Miss Bates dislikes romance where the heroine has to choose between two suitors. She prefers her romance protagonists to know this is the one, no matter how antagonistic or impossible their relationship seems to be, whether thanks to external, or internal reasons, or both. But romance authors have time and again humbled Miss Bates by proving that her most hated tropes can be redeemed. Carla Kelly’s Libby’s London Merchant redeems the two-suitor trope most finely.
As with most Kelly romances, there’s a lot more to it than meets the eye. Kelly uses the genre’s formulaic narrative arc and conventions to dress her most beloved themes: her young, intelligent, but inexperienced heroines have to learn the lesson that hard work and purpose go hand in hand with finding a person to love and share their lives with. In Libby Ames’s case, her struggle to figure out who she loves, the Duke of Knaresborough, Benedict Nesbitt “Nez”, who comes calling as the chocolate merchant “Nesbitt Duke”, or her neighbour and friend, Dr. Anthony Cook, is also the story of Libby’s coming-of-age, taking on adulthood by figuring out what will make life as meaningful as it is love-filled. Continue reading