be a person of honour, integrity, with a thirst for justice, but when these qualities are coupled with a personal, desirable love, then we have as perfect a mystery novel as Sayers’s Strong Poison.
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