Mini-Review: Barbara Wallace’s CHRISTMAS BABY FOR THE PRINCESS

christmas_baby_for_princessOne of Miss Bates’s favourite films is Frank Capra’s 1934 It Happened One Night. Barbara Wallace’s gently romantic Christmas Baby For the Princess echoes it. Wallace’s hero, Manhattan night club owner Max Brown, is a film noir buff. References to Miss Bates’s beloved black-and-white films abound, enriching Wallace’s romance narrative. Capra’s film is not noir, but its themes of class, sex, love, and HEA are certainly of the romance variety. Like One Night‘s Ellie, Wallace’s heroine, Princess Arianna Santoro, has run away from her father, King Carlos IV of the mythical kingdom of Corinthia. Arianna was near-affiancéd to Manolo Tutuola, a Corinthian businessman her father had urged her to date with the hope they would marry. Always conscious of duty, and wanting to make her still-grieving father (after her mother’s loss) happy, she did her darndest to work out a relationship with Manolo. But Manolo turned out to be a cheating rat-bastard and now, Arianna is in Manhattan for the time and space to figure out what to do next. She’s pregnant with rat-bastard’s baby and her flea-bitten hotel doesn’t afford her protection, or comfort. Out and about for some air, she finds that “her wallet was missing”. “Out of all the gin-joints in all the world,” she walks into Max Brown’s for help (Miss Bates knows, wrong film, but since we’re making vintage film references … ) where the charming maître d’, Darius, Max’s friend and right-hand man, mistakenly thinks she’s answering their help-wanted ad for a waitress.   Continue reading