My initial response to Katherine Reay’s Of Literature & Lattes was: “this book is a mess”. Structurally, it’s all over the place. It opens in fictional-small-town Winsome, Illinois, from the point of view of the local bookstore owner, Eve Parker … whom we barely meet again. At first, I thought she was the heroine, given this is labelled a romance. She isn’t. A plethora of troubled and/or sad small-town characters show up. It was hard to keep track of what made them sad/troubled. Then, all of this within the first 20 pages, we’re catapulted to Palo Alto, CA, where one Alyssa Harrison is being investigated by the FBI because the company she worked for took clients’ medical information, ostensibly to predict future illnesses as a preventative exercise, but sold the info. Alyssa, her FBI interview still pending, gets into her car to make her way home, a journey and destination holding nothing but dread and failure. Home is, of course, Winsome, and there await her mother, Janet, an artist who works at the book shop, and father, Seth. Janet and Seth are divorced because Janet cheated and Alyssa, never sharing an easy mother-daughter relationship, has blamed Janet for her parents’ break-up. But Janet and Seth are dating again, forgiveness is in the air … and Alyssa walks right into it and hates it. We leave Alyssa and her troubled relationship with her mother to meet the new owner of the town coffee-shop, Jeremy Mitchell. He moved to Winsome and invested everything he owns in the town, sharing business responsibilities with his friend, Ryan, because he wants to be closer to his seven-year-old daughter, Becca. His marriage broke up soon after Becca was born and his ex-wife, Krista, is hell to deal with. His coffee-shop is not the success he’d hope because he doesn’t have the community spirit, as Ryan tells him over and over again. Continue reading
It’s been another super-busy work month, but I have three books going and Molly Fader’s McAvoy Sisters Book of Secrets is the first I finished. Thanks to a compelling last third, I left the others idling on the nightstand. In the course of reading Fader’s novel, I decided I will no longer scoff at women’s fiction. No, I haven’t been converted to its smarmy, inward-looking, self-absorbed protagonists, or its not-without-my-daughter obsession with mother-child relationships, of no interest to me whatsoever — merely that, in the hands of a beloved writer, even a genre pandering to privileged women, can be redeemed and — gasp, enjoyed and celebrated. Molly Fader is, as you may know, one of my most beloved romance writers, Molly O’Keefe, whom I’ve been reading since she wrote categories! One of my favourite and I think most masterful contemporary romance series, Crooked Creek Ranch, was penned by O’Keefe (if you haven’t read it, address this stat). There was enough of the O’Keefe edge and intensity of emotion that I found in the romances to make me happy-reader-sigh through The McAvoy Sisters. And enough love interest to make me yearn for more … but I’ll take it. 😉 Continue reading
Cathy Pegau’s second Charlotte Brody historical murder mystery, Borrowing Death, is set between two colossal mistakes: the Great War and the enacting and enforcing of American Prohibition. While the Great War remains a definitive Canadian event, Prohibition figures prominently in the social rifts and conflicts of Pegau’s early-twentieth-century-Alaska-set novel. But Pegau’s journalist-amateur-sleuth heroine, Charlotte Brody, embodies an equally important historical moment. As Charlotte says, she’s not as interested in the 18th Amendment as she is in the 19th.
Charlotte is an independent, idealistic young woman, working as a journalist, deeply committed to causes near and dear to her, women’s suffrage and rights. Though only in her early twenties, Charlotte has done some living. She travelled from afar to the frontier town of Cordova. In the series’s first book, we learn Charlotte survived a fraught love affair. Her relationship with former lover Richard left her with a sour view of men and relationships and a diminished sense of her ability to understand and judge people. When she refused to follow her lover’s demand for a conventional end to their romance, that is, marriage, children, and Charlotte as home-maker, wife, mother, he turned on her. As a result, Charlotte made painful, irrevocable decisions, one that haunts her still. Moving to Cordova, reuniting with her brother Michael, is how Charlotte will lay the past to rest. Her writing and sleuthing, curiosity and intelligence, restore Charlotte’s faith in herself. If she can only find some way to restore her faith in romantic love. Continue reading
Donna Alward is one of Miss Bates’s favourite category romance writers, How A Cowboy Stole Her Heart one of her favourite romances. Miss Bates has reviewed wonderful Alward roms, including 2014 fave, Her Rancher Rescuer. In The Cowboy’s Convenient Bride, Alward tackles a contemporary marriage-of-convenience romance. It’s spring in Gibson, Montana, and ladies’ man Tanner Hudson is “sick of the bar scene”. Tanner’s wife left him, claiming he was “built for fun, but not for a lifetime.” Since then, he hides his yearning for love and commitment behind a loose-and-free persona. Laura Jessup is town pariah because she slept with Gavin, golden-girl Maddy Wallace’s husband. Gavin died and Laura is mama to four-month-old Rowan, apparently Gavin’s daughter. Appearances are deceiving, however, because Gavin was a friend, offering his lawyer-services to help Laura extricate herself from drug-dealing boyfriend Spencer. Spencer was in jail when EMT Tanner helped Laura give birth: ” … she vaguely remembered pleading with him to stay with her. She’d felt so alone, so afraid, so … adrift”. Laura breaks down and tells Tanner the truth, also confessing she fears Spencer discovering Rowan and pursuing them: “If Spence ever found out that he had a child … It would be nothing short of a nightmare.” Kind, chivalrous Tanner offers Laura a marriage-of-convenience to protect Rowan and allow Laura to establish her online website design business using Tanner’s name.
Tanya Michaels is a new-to-Miss-Bates author, with titles in the TBR, including A Mother’s Homecoming, an interesting riff on romance’s “bad mom” as heroine. Falling For the Sheriff is first in Michaels’ small-town-USA series, Cupid’s Bow, Texas. Miss Bates had her trepidations with a cutesy town-name like that, screaming love-cupid-arrow, all the obvious. But Michaels’ novel proved to be more than cutesy, with its lower-middle-class protagonists, whose lives as single parents, though comfortable, require cheque-book balancing and caution spending. Kate Sullivan, widowed elementary school piano teacher, and Cole Trent, town sheriff, are parenting a thirteen-year-old son, Luke, and five-year-old twin girls, Alyssa and Mandy, respectively.
Kate’s widowhood is two years old and Luke, sadly, is acting out at school out of grief and loss. Leaving Houston and returning to her paternal grandmother’s farm in Cupid’s Bow seems like the best Kate can do for Luke and her harried self. Kate arrives knowing she’ll find warmth, support, and a loving home with her beloved “Gram.” “Gram” throws Kate a big ole party and invites, with the conspiring of her friend Gayle, Cole’s mother, Cole and his twin cutie-pies. Kate and Cole share instant attraction, mitigated by single-parent status and protectiveness towards their children, as well as Kate’s yet sore heart over Damon’s, her husband’s, loss, a policemen killed in the line of duty. Cole’s law enforcement career serves as another deterrent to Kate, who quails at the idea of ever being with another cop. But Kate and Cole, other than sharing an attraction, strike a friendship, share similar dilemmas and questions as single parents, and unite in avoiding their families’ matchmaking efforts. They strike a bargain to feign an interest in each other to evade their families’ machinations. Except a joint-family trip to the pool and a few dates and Kate and Cole’s attraction and growing affection see them consider, approach, and finally admit a relationship. Continue reading