I’m enjoying Michelle Smart’s conceit in her latest HP series: “Cinderella” heroine and wealthy hero, especially because the Cinderella brings the “prince” to his feet. In Smart’s latest, A Cinderella To Secure His Heir, the Cinderella in question is 24-year-old Beth Hardingstone, a product of the foster system who made a career out of event planning. She has fallen on hard times, however, because she had to leave her job to care for baby Dom, entrusted to her after the death of best friend and fellow fosteree, Caroline Palvetti. Dom’s father, Domenico, also dead, in a motorcycle accident, is the hero’s, Alessio Palvetti’s, estranged older brother “RIP”.
When the novel opens, Alessio has deceived Beth into coming to Vienna, for quite a sum of money, to organize a Viennese ball for Alessio’s business partner and friend. Under the guise of working as Alessio’s assistant, Valente Cortada, aka Alessio himself, arranged for Beth’s job and transport, with baby Dom in tow. Thankfully, Valente reveals his identity pronto and moves to Phase 2 of his plan: threaten Beth with fighting her for Dom’s custody (a nebulous claim, but hey, it’s an HP and I’ll bypass laws and last wishes if I want to) unless she marry him. Continue reading
There are two romance authors I read for the sake of sinking into their familiar world: Betty Neels (I’m in the process of reading ALL her books, presently on 24 of 134) and Maisey Yates, incredibly prolific both. Do their books blend together and I don’t remember hide nor hair of any particular one? Absolutely. And yet, I can’t quit them. Neels and Yates, unlike in every way, share a deep, profound, abiding theme: no matter how chaste the Neels romance or carnal the Yates, the connection between hero and heroine is mystical, inevitable, and sacred. They are meant for each other: their bodies know this before reason accepts and acknowledges. Love is a realization arriving in an epiphanic moment. In Neels, the heroine believes the hero couldn’t possibly love her undeserving self, but she loves him; the hero, older, wiser, and more knowing, knows from their introduction the heroine will be his wife. In Yates, love is an agon, a passion, a difficult birth, many layers of ego, hurt, and lack of faith and hope must be divested for a character, more often than not the hero, to admit his love and need for the heroine. Once he does, however, his devotion, love, and protection are his sole purpose. The Neels and Yates worlds? One quieter, on the surface more conservative; the other, created out of the passions of the flesh and a tender antagonism.
After using every moment of my meagre work-week-reading-time to finish James’s I Want You Back, I turned the final page, exclaiming “I loved this book!” Because I prefer to have a measured response, I “slept on it”, woke up and thought, “Still love it.” And yet, had I not requested this ARC “blind”, had someone described it to me with detail, it would’ve been the kiss of death. Firstly, it’s written in alternating first-person POV, which I hate. Secondly, and this is not a spoiler because we know this from the get-go, the hero was a cheater. But that’s not all: when the heroine was pregnant, he didn’t support her, even though he was rich as Croesus, and he dragged her through the courts for custody for years, AND he didn’t give her sufficient financial support when he was making a mint as a star Blackhawks defenceman and was independently wealthy thanks to being a Lund. How can this be borne, much less forgiven by a romance reader? … and let’s not say anything about the heroine. I did that frustrated hair-tugging thing every reader knows when they embark on a book, knowing that the DNF-fairy is only pages away from sprinkling her special brand of lip-curling fairy dust. Continue reading
Given a weakness for bhangra music and Indian food, also a hot cover, I was eager to read Nisha Sharma’s first adult romance, The Takeover Effect, the first of a trilogy. I wasn’t keen on its corporate setting and it turns out there’s a lot of “corporating,” but I hoped the, sadly because scarce, unique Sikh ethos would make up for what it lacked in premise. Hemdeep “Hem” Singh, estranged son of Deepak, returns to the family fold when his father’s digital empire, Bharat, Inc., is threatened by a hostile takeover; hence, the title. Hem finds his family in disarray. Deepak has suffered a heart attack and Hem’s brothers, CEO Ajay, and West coast R&D, Zail, are scrambling to deal with the crisis. Into this critical period in their company’s future walks heroine, Mina Kohli, hired by the board, as a neutral party, to oversee the takeover details. What the Singhs do not know is that Mina’s Uncle Sanjeev has told Mina she’s to rule in favour of the takeover, thus serving his nefarious interests. What does Sanjeev hold over her?
Though I’m suspicious of new-to-me authors, I was willing to give Janice Preston a try because: a) MOC is my favourite trope and b) the word “highland” in the title always evokes a frisson of excitement and anticipation. What I found was an enjoyable, uneven romance. But, first, to the plotty details!
Because His Convenient Highland Wedding is the first of a four-book, four-author series centring around a mystery, Preston’s novel opens with a silly scene of the heroine’s discovery of a creepy tower and mysterious brooch. Flash-forward seven years and heroine Lady Flora McCrieff, having refused the lecherous old goat her father had arranged for her to marry (important to saving the straitened family estate) is in disgrace with fortune and her family’s eyes. To make up for her refusal to save the family fortune and marry within her class, her father compels her to marry second-best, wealthy but from lowly beginnings whiskey-baron Lachlan McNeill. Lachlan is looking to make inroads to the aristocracy for his whiskey and hopes Flora will help him achieve his goal. Little does he know, Flora is in social purgatory …
After Kingston’s intense, lengthy Desire Lines, I needed a romance palate cleanser and Liz Fielding’s signature gently-created world was the perfect choice. Though I fulfilled my wish for bluebell gardens, charmingly crumbling castles, and cute dogs, Fielding’s The Billionaire’s Convenient Bride also delivered an emotional punch. An ominous note rang from scene one. Kam Faulkner arrives at Priddy Castle with humiliating memories and a desire for revenge against heroine Agnès Prideaux. Agnès and Kam had grown up together, running wild and free on castle grounds and surrounding land and water. Later, as teens, their childhood bond was complicated by physical attraction. But the cook’s son and castle “princess” was a love that could not be; when Agnès’s grandfather caught wind of it, he fired Kam’s mother, winning Kam’s resentment and hatred. Kam and his mother had to leave their sole home and income source. In the intervening years, Kam worked hard and achieved huge financial success. Continue reading
Though I appreciate a medieval-set romance, I’m aware of its challenges. It is difficult for a romance author to capture the strangeness of the medieval world and still make the romance familiar. Thus far, only two romance authors I’ve read achieve this successfully (mind you, I haven’t read much medieval romance, these are the ones who work for me): Blythe Gifford (Secrets At Court is my favourite) and Elizabeth Kingston. But, like Kingston’s mentor’s books, Laura Kinsale’s, it took me a long time to warm to Desire Lines.
To look to the novel’s opening, “It began in beauty and in blood.” A beautiful, knife-laden young woman, Nan, rescues a Welshman, originally sent to the English King Edward I as obeisance from the young Welshman’s father, Welsh royalty.
(England’s 13th-century conquest of Wales is the historical context of Kingston’s novel.) Gruffydd ab Iorwerth has been knight, prisoner, and captive. He’s lived in the luxury of the English court, then hid for years in a monastery, made friends and enemies, tamed and hunted with his beloved falcons (his marketable skill, important to English lords) and been chained, starved, and beaten.
My dear friend “Shallow Reader,” loves Dani Collins and that’s rec enough for me. After the intensity of Griffiths’s Stranger Diaries and especially its Victorian-gothic length, I was happy to read a snappy category romance. Snap it did, Ms Collins’s Innocent’s Nine-Month Scandal, with my favourite kind of HP heroine, kind, generous, plain-Jane, funny, and a deliciously broody hero, not too annoyingly domineering, but definitely in the strong, caretaker arena.
Collins’s plot was HP-fare ludicrous. Rozalia Toth is in Budapest looking to find the mate to her grandmother’s earring, given to grammy, in troth, by her true-love during what may be (Collins doesn’t make this explicit) the uprising of ’56? Sadly, gram’s true-love succumbed in the riots and she travelled to America, pregnant and destitute, where she made a marriage-of-convenience with one Benedick Barsi. As grammy is now getting on, Rozalia wants to give her the chance to see the earrings as a pair. Many convoluted family connections are discussed between hero and heroine, but I admit I didn’t give them much attention. Plot isn’t why one reads an HP. Continue reading
Theresa Romain has the wonderful capacity to sustain a delightfully funny, rompish feel to her romances while underlying them with seriousness. Her latest, Lady Notorious, 4th in the Royal Rewards series and one of her strongest novels yet, exhibits this balance. It’s heartfelt romance, adorable hero, loveable heroine, compelling suspense plot, thematically underlined with the idea that love coupled with purpose make for contented lives. Romain brings together her cross-class heir-to-a-dukedom hero, George Godwin, Lord Northbrook, and Bow-Street-Runner heroine, Cassandra Benton, via the mystery surrounding George’s father’s, Lord Armore’s, involvement in a “tontine”, a monetary agreement whereby a set amount increases on interest and is “won” by the last person left living. But many of the tontine’s members are dying under mysterious circumstances. George fears for his father’s and godfather’s lives and sets Cassandra Benton the task of helping him both protect and discover who’s threatening them. Cassandra joins the Ardmore household disguised as a notorious cousin, hence, how the “notorious” made it to the eponymous “lady”. Continue reading
I requested an ARC of Alyssa Cole’s An Unconditional Freedom for the most superficial of reasons: I couldn’t resist the hunk on the cover. I’m a sucker for an open-necked shirt, soulful brown eyes, and the man is holding a scroll and lantern … can it get any better? As for the contents, I was open to them, but didn’t go in with any great expectations. What I found was, finally, FINALLY, someone who can put the history back in historical romance. You can’t historically “wallpaper” a history so unjust and ugly: how Cole managed to make me hold my breath with excitement, stop my heart with fear for her characters, and root for a slow-burn romance is testament to her mad writing skills.
At the end of the novel, a seasoned revolutionary in the war against slavery advising the heroine on when to hold’em and when to show’em in this righteous war says: ” ‘First thing you learn about being a Daughter — sometimes you gotta be subtle, and sometimes you gotta burn it all down.’ ” As a Daughter of Romance, Cole sure knows how to be subtle and how to burn it all down, navigating American Civil War history with sureness and skill, steering her characters’ inner worlds with insight and sensitivity and though there are moments when she burns it all down with action, she brings the ship to moor with a light touch of love, commitment, hope, and joy. Her narrative is serious, historically fascinating, and in places, even horrific, but it is never sombre, dark, or hopeless. Its movement is ever towards the light of possibility, even though the journey darkens and the way wavers. Continue reading