One of Miss Bates’s favourite romance tropes is the villain’s redemption, the character who serves as the foil and nasty in previous books FINALLY! gets his story, or enters a rom nasty as death and emerges a poignant hero. Miss Bates counts some of her favourite romances among these tropishly-delicious rom-narratives, especially Kleypas’s The Devil In Winter and, oh my goodness such goodness, Georgette Heyer’s first two Alastair trilogy books, These Old Shades and Devil’s Cub. Elizabeth Hoyt’s tenth Maiden Lane novel, Duke Of Sin, has a villain-hero who combines the qualities of Sebastian, Lord St. Vincent; Justin Alastair, Duke of Avon; and, his son, the Marquis of Vidal. Valentine Napier, Duke of Montgomery is “the most wicked man in London … as deadly as a coiled adder.” He’s beautiful, decadent, a blackmailer and murderer and, though exiled, he’s back and ready to restore his rightful place in society by all unsavory means. But into his blackened heart and hollow soul crawls a little avenging angel of a housekeeper, Bridget Crumb.
Miss Bates loves the opposites-attract romance trope, especially when the hero’s and heroine’s surface characteristics mask their opposites. Opposites-attract “squared” describes Sabrina Jeffries’s second Sinful Suitors 1830-set romance, The Study Of Seduction. “Grumpy Edwin” Barlow, Earl of Blakeborough, pits himself against “frivolous beauty” Lady Clarissa Lindsey, his sister’s best friend. In time, Edwin reveals a wicked wit and Clarissa, a gravitas borne of pain.
Edwin is a member of the St. George’s Club, a gentleman’s circle dedicated to protecting their families’ and friends’ women from scoundrels, socalled “sinful suitors.” Edwin’s friend, Warren Corry, Marquess of Knightford, Clarissa’s cousin, has watched out for her and her widowed mother, Lady Margrave. Knightford is called away to the continent to help Clarissa’s brother, Niall. Edwin and Clarissa, long-acquainted, have sparred and jabbed at each other since Clarissa and Yvette, Edwin’s sister, tittered, gossiped, and shopped together. Edwin’s steadfast, stodgy, introverted propriety rubs Clarissa’s social butterfly effervescence and flirtatious energy to poke and prod at his restrained demeanor. Nevertheless, Edwin insists he take Knightford’s place, protecting Clarissa from a stalker. Count Geraud Durand, France’s chargé d’affaires, follows, goads, importunes, and forces his unwanted, oily attentions on Clarissa and infuriates Edwin.
“Returning were as tedious as going o’er,” says Macbeth, pondering whether to stop or continue his murdering path. Worry not, Miss Bates hasn’t turned bloodthirsty murderess, but Macbeth’s resigned despair echoed her feelings at the half-way point of reading Anne Mather’s A Forbidden Temptation. Never had an HP showed so much promise, nor had such a fall as Mather’s nutty Forbidden Temptation.
Hero Jack Connelly, of Kilpheny, Ireland, is settled in Rothburn on the Northumbrian coast. Two years have passed since his wife’s death in a car crash. Jack is an architect whose money allowed him to renovate a house on this beautiful coastline and the leisure time to enjoy it and heal from Lisa’s death. Except Lisa won’t leave him alone. Reminiscent of a rueful, less emotionally-invested Truly, Madly, Deeply, Lisa’s “pale ethereal figure” appears to Jack, chats with him, advises and provokes him. Wow, thought Miss Bates, this is unlike ANY HP ever. Always on the rom-reader look-out for new and original, MissB settled in to what she thought would be a fabulous read. Wait, where be our heroine? She arrives in the form of one sullen Grace Spencer, former London-based lawyer, now realtor and part-time bartender at her parents’ pub. Sean Nesbitt, Jack’s old university pal, arrives with Grace in his silver Mercedes. Sean is Grace’s boyfriend; while visiting her, Sean thought he’d drop in on his old pal Jack. Continue reading
Miss Bates read the complex, thematically-rich work of Katharine Ashe for the first time in Ashe’s Regency-set The Rogue. If a comparison is useful, she was reminded of elements in Elizabeth Hoyt’s historical romances: a double-narrative, one of which remains mysterious and elliptical, an earthy-rawness to the love scenes, a cross-class theme, an independent-minded heroine, and a protective, but not overbearing hero. Miss Bates loves Hoyt and responded to Ashe’s Rogue likewise. Though The Rogue is first in the “Devil’s Duke” series, it is connected to Ashe’s four-book “Falcon Club” one. Ashe discussses connections in character and plot in The Rogue‘s afterword. Miss Bates admits to some difficulty following the complicated narrative threads and connections “during reading,” but no trouble loving the MCs, Lady Constance Read and the eponymous Frederick Evan Chevalier de Saint-André Sterling. Constance and “Saint” (he is pretty sublime) met six years before the novel’s action proper, at a house-party. Saint thought the lurking-in-shadows beauty was a maid. They met secretly for two weeks, falling in love, before they were discovered and Constance’s aristocratic-wealthy-heiress future was evident to Saint. Their classless Eden sundered and they were thrown into classist exile. Saint was left heart-broken and betrayed, yet ignorant of Constance’s heart-break over losing him. Continue reading
Miss Bates loves the reunited husband-and-wife trope. When Douglas offered her an ARC of A Deal to Mend Their Marriage, she accepted (though she dislikes the line’s closed-bedroom-door “love scenes”). Miss B. was pleasantly surprised when Douglas’s romance followed her own missbatesian edict to keep the relationship “kisses only” (not keeping anything from the reader that might be essential to understanding the protagonists’ relationship). What intense, character- and relationship-building kisses they are! Douglas’s title, A Deal to Mend Their Marriage, plays cleverly with the initial state of the hero and heroine’s marriage, “a deal to end their marriage.” Caro Fielding is at the reading of her father’s will. Their relationship was fraught, with Caro failing to fulfill her father’s expectations. She’s achieved a hard-won independence working as an antique dealer, reconciled to being disinherited. Instead, Rolland Fielding leaves Caro a vast fortune and his loving, devoted second wife, Barbara, zilch. Caro and Barbara share a warm relationship. Caro wants to redress her father’s injustice, until she realizes her father thought Barbara was stealing from him. When an expensive antique snuffbox in Caro’s possession on behalf of her employer goes missing, soft-hearted Caro wants to save Barbara from legal repercussions. She turns to her security-and-detecting-agency-owning, estranged husband, Jack Pearce, to help her solve the mystery of the missing snuffbox and save her beloved step-mother. Continue reading
Lily Maxton’s The Improper Bride is the fifth Regency romance in the Sisters of Scandal series. The scandal informing it is one of Miss Bates’s least favourite tropes, the cross-class historical romance. Least favourite because, at least in Regency or Victorian Britain where most of these romances are set, was as unlikely as it was scandalous. And yet, the fairy-tale-like mood of Maxton’s version makes it more palatable.
The Improper Bride possesses Eyre-like tendencies, as any cross-class romance owes its raison d’être to the near-bigamous fraught relationship between a dissipated aristocrat and mousy governess. Like Brontë’s Eyre, the hero’s near-death by fire changes him. Henry Eldridge, Marquess of Riverton suffers burns to his face and arm when one wing of his Buckinghamshire estate, Blakewood Hall, is set aflame. In his pain and delirium, Henry feels the soothing touch of an angel. Cassandra Davis, Henry’s housekeeper, seeing to his comfort, is seized by a compulsion to touch him; she’s always wanted to touch the “coldly perfect marquess”. When Henry recovers sufficiently to grow restless and jeopardize the use of his arm, Mr. Faulkner, his doctor, advises Mrs. Davies to keep him occupied. A poor but cultivated daughter of a country teacher who loves to learn, Cassandra asks Lord Riverton to spend some time each day teaching her German. Continue reading
“No, no, Papa. I won’t. You cannot make me.”
Anne Gracie’s 1999 Gallant Waif opens with Julia Davenport’s rejection of hero Jack Carstairs as she pleads with her father to release her from their engagement. Jack returned from the Peninsular War scarred and disabled. Julia could live with his disfigurement and inability to trip the light fantastic, but his poverty is unforgivable. And so, disowned by his father, barred from war’s arena, and spurned by his fiancée, months later Jack still broods and drinks in his neglected estate like a big, handsome male version of Miss Havisham. Until Lady Cahill, his irascible, adorably officious grandmother, befriends Kate Farleigh, her deceased god-daughter’s daughter, and deposits her in his household, ostensibly as his housekeeper. Jack and Kate were wounded by the war. She followed the drum to care for her pastor-father and soldier-brothers until they died and, to her shame, was then captured and became a French officer’s mistress. Jack and Kate share a deep shame for their war experiences and cannot separate what happened to them from what they perceive their failures and shortcomings. Continue reading
Miss Bates approaches a new-to-her author, especially a self-published one, with trepidation. Witness? Her DNF posts. But Bliss Bennet is the writer of the Romance Novels For Feminists blog, which Miss B. reads and enjoys. And she was curious: what kind of a romance would a long-familiar blogger write? Given the blog content, will it be “feminist”? Though Miss Bates calls herself a feminist, she doesn’t read romance, or rather she doesn’t deliberately read romance because it carries a particular stance. She went into reading Bennet’s romance with these questions and departed, as she tapped the final page on her Kobo, not really caring how they were, or not, answered. Because she was completely swept up in the story.
The Soldier’s Rebel Lover is second in Marguerite Kaye’s post-Peninsular War “Comrades In Arms” series and, like the first, The Soldier’s Dark Secret, is as much about honour, loyalty, patriotism, and disillusionment as romantic love. Kaye’s historical veracity (Miss Bates holds it above the pragmatic notion of accuracy, library research and cue cards provide that) thematic richness, and exceptional prose make for histrom reading as fine as any a rom reader is likely to encounter. Kaye makes the characters’ feelings of disillusionment and questioning that come with the historical owl’s dusky flight come alive. Miss Bates elevates Kaye to her histrom favourites: Cecilia Grant, Rose Lerner, and Meredith Duran. She loved the first in Kaye’s series, but thinks the second even finer. At Wellington’s behest, Jack Trestain, Dark Secret‘s hero, appeals to his friend Major Finlay Urquhart to re-enter Spain, in disguise, and rescue/extract El Fantasma, the still-active Spanish partisan leader who helped defeat Napoleon’s army. Why? Because should El Fantasma be captured by the present repressive Spanish régime, he may reveal actions damaging to Wellington and England. Finlay, like Jack, is restless and purposeless now war is over. Finlay’s loyalty to his friend, and Jack’s to his country, as well as Finlay’s “unsettledness”, convince him to take the mission. Soon thereafter, Finlay enters Spain disguised as a wine merchant. Continue reading
As Miss Bates discussed elsewhere, she was a fan of Deanna Raybourn’s Lady Julia Grey mysteries. She enjoyed Lady J.’s cool, independent demeanor and was in love with Nicholas Brisbane, Julia’s sometime-partner, occasional-antagonist, at-long-last husband, enigma-in-an-alpha-hero. Her quibble remains: long on long-winded mystery, short on romance. And then … this … Raybourn’s new historical mystery series, with a delightful dose of romance, the début Veronica Speedwell mystery, A Curious Beginning. Set in Queen Victoria’s Jubilee Year, Raybourn’s murder mystery leaves behind the distancing characterization of Lady Julia and Brisbane to revel in an endearing heroine and hero, poignant back stories, humour and, dare Miss Bates say it, sentiment.
Miss Veronica Speedwell, 25, buries her Aunt Nell Harbottle in Little Byfield, England. Veronica is irrepressible and intrepid: a world-adventuring lepidopterist, sexually uninhibited, no-nonsense, and fiercely independent. She is nonplussed when Aunt Nell’s Wren Cottage is ransacked and finds herself in the protective hands of the kindly, mysterious Baron Maximilian von Stauffenbach.The Baron travels with her to London and leaves her in the protective custody of his friend Stoker, a taxidermist with a workshop on London’s docks, whose robust musculature, piratical eye-patch, blue eyes, and wild Beethovenian black hair stir Veronica’s womanly desires. But Veronica lives by the rule never to take an English lover. Once Stoker growls and snarls, only a tad friendlier than Huxley, his bull dog, sparks fly and, to Raybourn’s credit, flicker, sparkle, and burn bright, depending on the poignancy, or comedy of Veronica and Stoker’s scenes. Continue reading