REVIEW: Juliana Gray’s A MOST EXTRAORDINARY PURSUIT

A_Most-Extraordinary_PursuitThere’s a certain kind of novel Miss Bates adores and it appears Juliana Gray has written one in A Most Extraordinary Pursuit. Maybe it’s the summer Miss Bates spent in Greece reading Elizabeth Peters. Maybe it’s the heroines: feral spinsters, independent, prickly, and devoted to their work. A hero who may or may not be “heroic,” a combination 007, Indiana Jones, and Lord Peter Wimsey; he’s ambiguous, as are the heroine’s feelings for him. Nevertheless, hero and heroine must work together to solve a mystery, a mystery set in a locale east of their western European English setting, a place hot and difficult to navigate linguistically and culturally, where the narrative isn’t easy to read, Egypt, India, or Greece. Not since Deanna Raybourn’s first Veronica Speedwell mystery has Miss Bates found and enjoyed a novel of this ilk, not until Gray’s Pursuit.

Our heroine and narrator, Miss Emmeline Rose Truelove, has faithfully served the Duke of Olympia and his Duchess, Penelope, for six years. Emmeline and her employers’ relationship is a close and protective one. Sadly, Emmeline’s beloved Duke died while trout-fishing and his now-Dowager Duchess entrusts her with finding the missing heir, grand-nephew Mr. Maximilian Haywood, off studying Knossian ruins in Crete. Miss Truelove seems to have, at least initially, two companions on her voyage aboard the Duke’s yacht “Isolde” and throughout her journey-pursuit of Mr. Haywood: the charming “reprobate,” Freddie, Marquess of Silverton and Queen Victoria’s finger-wagging, admonishing ghost! Continue reading

REVIEW: Sarah Morgan’s PLAYING BY THE GREEK’S RULES and Winning the Heart’s Desire

Playing_By_Greek's_RulesMiss Bates’ introduction to Sarah Morgan was the lovely but unfortunately-titled medical category Dare She Date the Dreamy Doc? She read HP Twelve Nights of Christmas fast on its heels. The latter stayed with her: maybe because of its fairytale quality, a quality Morgan knows how to play, poking a little tongue-in-cheek fun at the HP Cinderella-trope, but affectionately, lovingly. Twelve Nights‘ opening prefigures Playing By the Greek’s Rules‘ elements: the making-ends-meet, Cinderella heroine moonlighting as a cleaner, billionaire hero sexy as heck but not alpha-holish, arrogant, or bossy; the funniest, most delightful dialogue, the heroine with-the-heart-of-gold who melts the icy hero. In Morgan’s two HP-category romances, the hero has everything, money, power, looks, status, but cannot match the heroine for irrepressible optimism, loving-kindness, and an unabashed élan of wearing her heart on her sleeve. The boundless felicity heroine Lily Rose takes in everything and everyone she encounters breaks down every wall of Jericho around hero, Nik Zervakis’s stony heart. Miss Bates cheered, laughed, and cried along with Lily and admired, once more, Morgan’s ability to create a heroine the reader adores as much as the hero is exasperated with – until blinded by the light of her exuberant sunniness and inexhaustible empathy.  Continue reading