Miss Bates has never NOT had a book on the go; once she finishes one, she has the next lined up. Sometimes, new-book-starting is a desultory affair: tepid, reluctant, maybe even a tad depressing. “Will this satisfy my reading-pleasure-principle?” “I have limited reading time, will this be worth the precious half hour I have nightly?” MissB started reading Maisey Yates’s Take Me, Cowboy in this mode: half-heartedly, maybe even sullenly. But she’d loved so many Yates-romances and went into that good-reading-night anyway. Yates’s Oregon-set Copper Ridge series has had one winner after another, would Take Me, Cowboy exhibit series-exhaustion?
Certainly the romance’s opening had Miss B. scowling: wait a minute, this sounds awfully like the last Yates Miss B. read: Bad News Cowboy, with its plain-Jane, best-bud heroine and looker-womanizer hero who find themselves on friendship’s wrong side, as lovers, prey to powerful desires and frightening feelings.
Sarah M. Anderson’s hokey-titled One Rodeo Season is anything but. What starts as a fun little rodeo-meet-cute between Ian Tall Chief, bullfighter, and Lacy Evans, stock contractor, turns from a “no-strings” relationship to friendship and love, from rom-lite to considered romance novel about identity, cleaving to others, and negotiating commitment. Ian Tall Chief works as a bullfighter when he’s not working at the S. Dakota Real Pride ranch. Lacy Evans is a rodeo stock contractor when she’s not at the Wyoming Straight Arrow ranch she recently inherited from her parents. From their first meeting, Ian is Lacy’s protector and defender. She’s threatened by a powerful rancher, Slim Smalls, and hit on by a slimeball. Ian rushes in where “angels fear to tread,” his former-football muscles standing between Lacy and a world of hurt. But Lacy is a tough cookie, and comes at Ian from the get-go: “Who was she? Someone tiny and fierce and unafraid of him.” Lacy is “fierce,” gauche, a loner, but the attraction between them is undeniable. Except. There be inner turmoil for Lacy and Ian. The inner turmoils’ sources are deep and troubling. They make building a commitment-based relationship unfeasible. Ian charms and gently compels skittish Lacy to a friendship. While Lacy vehemently declares her ability to care for herself, she knows Smalls’ threat and her own precarious emotional state dictate she accept Ian’s help and protection. Ian and Lacy are one of Miss Bates’s favourite couple-combinations: Ian is charming, funny, and knight-in-shining-armor. He has a wide circle of friends, makes friends easily, fits comfortably in his huge clan, and is a looker. Lacy, on the other hand, is solitary, awkward with people, lacks social graces, and plain.
Miss Bates isn’t keen on films, or novels set in the early 1960s. She doesn’t like the bouffant dos, or sprawling skirts. For some – ahem, white males – Americans, however, it was an exciting, vibrant time and remains an unexplored setting for romance. It’s fitting that Emma Barry and Genevieve Turner’s collaboration, Star Dust (first in the “Fly Me To the Moon” series) is set during America’s “space race” with the Soviet Union. Uncharted territory then, and uncharted setting in romance. Barry and Turner’s Texas-set romance features Lieutenant Commander Christoper “Kit” Campbell, a blond, blue-eyed giant of an astronaut and Anne-Marie Smith, a diminutive divorcée and mother of two adorable children. They meet as bickering neighbours when Anne-Marie, Lisa, and Freddie move next door to Kit. Anne-Marie and Kit become friends over back-porch star-gazing, add benefits to friendship, fall in love, and achieve an HEA.
Reading Maisey Yates’ Bad News Cowboy gave Miss Bates déjà [vu]rginity. Indeed, a virgin heroine in Yates’ fourth Copper Ridge romance followed Dahl’s in Taking the Heat. The treatment was different, but equally successful, with Yates falling into a more conventional deflowering scene. We met Kate Garrett as the quiet, tom-boyish baby sister to the heroes of Yates’ previous novels in the series, Part Time and Brokedown Cowboy. Our hero is none other than their flippant, promiscuous poker buddy, the handsome, enigmatic Jack Monaghan, Jack of turbulent waters run deep. Verbal sparring and sexual tension ran throughout Kate and Jack’s exchanges in previous novels and it’s great to witness everything coming to a head … enfin. In Bad News Cowboy, Kate’s changing, suddenly aware that her 23-year-old body and sexual self-effacement don’t suit. The safe emotional “cave” she created as hidey-hole in is too small, ” … she was alone … It was secure. It was familiar.” Her itchy restless feelings are her attraction to Jack. Jack too notices how Kate needles and insults him at their weekly Garrett family poker games. They’ve always teased and tormented each other, but now there’s a tension to their encounters they’ve not had before. As in the previous novels, Yates’ characters’ verbal jibes and jabs conceal emotional feints and this no less true of Kate and Jack. Continue reading