Near the end of Emma Barry’s Private Politics, second title in The Easy Part series, protagonists Liam Nussbaum and Alyse Philips work together on a news story. Liam, owner and editor of a successful political blog, Poindexter, refers to working with Alyse as being “very His Girl Friday.” At that moment, it clicked for Miss Bates. Barry’s second Washington D.C.-set romance novel about the byzantine wheeling and dealing of America’s capital echoes 1930s screwball comedies (which also happen to be Miss B’s film favourites). She was disposed to like Private Politics on this basis alone, but found so much more. While the obvious connection, given the journalistic and political context, is Hawks’ His Girl Friday, Miss Bates found parallels to Capra’s It Happened One Night, with its journalist-hero and rich-girl heroine and themes of professional integrity and disclosure wrapped in a cross-class road romance. While Private Politics contains only a hint of the cross-class element (indeed, Miss Bates loved the cross-religious element to the romance; Liam, middle-class nominal Jew, and Alyse, self-avowed rich-girl, Manhattan-ite WASP), Liam and Alyse journey, though they never hit the road, by navigating the personalities, complexities, and immoral/amoral machinations that people America’s capital.
One of Barry’s many strengths, especially in this series, is writing about the importance of meaningful work to her characters, even while they negotiate a new relationship. Miss Bates is glad to read a romance writer who doesn’t write a workplace romance (not attractive to Miss B.; only Jessica Hart has done it well in Promoted: To Wife and Mother), but still writes about work in a significant way. Moreover, Miss Bates delighted in Barry’s loveable leads and scenes of what Liam and Alyse call “espionage.” She laughed with them, but was moved by their groping awkwardly towards one of the most convincing, most believable HEA-couples she’s read in romance fiction. In a word, she loved Barry’s novel. In this her third, Barry’s hand shows growth and confidence; her pacing is better, her writing coming across as effortless. Thematically, she never relinquishes the romance’s essence: the difficult choice of vulnerability over isolation, of the soft places of the heart over the comforts of pragmatism, and of love over will. Continue reading