We meet Cora Preston, the heroine of Nicole Helm’s A Nice Day For A Cowboy Wedding, as she comes into her own: “She was reaching for the stars now, or maybe those snow-peaked mountains. Strong, immovable, and majestic.” Five years ago, Cora and her then seven-year-old, Micah, lived with an abusive husband and father. When Stephen threatened Micah rather than her, Cora divorced him, got full custody of Micah and a restraining order. In the intervening years, Cora and Micah moved to small-town Gracely to live with Lilly, her sister. They’ve been difficult, growing-pain years, but the movement has been forward and positive. Cora and Micah are forging a new life. Cora’s gleaned herself off of total dependence on her older sister, is living on her own with her son, and partnering with Lilly to launch a wedding-planning business. More importantly, she and Micah’s therapy, while a work in progress, is helping them cope with the day-to-day. Micah is showing signs of teen-age rebellion and sullenness, but Cora is mothering more than being mothered. Micah is in baseball day-camp and Cora on her way to her first wedding plan client, Deb Tyler of Tyler Ranch. Cora is a vulnerable heroine, but determined to succeed and do right by her son. I liked her from the get-go.
When I started to read romance in 2007, after more than thirty years away, much of what I read was romantic suspense. Probably because I was coming to romance from reading mystery novels. One of the first romantic suspense authors I read was HelenKay Dimon. I was new to the genre and she was too: so, we’ve kind of romance grown up together (please note I have no personal acquaintance with Ms Dimon, I meant this solely in a metaphoric way). I read the Men of Hawaii series and enjoyed them (not as much as my favourites, Lucy Munroe’s Mercenary Trilogy or Shannon K. Butcher’s Delta Force) well enough. I remembered how I loved her heroes’ wit and humour, how they were alphas without the hole. And I liked her heroines, determined, smart, but soft and compassionate too, without ever losing their sense of self and identity in loving the hero. Returning to Dimon’s romantic suspense after ten years plus, I can see how the formula worked for her then and works for her now. I’m not sure it’s still what I want the lion’s share of my romance reading to be, but I did enjoy the travel down romance-reader’s memory lane. Continue reading
No matter the claims to originality, no matter how new and fresh the voice, 99.9% of romances follow the narrative pattern of encounter, attraction, obstacles, false Eden, betrayal/estrangement, and resolution/HEA, and all centring solely, exclusively on the central couple, their conflict, their feelings, and their between-the-sheets time. But Bliss always manages to surprise me, always twists that old familiar, comfortable pattern to make me stand up and notice. In historical romance, only Rose Lerner has managed to do the same (see especially my review of True Pretenses). I’ve loved each of Bliss’s Rock Star romances. She delighted, moved, and surprised me in each one, but her fourth, Resurrection, might be the best one yet. Surprisingly, its quota of romantic tension is near-zero. The hero and heroine’s feelings are so apparent and easy that all the while, Bliss sneaks in other interesting things, themes and ideas, and still, in the end, makes me sigh with the perfection of her HEA (I also ugly-cried, but the scrunched-up faced Miss Bates is a thing best left unimagined).
In 1825 Edinburgh, Miss Elizabeth “Libby” Shaw yearns to follow in her father’s footsteps, to become a doctor, to heal others. But a woman in 1825 Edinburgh, or anywhere in the Western world, cannot apply to Surgeon’s Hall for studies and sit qualifying exams, for the very reason that she is a woman. Miss Libby Shaw strikes an arrangement with Mr. Ibrahim Kent, a society portraitist and exiled “Turk,” actually Ziyaeddin Mirza, Prince of Tabir. Libby will live in his house as his guest, under disguise as Mr. Joseph Smart, surgical student. In return, as Libby, she will sit as Ibrahim’s artist’s model. With this convenient bargain, Ashe begins her fourth Devil’s Duke historical romance and a remarkable achievement it is too. I’d read the first, The Rogue, and liked it very much, but The Prince far surpasses it. The two novels are linked in having admirable, easily-loved stubborn heroines who have a cause and mission that they fulfill by taking on acts then only enacted by men. Their heroes are taciturn loners who come to see the rightness of their heroines’ causes and aid and abet them without taking over, dictating, or directing. The novels are linked by questions about what it means to be a woman, a man, and have meaningful work. By virtue of their eccentricity, these heroes and heroines are outsiders yet live within society and are rewarded with a warm circle of friends and family. Continue reading
Jodi Thomas’s Sunrise Crossing is the fourth novel in her Texas-set Ransom Canyon series. Set in fictional Crossroads, Thomas’s novels are about characters at a turning point. They confront their past, demons, and regrets. The sole redeeming facet to their Rubicon-crossing is a different life from the one they led before. This facet takes shape in the form of a man or woman who affects them deeply. Thomas’s characters are changed in two ways: one, the conviction that their lives have gone off-kilter and must be redressed; and, two, that love makes everything worthwhile, meaningful, and joyous. Thomas intertwines several characters’ lives to make their lives fuller, happier, and love-filled. As with the previous three Ransom Canyon novels, Thomas brings together a company of likeable, kind, compassionate, and loving characters, and one or two nasty villains, who are foiled by community, co-operation, and care. In Thomas’s novels, there are people who care, and those who don’t. Continue reading
Truth be told, Miss Bates always starts a new-to-her inspy author with trepidation, afraid of the niggling criticisms directed at the sub-genre. Evangelical Christianity is a foreign land to Miss B’s smells-and-bells faith, heavy on the ritual, light on the scripture. And Becky Wade’s Her One and Only ran true to type: the characters are evangelical Christians, alcohol-consumption is demonized, and characters pray, are transformed, surrender to God, but don’t participate in ritual. And yet, Wade’s fourth Texas-set Porter Family series novel also runs atypically. Miss Bates was surprised by and pleased with it. For one, heroine Dru Porter is a bodyguard, set the task of protecting football player Grayson Fowler from a stalker. Dru packs heat, chops hulky men with karate expertise, drives a motorcycle, and brings grit and discipline from her days as a marine. She’s direct, funny, feminist, and faithful. Her large Porter family of older brothers, loving parents, nieces and nephews aren’t cutesy-sweet. They’re funny, fun, faithful yes, but possess a casual irreverence that puts them above your holier-than-thou inspy clan. And hallelujah to that … Continue reading
Miss Bates read Phillippi Ryan for the first time, having noted time and again Phillippi Ryan’s name on the Agatha Awards nominee or winner lists. Phillippi Ryan’s murder-mystery-thriller-police-procedural narrative structure brings a wheel’s hub and spokes to mind. The novel opens, most dramatically, with a back-stabbing murder in the midst of a hot, tourist-laden June day in Boston’s Curley Park. This central incident radiates outwardly to a number of characters and situations, which come together in a masterful dénouement. The Curley Park murder scene draws hero and heroine, Jake Brogan, BPD detective, and Jane Ryland, unemployed journalist and Jake’s secret-lover. Jane freelances for a local TV station, working to resurrect her defunct career. A student-photographer claiming to have pics of the murder waylays Jane. Jake and DeLuca, his partner, run into an alley to discover a security expert wrestling the perp to the ground. Jane and her new photographer-friend follow. The scene is chaotic; neither Jane, representing the media, nor Jake and his partner, representing law enforcement, can tell the crime’s why or who. Meanwhile, in the mayor’s offices above Curley Park, teen-age Tenley Siskel, whose mom, Catherine, Mayor Holbrooke’s chief of staff, got her a job working the security video, may or may not have recorded the murder. Moreover, Jane responds to a call from her sister Melissa who’s frantic with worry over the disappearance of her nine-year-old step-daughter-to-be, Grace.