I haven’t read a Hedlund romance in a long time, not since 2013’s Rebellious Heart, a loose telling of Abigail and John Adams’s courtship and marriage (which I loved, btw). The Bride Ship, Book One, has a compelling historical context: a bride ship, in 1862, headed for Vancouver Island and British Columbia with poor women on board preparing to become the wives of the sparse-of-women British colony. One of them is heroine Mercy Wilkins, an angel of “mercy”, a gem, a flower, from the London slums. When we meet Mercy, she hurries towards the Shoreditch Dispensary with an ill child. Instead of the kindly, but getting-on Dr. Bates, a new, handsome doctor (more of him later) is ministering to the poorest of the poor, like Mercy, like the baby in her arms, like everyone in this wretched neighbourhood. When Mercy’s family has to eject yet another of her mother’s many children, Mercy, in hopes she can help her sister Patience leave the workhouse and at Patience’s urging, agrees to board the bride-ship. Continue reading
This month’s TBR theme was “Recommended Read.” Miss Bates chose to read a novel recommended by one of her rom-reading alter egos, Insta-Love Book Reviews. Insta-Love may not know this, but she’s never recced a rom Miss Bates hasn’t liked. (And Miss Bates isn’t easy to please.) Frankly, MissB’s an Insta-Love Reviews fan-girl and, yes, in her unstately ebullient spinster-fashion, squees when the occasional – sniff – review is posted. Miss Bates and Insta-Love share a love of, and acknowledgement of its problematic nature, inspie rom. Miss Bates read Jody Hedlund’s Colonial-America-set romance novel, Rebellious Heart (loosely based on John and Abigail Adams’s courtship). In 1763 Braintree, Massachusetts, defense lawyer Benjamin Ross saves accused murderer Hermit Joe Crab from the noose – to watch him lose his ears and be branded with an “M”. Hedlund’s Rebellious Heart is honest about the harsher aspects of 18th century Colonial America: slavery, corporal and capital punishment, indentured servitude, class differences, and social and economic strictures on women. In the midst of this world are two remarkable protagonists, lawyer Ben Ross and the young woman sitting in the court audience, his childhood nemesis, Miss Susanna Smith.