MINI-REVIEW: Mira Lynn Kelly’s JUST THIS ONCE

Just_This_OnceI loved reading Thomas’s The Hollow Of Fear, but I was more-than-happy to sink into a thorough romance-romance, emotional, sexy, with a clear line to the HEA, littered with dark little moments. Though the day-job continues to be an albatross, I took a lot of time in my evenings to finish Kelly’s Just This Once, book three in The Wedding Date series. Like the others, Just This Once opens with the hero at the previous book’s hero and heroine’s wedding; it concludes with his own. A premise that’s a tad twee, but I forgive because the novels often win me over. In Just This Once, hotel-owning-rich-boy hero, Sean Wyse of the Chicago Hotel Wyse chain, is best-manning his guy best friend’s wedding, Max Brandt’s. His side-kick and ever wedding date is the friend of his heart and youth, Max’s younger sister, Molly. Sean and Molly’s friendship is immature, but kind of fun. He teases, she torments; they pretty much behave like two teens who secretly harbor crushes and take them out in silly pranks. Everyone in their friendship circle, the past and future heroes and heroines of Kelly’s series, look upon their shenanigans with affection and amusement. The silliness being given a critical nod, I liked how Kelly also built in true camaraderie, compatibility, and affection into the group’s relationships and a lovely tenderness between Sean and Molly, despite the occasional sophomoric behaviour.
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REVIEW: Priscilla Oliveras’s RESORT TO LOVE

Resort_To_LovePriscilla Oliveras is a new-to-me contemporary romance author and one I’d heard good stuff about from romance-reading Twitter friends. I was happy to add her title to my TBR and appreciated what she had on offer: as Oliveras herself self-identifies on her bio, a “Latinx” heroine, Sofía Vargas. 

Resort To Love opens with the hero’s, Nathan Hamilton III’s, arrival at the now-defunct, dilapidated, Floridian Paradise Key Resort, where he and Sofía fell in love, consummated their love, and set a path to an on-again, off-again romance through their college and early-career years. Sofia hasn’t seen Nat in two years, but the sight of him sets her immediately back in their high-school sweetheart days and everything their love entailed, especially as illicit “cross-class romance”: “Their forbidden romance – him in management, her a summer employee – had heightened their adolescent hormones.” Sofía is beset by memories and feelings, but her primary emotions are grief (she’s recently lost a friend), anxiety, and anger. On his part, Nathan too is overcome by tidal waves of desire and love, but he’s also hurt from Sofía’s rejection: “It’d been two years since they’d been together. Two years since she told him not to contact her again.” There be reasons! Continue reading

MINI-REVIEW: Renee Ryan’s THE MARRIAGE AGREEMENT, Or Redeeming the “Cycle of Sin”

Marriage_AgreementMiss Bates wended a weary way through Renée Ryan’s The Marriage Agreement. Sometimes, the world is “too much with us” and even a romance can’t carry us away from daily worries. Miss Bates can say with certainty the slow pacing and preciousness of inspirational romance make the immersive reader experience elusive. Ryan’s novel is of that ilk of eye-rolling premises calling for reader tolerance and suspension of chagrin.

Ryan’s inspirational romance opens in 1896 Denver, at the Hotel Dupree, with handsome, aloof owner, Jonathan Hawkins, and his pretty, blonde guest services manager, Fanny Mitchell. It’s obvious to the reader Fanny and Jonathan carry a whiff of notoriety. Fanny rejected a suitor, a fiancé actually, at the last minute, a man her parents, family, and friends thought ideal. She held out, rejecting a man she didn’t love who didn’t love her; her reputation, the price. Alas, it looks like scandal dogs her in Denver, possibly, according to Ryan’s rendition, the most supremely puritanical “upright” Christian town ever conceived. A broken engagement and Fanny might as well slap a J on her dress for Jezebel. Jonathan fares no better: though a successful, wealthy, caring man, who runs his businesses with employees who would otherwise be on the street, prostitutes and their children, he carries the stigma of illegitimacy and a prostitute mother. He and Fanny share friendship, affection, and an affable working relationship at the hotel. When a charity ball finds them NOT fighting (horrors! 😮 ) their attraction by sharing a kiss and caught by a gossiping silly puss of a girl, well, Jonathan, to save a woman he’s come to care deeply about, offers marriage. Continue reading