As I read Donna Alward’s Summer Escape With the Tycoon, I realized that I enjoy romance where the main characters are at a crossroads, out of their element/comfort zone, or about to embark on a fresh start. This context makes them more open to love, but also more vulnerable and uncertain. Alward is particularly adept at this theme. In Summer Escape, for example, heroine Molly Quinn has bid on and won her first alone-time vacation in years. At 29, she practises family law in her father’s law firm, thus far, her life dedicated to a career that pleases her parents. Eric Chambault, who carried the burden of his family’s welfare when their father abandoned them, has made financial good, so good his now ex-wife has taken 30 meagre millions in their divorce. He doesn’t care about the money, but the failure of his marriage and his ex-wife’s reasons for it (his absence and workaholism) have left him questioning his choices. Like Molly, he bid on the same silent auction holiday at the same charity event. Months later, when he mistakenly ends up in Molly’s hotel room and glimpses her in the tub, well, it’s a priceless meet-cute. The room issue is cleared up, but their vacation-journey through British Columbia’s natural beauty throws them together time and again, especially as they’re the only singles on the luxury trip. Continue reading
Lauren Willig’s “summer country” is early nineteenth and Victorian-Era-set Barbados. A young women arrives in Bridgetown in February 1854, Miss Emily Dawson, to claim her inheritance, the ruined sugar-producing estate of Peverills, only to discover a family history that alters everything she has known about who she is.
Since the *sniff* end to the Pink Carnation series and we can see vestiges of this theme there too, Willig’s novels centre around a heroine’s journey of unearthing familial and historical identity. Willig’s specializes in, to nay-say the Bard’s Hamlet, a “discovered country” that alters and then cements a new future for our heroine. The Summer Country‘s Emily Dawson is such a heroine, as she delves into the Barbadian history of slavery, white privilege and exploitation of others, and the personal tragedies and triumphs of parallel stories, one set in 1812-1816, and the heroine’s present, 1854, the 1812-16 narrative bearing on Emily’s present and future.
Though I consider myself a reader of inspirational romance, I do find it cloying at times. My rule is to keep my inspie romance reads on spare occasions … until I read Michelle Griep’s The Noble Guardian. What a refreshing voice and ethos! I want to read ALL the Grieps. (She is to historical inspie what Kara Isaac is to contemporary, breathing new life into the subgenre.) The religious element is present, but more in the characters’ personalities and actions, less in finger-wagging didacticism. In The Noble Guardian, Griep’s protagonists occasionally enjoy ale, travel together chaperoned only by a one-year-old adorable moppet, and share affection, passion, and desire that is more palpably sexy than many an explicit, pages-long love scene. There’s a shared horse ride that is sensually magnificent.
Moreover, Griep’s Regency setting, with its evil, violent highwaymen and the eponymous “noble guardian,” Samuel Thatcher, is beautifully developped. Our heroine, Abigail Gilbert, “Abby”, hires Samuel to act as protective escort on her journey to her fiancé, Sir Jonathan Aberley. They travel Regency England’s dangerous byways, sleeping in inns, deflecting dangerous criminals, braving stormy weather, and caring for a tyke named Emma, the daughter of one of Samuel’s fellow-veterans too grief-stricken over the death of his wife to care for her himself. On this at times joyful, at times sad, at times perilous journey, Abby and Samuel banter, converse, share their lives, and grow to love one another and their charge, Emma. Continue reading
A Vicarage Homecoming is the fourth book in Kate Hewitt’s Holley Sisters of Thornthwaite series. Each book tells the story of one of four daughters to Thornthwaite’s vicar and wife. By book four, the vicar, Roger, and his wife, Ruth, are on mission in China, and three of the four sisters are attached and happy. Then there’s number four, Miriam Holley, 23 and pregnant after one careless night with a stranger while she was on her travels ’round the globe. We meet Miriam, five months along and miserable. She’s considering giving the baby up for adoption, pondering how her life lacks viable work and purpose, and feeling like she’s let her family, church family, and herself down: how hard will it be to make sure she doesn’t drag this baby along in her desultory wake? As it turns out, harder than she thought.
Hewitt’s Vicarage Homecoming is not a romance, thought there’s a romantic interest in it. It’s very much the story of Miriam’s growth and awakening to the possibilities of family, friendship, and motherhood. The first half of the novel sees Miriam spend time working for the new vicar, her sister Anna’s fiancé, Simon Truesdell. At first, I thought he was the love interest, but no. Then, she runs into her sister Rachel’s former fiancé, Dan Taylor, and he offers her a place to stay, the annexe he’s renting, in exchange for answering the phone at his veterinary clinic and dealing with his chaotic paperwork. Continue reading
While Lucy Gilmore is a new-to-me romance author, some of you may know her under the name Tamara Morgan. (I may even have some of “Morgan’s” romances lurking in the TBR.) Though I’m leery of new-to-me romance authors, I succumbed to the cover puppy’s cuteness. If I were to ever have a dog, it would be a Pomeranian, though in truth, I’m a cat-lady. Reading Gilmore’s first volume in the Service Puppies series, I didn’t regret my venture to new-author territory for a moment. Gilmore’s romance may not break new genre ground, but it delighted me. To start, I loved the premise and meet-cute and recounting them will give you a good idea of what you can expect. Harrison Parks is my favourite kind of hero: huge, grumpy, rhetorically monosyllabic, introverted, and a sentimental softie under the bluster and muscle. He’s also a wildfire firefighter and type 1 diabetic, whose workaholism put him into a diabetic coma. Now his boss, Oscar, wants him to get a service dog to detect his blood sugar — before he’ll let him anywhere near a wildfire again. Harrison loves his work and, grumbling and whinging up a storm, he finds himself at the Puppy Promise kennel staring down at a ball of fluff named Bubbles and a bitty woman in a ruffled dress telling him Bubbles is his new lifeline to getting back to the work he loves.
Beverly Jenkins’s Rebel is first in her Women Who Dare series and Jenkins, a new-to-me author. I was keen to try a new historical romance author. In truth, though, I slogged through it, taking two weeks to reach the end. Though its opening was compelling, I never warmed to the protagonists and found the persistently declarative prose, flat.
It opens in 1867 New Orleans as New-Yorker Valinda Lacy teaches her recently freedmen, women, and their children. We get a sense of a society, barely out of war, trying to adjust to new historical realities, some well, and others, clinging to their place as the dominant class and race. They pose a threat to the characters and Jenkins does a excellent job of conveying what it feels like to live under a constant edge of what ought to be a safe, going-about-business existence. For example, Valinda’s school is soon destroyed. Her path then crosses with a powerful, wealthy family, the LeVeqs, who give her a home and protection and help her re-establish the school.
My Great Betty Neels read continued with #28, Heaven Is Gentle. I didn’t have too many expectations for this one. There wasn’t much buzz about it as a favourite Betty and consequently, I approached it cavalierly. It surprised me how much I loved it. It opened with a beautifully droll ironic scene. Dr. Christian van Duyl and Professor Wyllie are deciding on hiring a nurse. She must be plain, motherly, large, and eminently spinsterish. Dr. van Duyl is running a special asthma clinic in the Scottish Highlands, of which Professor Wyllie is both patient and participant and said nurse will be on board to aid with patients. Christian and the Prof settle on Miss Eliza Proudfoot, who, when she appears in the Wester Ross clinic, turns out to be beautiful, young, snappy, tiny, and anything but a plain-Jane spinster. At 28, she’s a spinster, but not for lack of offers. What follows holds many Betty delights: Christian and Eliza verbally spar and snap at each other. The more they dislike each other, the greater their attraction. They rescue a cat and kittens, withstand a flood, and Christian rescues Eliza when she’s caught in a dangerous thunder-lightning-torrent storm. Continue reading
Sometimes you need a shot of pure romance and the HP delivers. I went for one of the many TBR ARC HPs I have knocking around, Caitlin Crews’s Untamed Billionaire’s Innocent Bride and got what I was looking for; the HP recipe: eye-rolling premise and plot, standard-fare hero and heroine, and heart-tugging romance experience.
Personal assistant to billionaire Matteo Combe trudges through a Hungarian forest in high heels and red cape to lure a beast out of its lair. Said beast is Matteo’s long-lost half-brother Dominick James, the product of their mother’s foolish youth, abandoned to the miseries of an orphanage, the Italian streets and eventually the army. Though Dominick is wealthy in his own right (the ubiquitous security company having earned him $$$$$$$$), he chooses to keep his own counsel and company in this forest. When Lauren pounds on his cabin door and is granted entry, the inevitable visceral lust-response follows, “lust at first sight”. (Except for the niggling sense that neither Lauren nor Dominick has ever reacted to a man or woman this way before! *gasp*) Lauren tries to convince Dominick to return to England with her to take his place in the Combe family and claim his inheritance. In the interim, she’s going to give his wild, rough, gorgeous ways, a make-over. I must say I did get a kick out of this HP role reversal: it’s usually the heroine who gets the grooming and clothes update.
I have come ’round to being a Kelly Bowen fan-girl. I think her romances are among the best in the historical subgenre. They are elegantly executed; the characters are sympathetically idealized without being insipid. Her plots clip along at an excellent pace and, thematically, she is the nonpareil, with a feminist twist to her heroines, taking nothing away from the rich historical context. I’ve enjoyed two Bowen romances to date, with reservations, but I think this third in her Devils of Dover series is her best. I had been intrigued by glimpses of the hero in previous books: the mysterious Dr. Harland Hayward, Baron Strathmore, healer and comforter, ever on some mysterious, not-quite-legal coastal “operation.” (Sadly, the strangely somnambulistic figure on the cover doesn’t do him justice.) Everything comes home to roost for him in A Rogue By Night, when he finally meets his doctoring and smuggling match, “Dr” Katherine Wright, beauty, healer, veteran, and daughter and sister to two of Dover’s greatest smugglers, Paul and Matthew Wright. Though Katherine is of humble beginnings and Harland a noble, they have more in common than their social status suggests.
For those of you who may have followed along on GR, or Twitter, you know I’ve set out to read the Betty Neels oeuvre, all 134 romances. I’ve alternated between posting short reviews on GR, or commenting #greatbettyread on Twitter. Henceforth, I’ll be posting tiny reviews on the blog, keeping a record of my reading in one place. Plus I prefer its freedom of babbling as I see fit without Twitter constraints, or the fuss of keeping one set of reading thoughts in one place and others in another.
And so, my reading of #27, A Small Slice Of Summer (1975), mainly done in the tub, as most of these are: a good soak and Betty, there’s nothing like it. I enjoyed Slice of Summer, finding nothing atypical about its Betty-fare (why one reads them, no?), but it didn’t rock my world as others have. Nurse Letitia Marsden ends up in Dr. Jason Mourik van Nie’s world by association: her older sister is friend’s with the wife of a doctor-colleague of Jason’s. Their paths cross socially and professionally and proximity is further ensured when Georgina asks Letitia to take their absent nanny’s place when she, husband Julius, toddler Polly, and baby Ivo, visit Holland. BTW, the subtly match-making Georgina and Julius, are the fantabulous Damsel In Green (1971)’s hero and heroine. Continue reading