Tag: Lauren Willig

Review: Lauren Willig’s TWO WARS AND A WEDDING

Two_Wars_WeddingIf a novel ever needed an HEA, Lauren Willig’s prosaically-titled Two Wars and a Wedding does. A multi-hanky read, indeed. A historical saga and sweeping one at that (more sagas, please!): recounting a young woman’s journey from immature and impetuous to worn-down, guilt-ridden, and broken to strong, resolute, and happy across “two wars and a wedding”. And did it ever keep me reading, as steadily as Real Life would allow, over three days. To start, let’s fill in the war and wedding details with the publisher’s blurb:

September 1896: As an aspiring archaeologist, Smith College graduate Betsy Hayes travels to Athens, desperate to break into a very male-dominated field and find work at some of the world’s most famous excavation sites. In the midst of the heat and dust of Greece she finds an unlikely ally in philanthropist Charles, Baron de Robecourt, one of the few men who takes her academic passion seriously. But when a simmering conflict between Greece and Turkey erupts into open warfare, Betsy’s archaeological sites become battlefields and she falls into the grim and heroic task of nursing the wounded. As the world around her is irrevocably changed, Betsy finds her heart pulled in multiple directions.

June 1898: As the Spanish-American war begins, an older and wiser Betsy Hayes is searching for her former best friend Ava, who she last saw in Greece during the Greco-Turkish War. She believes that Ava might be with the Red Cross headed to Cuba, so Betsy herself joins the Red Cross and follows Teddy Roosevelt’s Rough Riders straight to the heart of the fighting. As she enters the war zone, dark memories of her last war resurface and her need to protect old and new friends intensifies. (more…)

MINI-REVIEW: Beatriz Williams, Lauren Willig, and Karen White’s ALL THE WAYS WE SAID GOODBYE

All_Ways_We_Said_GoodbyeI love these three authors and looked forward to reading their joint effort, All the Ways We Said Goodbye. While I enjoyed the multi-narrative-threaded novel, I prefer the Co. of Williams, Willig, & White seule over ensemble. There was so much here and not quite enough; the novel’s last quarter was stronger than its first half. Overall, a mixed-bag with a mixed response from me: bits I loved, characters I adored, and, in the best lingo from The Great British Bake-Off, a soggy middle (okay, “bottom” for them, but you get my drift).

All the Ways We Said Goodbye is ambitious, I’ll give it that. Three women, three stories, intertwined by war, betrayal, passion, love, and honour, the male protagonists following likewise in their wake. One narrative follows WWI-set Aurélie de Courcelles, the Demoiselle, whose family heirloom/talisman is a cloth seeped in the blood of Ste. Jeanne d’Arc. Aurélie leaves her mother ensconced at the Paris Ritz and makes her way to the ancestral home, now behind enemy lines. She carries the talisman with her, legendary because as long the Demoiselle holds it, France cannot fall. Given that most of the Great War was fought on French soil, a symbol of French hope and pride. Aurélie finds her home occupied by some nasty German officers. She machinates to protect her people and finds herself embroiled with one kind, handsome German officer …
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REVIEW: Lauren Willig’s THE SUMMER COUNTRY

Summer_CountryLauren Willig’s “summer country” is early nineteenth and Victorian-Era-set Barbados. A young women arrives in Bridgetown in February 1854, Miss Emily Dawson, to claim her inheritance, the ruined sugar-producing estate of Peverills, only to discover a family history that alters everything she has known about who she is.

Since the *sniff* end to the Pink Carnation series and we can see vestiges of this theme there too, Willig’s novels centre around a heroine’s journey of unearthing familial and historical identity. Willig’s specializes in, to nay-say the Bard’s Hamlet, a “discovered country” that alters and then cements a new future for our heroine. The Summer Country‘s Emily Dawson is such a heroine, as she delves into the Barbadian history of slavery, white privilege and exploitation of others, and the personal tragedies and triumphs of parallel stories, one set in 1812-1816, and the heroine’s present, 1854, the 1812-16 narrative bearing on Emily’s present and future.
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REVIEW: Lauren Willig’s THE ENGLISH WIFE

English_WifeA groggy, caffeine-heavy morning for me after a night reading into the wee hours, thanks to Lauren Willig’s Gothic romance, historical mystery The English Wife. The novel opens in January 1899 in Cold Spring NY, at “Illyria,” Bay and Annabelle Van Duyvil’s country estate. Bay and Annabelle’s hermetic existence has thus far been the bane of Bay’s appearances-are-all mother, Alva. Formidable, humorless Alva is ever flanked by Janie, her mousy, silent daughter and Anne, the mouthy, flamboyant niece she took in. To Alva’s great society-loving heart, Bay and Annabelle are finally celebrating the opening of their magnificent estate by holding a costume ball for New York’s best, brightest, and finest. Until now, Bay and Annabelle’s life has been a mystery. Rumours of eccentricities and infidelities swirl around them, about them … maybe because they keep to themselves and, at least on the surface, appear to live an idyllic existence with twins Sebastian and Viola. Bay and Annabelle don’t seem to give a fig about what the “best people” think, rendering them endlessly fascinating to the society pages and ensuring Alva Van Duyvil’s frustrated, officious meddling. (more…)

REVIEW: Lauren Willig’s THE OTHER DAUGHTER, Or “You’re yourself … Isn’t that enough?”

Other_DaughterWhat happens to your identity when everything you’ve known about your family is a lie? This is Lauren Willig’s premise for The Other Daughter. It opens as a cross between Mary Stewart and Brontë’s Jane Eyre. Heroine Rachel Woodley’s life has the air of impoverished 19th century governess as she cares for the Comte de Brillac’s three daughters in the French countryside. An urgent telegram summons her to England. Rachel, however, is too late: her mother is dead of influenza, the funeral wreaths bought, adorned, and withered. At 25, Rachel is bereft of mother and father and destitute; her only hope, a secretarial course and immediate employment. Troubles come in battalias when their landlord in the obscure village of Netherwell evicts her. As Rachel packs her mother’s things, she makes a remarkable discovery – a Tattler photograph of Lady Olivia Standish and her father, the Earl of Ardmore, the man Rachel knew as Edward Woodley, the father she thought dead when she was four. Is the title’s “other daughter” Olivia, wealthy, polished, privileged, or Rachel, Ardmore’s by-blow? To lose job, mother, home … and discover you’re the illegitimate daughter of a man you’d adored and thought dead, alive, well, and callously indifferent to the wife and daughter he deceived and abandoned, what does it do to a girl? Can an author, other than Brontë, deprive her heroine of everything stable and loving and throw her into a surreal sense of dislocated self: Willig certainly has. Continue reading

Miss Bates’ Favourite Christmas Romances

Christmas_IvyMiss Bates loves Christmas: stars, trees, lights, baking, candle-lit church services. Carols! She decorates; she cuts out gingerbread people. She even mails Christmas cards. And, with Mrs. Bates, they haul a beautiful sapin de Noël up the narrow staircase to her apartment and spend happy hours with tinsel, glitter, garland, and ornament. Early December finds her ribbon-cutting the season by bringing out her Christmas tea mugs. Every year, on November 25th, the feast day of St. Catherine, patron saint of spinsters (also lace-makers) Miss Bates embarks on a month-long reading of Christmas-themed, Christmas-set romances. The genre presents her with a plethora of choices and the covers are sentimental favourites. She’s read some duds and she’s read some wonders. Here are her wonders; if you’re a Christmas-romance fan, you might have read them, or you might consider reading one, or two 😉 this year. Continue reading