With every volume in my Great Betty Read, I have to reconsider the Great Betty’s continued appeal. And with every volume, I unearth another reason why I continue to love to read her romances.
The Moon For Lavinia is wonderful, one for the keeper shelves, to be savoured and reread. It’s standard Betty fare: Nurse Lavinia Hawkins takes a nursing job in Holland in the hopes of greater funds to allow her to bring her long-suffering baby sister, in the hands of a nasty aunt, to live with her. Soon after she arrives and settles into her work, Professor Radmer ter Bavinck, large, solid, blond, attractive, possessed of medical fame and independent fortune, proposes a marriage-of-convenience, seeking a mother for his fourteen-year-old daughter. He’s kind, gentle, and removed, but Lavinia likes him; though she yearns to be loved, Lavinia knows her plain looks and ordinariness will not see her with a better “offer”. She accepts, knowing this will let her bring her sister, Peta, to join them in Holland.
I loved Liz Talley’s Superromances and I’m sad and sorry that category line is no more. I was glad to see Talley on my Netgalley shelf, however, and with one of my favourite settings, Christmas! I figure if Costco can set up its Christmas tree display next to the lurid Hallowe’en costumes, I can certainly read a Christmas romance in September …
A Down Home Christmas is a most christmasy of holiday romances, with Christmas cookie baking, the crooning of “I’ll Be Home For Christmas”, massive-tree buying and decorating, and a pageant. It’s also the story of rediscovering roots and finding one’s way when all feels lost. Though less quirky and sexy than Talley’s categories, A Down Home Christmas still had her signature humour and heart. Unlike her categories, however, Down Home is hero-centric and the rediscovering and finding one’s way belong squarely to the hero. The heroine is settled and sure and knows exactly what she wants. It’s Kris Trabeau’s journey we follow, as the country music star returns to his hometown of Charming, Mississippi, for the holiday season, ostensibly to visit his Aunt Tansy, the woman who took him in and brought him up when his parents were killed in an airplane crash. The opening scene is a hoot: as he arrives at his Aunt’s and his ancestral farm, he’s greeted by a great floppy dog, scampering chickens, and a barefoot beauty in pursuit. Continue reading
Well, friends and readers, a month of nonstop work and no play, which, for this feral spinster, means barely romance reading since mid-August other than a slog through Alisha Rai’s The Right Swipe (not to say that the novel was sluggish). But it wasn’t a shining star of the romance universe either; the romance-reading torpidity was all me. I can safely say to you, my readers, that The Right Swipe was better in concept than execution. It certainly hit a lot of the cool-romance-gestalt buttons: the heroine, Rhiannon Hunter, CEO of a date-matching app, Crush, out to buy the tried-and-tested-and-first-now-dated app, Matchmaker; the hero, Samson Lima, a mild, muscular beta, former football star, nephew to Matchmaker’s owner, Annabelle Kostas. Honestly, I started the novel such a long time ago, I barely remember the beginning, other than to say Samson and Rhi are thrown together at a tech con, Samson having taken a promotional role in his aunt’s company. Ah, but dear readers, there be a past history here. Thanks to said apps, Samson and Rhi spent one night together months ago. Though Samson asked to see Rhi again at the end of the night, he never contacted her. As she thinks in the first chapter, he “ghosted” her … cool-romance-element, check two. Continue reading
After the magnificence of Henrietta’s Own Castle (the cat alone sent me into paroxysms of reader-joy … Henry in his tea cosy), I was ready for a gentler, quieter Neels and found it in A Star Looks Down. It’s so quiet and gentle, there’s an absence of OW (Other Woman, for those not used to rom-lingo) and the villain is a hardly-villainous ten-year-old. But there is really something quite lovely about the story of heroine Beth Partridge of the plain face and violet eyes and the laconically mild-mannered, patient Dr. Alexander van Zeust. Indeed, if there’s a nasty, it’s Beth’s brother, who takes advantage of her good nature, impeccable house-keeping, generous heart and hand, as he’s constantly asking for a fiver. He’s in medical training and Beth is paying his and her way on her nurse’s pay. But a generous offer comes from Alexander, who recognizes Beth’s nursing and personal worth and offers her a great sum to nurse his sister while she recuperates from an appendectomy and to care for her four young ones (while their father is away). Continue reading
I’ll repeat what I tweeted a few days ago … “Virginia Heath, where have you been all my life?” There’s nothing more satisfying to a reader than to find a great new author. I’ve loved the length and ethos of Harlequin Historicals, but haven’t found a glom-worthy, auto-buy author among them. I am cautiously, optimistically saying Heath may be “it”. The final book in her King’s Elite series, The Determined Lord Hadleigh, had me in thrall the past few days with engaging characters, a slow-moving, slow-burning romance, and an ease and smoothness to the writing that we rarely see in romance, sadly. (I didn’t even mind that I came to the series at the end, even though I was sorry to have missed the previous books.) I was captivated from the opening scene: dramatic and “tell me more” compelling as it was.
When I think about how much I’ve loved category romance and how much of that love has diminished, I do thank the romance gods for Marion Lennox. Though I didn’t love her last romance, she’s come back in signature form in Cinderella and the Billionaire. Like Betty Neels and maybe Carla Kelly, Lennox has a set of romance elements that speak to me, never feel formulaic or repetitive, and put romance in the best of lights. There’s a man; there’s a woman, neither of whom are very happy, nor terribly unhappy. There’s a dog, or a child, or a vulnerable need somewhere. They answer the call of caring for another, or the land, or work that needs to be done. Their journey is funny, and touching, and painful, in the way that coming alive and feeling things after an emotional hibernation is. In Cinderella and the Billionaire, Matt MacLennan is “one semireclusive billionaire” who brings one grieving-7-year-old boy to Australia to give him over to his grandmother’s care, after his mother (Matt’s employee) is killed in an accident. (Matt had seen Henry around the office, as his mother worked all hours and grew to feel liking and sympathy for him.) Henry’s grandmother, Peggy’s care lives on an isolated Australian island. Matt needs to hire a private boat to reach it. In comes one skipper fisherwoman, heroine, Meg O’Hara, whose boss hands them a ramshackle boat named “Bertha,” the last of his meagre, dilapidated fleet, with which to reach Peggy’s Garnett Island. Continue reading
I’m loving these two contemporary murder mystery series I’m following. I don’t look forward to the day I can only await the next book rather than my present glom of Griffiths’s Ruth Galloway mysteries and Wendy Roberts’s Bodies of Evidence. I finished #2, A Grave Search, today. The Roberts series, unlike Griffiths’s, has a healthy dose of an ongoing romance, which I’m especially enjoying.
Roberts’s heroine, Julie Hall, aka Delma Arsenault, has the power to find dead bodies with dowsing, or divining rods. In book #1, Julie’s supernatural abilities took her into the dark heart of her childhood and ended on a note of high, painful drama. Book #2 sees further resolution to the drama, but also greater peace and yes, even happiness, for Julie-Delma. In Book #1, her romance with older-man and FBI agent, Garrett Pierce, had the desperation of two unhappy, tragic people finding solace in each other. But Book #2 finds Julie and Garrett with an ironed-out relationship, still sexy and bantery, still an overprotective Garrett to a where-angels-fear-to-tread Julie, but they feel like a solid couple, past the first throes of getting to know each other (though the sexy still burns bright). Continue reading
I could tell Project Duchess was the start of a new Jeffries series by the plethora of family members who were introduced in the prologue. With that, it’s also fair to say that Jeffries’s romance has family ties as one of its central themes. Because Jeffries’s thematic hand is light and her tone humorous, there be a few dark moments, Project Duchess is a droll, heartwarming series début.
Embedded in the introduction to its many characters (all of whom could potentially serve as heroes and heroines in volumes to come), the prologue sets up the series’ premise. Each potential h/h stems from one Lydia Fletcher, the dowager duchess of not one, not two, but three dukes and all her ducal offspring. When the novel opens, duke#3 has expired and the lone son/child of her first RIP duke, Fletcher Pryde, 5th Duke of Greycourt, 34, with a rake-hell reputation, unjustly so, has been called from his home in London’s Mayfair to his stepfather’s funeral in Armitage Hall, Lincolnshire. Except for one dash to London, the action takes place on this estate. From the get-go, we know that “Grey”, as he’s called, has been estranged from his family, not totally, and not with great enmity, but there is distance and hurt feelings. Continue reading
“Hello, Betty, my old friend … ” It’s been a while, folks, since I did an update on my Great Betty Read. Not that I wasn’t enjoying Henrietta and Marnix, but with a hot summer, I tend to cool showers rather than hot baths (which is where I like to do my Betty reading). With the weather cooling off (thanks be to the weather gods), back to Bets I went and a quick conclusion to the lingering Henrietta, her castle, and her cat in a tea cosy (truly delightful!).
Sister Henrietta Brodie, after ten years as a nurse, inherits a small home in Holland, leaves her job, and moves in. I loved that work, for Henrietta, for Betty really, is a financial necessity, duty, and responsibility, but not a virtue. The important thing to Bets is to be of service to others: how you do that, as a wife, mother, neighbour, friend, nurse, volunteer, doesn’t matter as long as its the ethos you live by. Because work isn’t a virtue, Henrietta gives notice, takes her rumbly old Renault, Charlie, and herself to her neat little Dutch cottage … Continue reading
Michelle Smart beautifully parallels the Cinderella fairy tale in the second volume of the Cinderella Seductions series, The Greek’s Pregnant Cinderella. Tabitha Brigstock toils in Vienna’s Basinas Palace Hotel as a cleaner after her evil stepmother and beloved father’s widow, seizes control of her wealth and property and kicks her out of the Oxfordshire family home. Tabitha’s fairy godmother comes in the form of a wealthy elderly Basinas Palace Hotel denizen, Amelia Coulter. In appreciation of Tabitha’s care and company when Amelia was ill, she gifts Tabitha with a Basinas-hosted 40 000-euro Viennese ball ticket, and a dress and shoes fit for a princess. Widower and billionaire Giannis Basinas takes one look at Tabitha (he insists on describing her as “exquisite,” which annoyed me to no end; I have a feral spinster antipathy for the word) and is enchanted. They dance, drink champagne, and share a passionate night. In the morning, while Giannis makes coffee to share with Tabitha, she sneaks away. Giannis is angry and hurt, but in the weeks ahead, can’t get Tabitha out of his mind. Continue reading