Reading: Theology in Eva Ibbotson’s A COMPANY OF SWANS (1985)

A_Company_Of_SwansMiss Bates read one of the best romances ever and it was Eva Ibbotson’s A Company Of Swans. Woven into Harriet and Rom’s magnificent romance is Ibbotson’s notion of what faith constitutes: how it calls us and how we enact it. Religious references are threaded throughout Harriet and Rom’s great love.

To set the scene: Harriet lives in 1912 Cambridge, England, under her father’s and aunt’s puritanical, stringent, miserly, dour thumbs. Her singular joy: ballet. Her love of dance leads to her escape from her father’s house to join an eccentric company of dancers and prima ballerina, Simonova, slated to dance in the Amazon rainforest. There, she meets Rom, a wealthy, generous, darkly good-looking, self-exiled ex-pat. Rom falls in immediate love, as does Harriet, but they, for individual reasons, bide their time. Eventually, they become lovers. Another Woman, sundry parties’ nasty machinations, including Harriet’s father, aunt, and ex-fiancé, conspire to destroy Harriet and Rom’s love affair. Rom plays shiny-armor knight, in a scene reminiscent of one of MissB’s favourites, the ending of Hitchcock’s Notorious. All’s well that end’s well, as is the Bard’s wisdom and the romance genre’s. MissB will, in a most unscholarly fashion, pen what struck her about Ibbotson’s theology in A Company Of Swans. Read it for the romance, remember it for how love is our most vital calling.
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