There’s a certain kind of novel Miss Bates adores and it appears Juliana Gray has written one in A Most Extraordinary Pursuit. Maybe it’s the summer Miss Bates spent in Greece reading Elizabeth Peters. Maybe it’s the heroines: feral spinsters, independent, prickly, and devoted to their work. A hero who may or may not be “heroic,” a combination 007, Indiana Jones, and Lord Peter Wimsey; he’s ambiguous, as are the heroine’s feelings for him. Nevertheless, hero and heroine must work together to solve a mystery, a mystery set in a locale east of their western European English setting, a place hot and difficult to navigate linguistically and culturally, where the narrative isn’t easy to read, Egypt, India, or Greece. Not since Deanna Raybourn’s first Veronica Speedwell mystery has Miss Bates found and enjoyed a novel of this ilk, not until Gray’s Pursuit.
Our heroine and narrator, Miss Emmeline Rose Truelove, has faithfully served the Duke of Olympia and his Duchess, Penelope, for six years. Emmeline and her employers’ relationship is a close and protective one. Sadly, Emmeline’s beloved Duke died while trout-fishing and his now-Dowager Duchess entrusts her with finding the missing heir, grand-nephew Mr. Maximilian Haywood, off studying Knossian ruins in Crete. Miss Truelove seems to have, at least initially, two companions on her voyage aboard the Duke’s yacht “Isolde” and throughout her journey-pursuit of Mr. Haywood: the charming “reprobate,” Freddie, Marquess of Silverton and Queen Victoria’s finger-wagging, admonishing ghost! Continue reading
Cathy Pegau’s second Charlotte Brody historical murder mystery, Borrowing Death, is set between two colossal mistakes: the Great War and the enacting and enforcing of American Prohibition. While the Great War remains a definitive Canadian event, Prohibition figures prominently in the social rifts and conflicts of Pegau’s early-twentieth-century-Alaska-set novel. But Pegau’s journalist-amateur-sleuth heroine, Charlotte Brody, embodies an equally important historical moment. As Charlotte says, she’s not as interested in the 18th Amendment as she is in the 19th.
Charlotte is an independent, idealistic young woman, working as a journalist, deeply committed to causes near and dear to her, women’s suffrage and rights. Though only in her early twenties, Charlotte has done some living. She travelled from afar to the frontier town of Cordova. In the series’s first book, we learn Charlotte survived a fraught love affair. Her relationship with former lover Richard left her with a sour view of men and relationships and a diminished sense of her ability to understand and judge people. When she refused to follow her lover’s demand for a conventional end to their romance, that is, marriage, children, and Charlotte as home-maker, wife, mother, he turned on her. As a result, Charlotte made painful, irrevocable decisions, one that haunts her still. Moving to Cordova, reuniting with her brother Michael, is how Charlotte will lay the past to rest. Her writing and sleuthing, curiosity and intelligence, restore Charlotte’s faith in herself. If she can only find some way to restore her faith in romantic love. Continue reading
Miss Bates had every reason to want to read Cathy Pegau’s Murder On the Last Frontier: feminist-writer heroine, wintry setting (MissB’s favourite!), blue-eyed deputy hero, and that gorgeous hat! Sailing from her native Yonkers, journalist Charlotte Brody arrives in 1919 Cordova, Alaska, to join her doctor-brother, Michael. Charlotte’s plans are to write about northern frontier life as it confronts twentieth century American concerns: financial boom-times, women’s changing roles, mechanization, and the “soon-to-be-voted” Volstead Act. Charlotte is a proponent of women’s rights, especially the struggle for suffrage, and writes from that unique perspective, sending dispatches to Yonkers’s Modern Woman Review. Cordova is a small, but growing northern frontier town with sufficient amenities and a population, especially its upper echelons, who prides itself on its successes and attractions. Michael introduces Charlotte to the Kavanaughs, town mayor and wife, his fiancée Ruth and her most respectable father, the Reverend Bartlett and his missus. Continue reading
Ever since youthful Miss Bates watched black-and-white film matinées, she’s a sucker for a narrative set in WWII (also, the glorious Band Of Brothers). She watched The Guns Of Navarone sundry times, even Mrs. Miniver, which gets a nod in Susan Elia MacNeal’s Mrs. Roosevelt’s Confidante, fifth in the Maggie Hope series set during WWII. MacNeal’s murder mystery is historically rich, interweaving fictional and non-fictional characters that never feel contrived. The heart of Mrs. Roosevelt’s Confidante is the eponymous heroine, Maggie Hope, ostensibly Prime Minister Winston Churchill’s secretary, actually special ops spy and code-breaker. For the most part, the novel takes place in Washington D.C. during Christmas of ’41 to New Year’s ’42. Maggie and her cohorts, David Greene and John Stirling (former RAF pilot and ex-fiancé) accompany Churchill to his meeting with President Roosevelt. For Maggie, David, and John, this is the culmination of what Churchill and they have been hoping for and planning, an alliance giving Britain the edge to defeat Nazi Germany. However, forces in the U.S. and Europe are operating against them, some of global significance and others of an equally pernicious domestic nature. Maggie is embroiled in the latter when figures, aiming to hurt the liberal president and scuttle his war efforts, frame his wife Eleanor. Blanche Balfour, Mrs. Roosevelt’s secretary, is found dead, an apparent suicide, with a note claiming that Eleanor made amorous advances to her. Should the letter be leaked to the media, repercussions would affect Roosevelt and Churchill’s plans … Continue reading
Miss Bates is familiar with Tasha Alexander’s Lady Emily mystery series. She read the first few, And Only To Deceive, A Poisoned Season, maybe A Fatal Waltz. The Adventuress is tenth (!) in the series and Alexander’s tried-and-true formula is evident. Reminiscent of Raybourn’s Lady Julia series, Alexander’s series introduces a widowed, precocious Victorian lady-sleuth who finds love and romance and displays her sharp sleuthing skills with each novel. Miss Bates abandoned both Victorian “Ladies” because of romance dearth, despite dashing heroes. This tenth novel finds Emily at the French Riviera with beloved agent-for-the-Crown husband and sleuthing partner, Colin Hargreaves, celebrating the engagement of best friend Jeremy Sheffield, Duke of Bainbridge, to American heiress, the eponymous “adventuress,” Amity Wells. Jeremy, Emily, and Colin are part of quite a party: Amity’s crass parents; peevish, unsavory brother Augustus; Margaret and Cécile, Emily’s friends; Jack, Jeremy’s brother; Cristabel, Amity’s friend; and, Misters Neville and Fairchild, Jeremy’s bosom pals. Amidst luxury hotels stays, celebratory dinners, and site-seeing, murder mystery arrives when Mr. Neville is found, an apparent suicide, in Jeremy’s room. Emily soon suspects more nefarious reasons for Mr. Neville’s death. Was Chauncey Neville the murderer’s target, or was the poisoned whiskey meant for Jeremy? Continue reading
As Miss Bates discussed elsewhere, she was a fan of Deanna Raybourn’s Lady Julia Grey mysteries. She enjoyed Lady J.’s cool, independent demeanor and was in love with Nicholas Brisbane, Julia’s sometime-partner, occasional-antagonist, at-long-last husband, enigma-in-an-alpha-hero. Her quibble remains: long on long-winded mystery, short on romance. And then … this … Raybourn’s new historical mystery series, with a delightful dose of romance, the début Veronica Speedwell mystery, A Curious Beginning. Set in Queen Victoria’s Jubilee Year, Raybourn’s murder mystery leaves behind the distancing characterization of Lady Julia and Brisbane to revel in an endearing heroine and hero, poignant back stories, humour and, dare Miss Bates say it, sentiment.
Miss Veronica Speedwell, 25, buries her Aunt Nell Harbottle in Little Byfield, England. Veronica is irrepressible and intrepid: a world-adventuring lepidopterist, sexually uninhibited, no-nonsense, and fiercely independent. She is nonplussed when Aunt Nell’s Wren Cottage is ransacked and finds herself in the protective hands of the kindly, mysterious Baron Maximilian von Stauffenbach.The Baron travels with her to London and leaves her in the protective custody of his friend Stoker, a taxidermist with a workshop on London’s docks, whose robust musculature, piratical eye-patch, blue eyes, and wild Beethovenian black hair stir Veronica’s womanly desires. But Veronica lives by the rule never to take an English lover. Once Stoker growls and snarls, only a tad friendlier than Huxley, his bull dog, sparks fly and, to Raybourn’s credit, flicker, sparkle, and burn bright, depending on the poignancy, or comedy of Veronica and Stoker’s scenes. Continue reading