Maisey Yates’s The Last Di Sione Claims His Prize concludes the multi-author Di Sione family series. Apropos of being the last volume, it tells the story of Giovanni Di Sione’s eldest grandson, Alessandro “Alex”. It completes Giovanni’s journey to rediscover a lost love, while fulfilling his secret wish to guide each grandchild to love and commitment. Of the volumes Miss Bates has read, the series’ unifying premise never faltered in meaningfulness. Giovanni’s benign machinations and his grandchildren’s adventures to love and the fulfillment of their grandfather’s request were compelling. This is as true of His Prize as any of the others, though Hewitt’s A Di Sione For the Greek’s Pleasure remains the best of the lot. Nevertheless, reading a Maisey Yates romance is never a loss for Miss Bates. Yates is consistently one of the genre’s finest practitioners, whether writing fantasy-driven HP, or closer-to-reality contemporary.
True to premise, Giovanni asks Alex to travel to Aceena in a “search-and-rescue/retrieve” operation to reunite him with a painting entitled “The Lost Love.” The painting, like the other lost and then recovered objects of Giovanni’s youth, is connected to a woman he left behind when he came to America to make his fortune. The portrait is in the possession of the disgraced, exiled royal family D’Oro. Though jaded and surly, Alex agrees to his grand-father’s request, aware of what he owes Giovanni – his upbringing, success, and most importantly, his rearing with love and care when Alex’s wastrel parents died in a car crash.
Maisey Yates continues her Copper Ridge, Oregon saga in yet another of Miss Bates’s belated Christmas romance reads, Hold Me, Cowboy. It was the perfect antidote to the bad after-taste of Sandas’s Untouchable Earl. Miss Bates was captured and gave a rueful chuckle when she read in Yates’s first chapter: ” ‘I just need to … I need to rip the Band-Aid off.’ ‘The Band-Aid?’ ‘The sex Band-Aid.’ He nodded, pretending that he understood. ‘Okay.’ ‘I want this,’ she said, her tone confident. ‘Are you … suggesting … that I give you … sexual healing?’ ” You see, dear reader, Miss Bates suffered from nearly 300 pages of “sexual healing” in her previous rom-read/review and it brought out the snark big-time, but Yates understands the fundamental untruthfulness of the healing in “sexual healing.” It takes all manner of touch to heal. What distinguishes romance from erotica is that the central couple may start with sexual touch, but to make a romance and reach the HEA, there must be other kinds of touch, motivated by emotions that aren’t lust, emerging from the impetus to comfort, care for, and succour. To give Sandas some credit, Miss Bates thinks she understood that, but failed in execution. Yates, on the other hand, did the clever and adroit romance writer thing: there’s lust and it’s pleasurable for her protagonists, but it’s a stopgap to other kinds of touch and talk that will connect, bind, and drive them to an HEA of commitment, fidelity, and love.
Miss Bates is always suspect that Maisey Yates can be as prolific as she is and still retain her novels’ high standards. Yates pulls it off with an ensured hand for the most part. Though Miss Bates prefers Yates’s more realistic contemporary romance, she also can’t resist an HP by an author she consistently enjoys. And so … Yates’s Spaniard’s Pregnant Bride, wherein Yates really rocks a lovely reversal of the princess in the tower narrative, with a towered and towering prince, oops duke … the prince is the heroine’s rejected fiancé. Allegra Valenti, at 22, is set to marry Prince Raphael DeSantis of Santa Firenze thanks to the match-making efforts of her brother’s best friend, Cristian Acosta. Cristian, despite his name, is an arrogant donkey-butt of a hero, purporting to know what’s best for the heroine, even choosing her husband. But, like any good HP, the hero’s high-and-mighty will be hoisted on his own petard. Allegra is smart and possesses what Miss Bates most admires in a heroine, integrity and spunk.
About three years ago, Miss Bates loved Maisey Yates’s HP, Pretender To the Throne. Her recent Yates read, Last Chance Rebel, has much in common, though the mythical-kingdom setting is nothing like the small-town-feel of Copper Ridge, Oregon. Nevertheless, both novels are about contending and making peace with the past, recognizing internal patterns hindering connection and love, and how forgiveness of self and others heals us, the other, and the community.
Last Chance Rebel is Yates’s eleventh Copper Ridge, Oregon series romance and more are out, or planned. Yates has created one of the great contemporary rom series around this community. Her view of it is neither rose-coloured nor condemnatory. Instead, she focusses on interweaving various members’ lives as they come face to face with the incontrovertible fact of love, a feeling so strong, so vibrant, and so frightening that Copper Ridge’s men and woman alternately run to and from it. Like Pretender To the Throne, Last Chance Rebel has a physically scarred heroine, scars caused by the hero’s carelessness. Like Pretender To the Throne, family circumstances bring the hero home to confront his past and role in the heroine’s life. Like Pretender To the Throne, the heroine’s rage against the hero is explosive and the hero’s guilt and atonement, spectacular. Continue reading
It seems appropriate that Miss Bates open her reviewing year with one of her favourite contemporary romance writers. Maisey Yates’s Tough Luck Hero is part of that sprawling fictional Oregon town that Yates has created around the Garretts and Wests, as well as various inter-connected denizens. Yates’s Copper Ridge tales have yet to grow stale or pale. Some are stronger than others, but each one is a necessary part of Yates’s compellingly woven whole. (Brokedown Cowboy remains Miss Bates’s unwavering favourite.) Copper Ridge is a place of mountainous and sea-set beauty, complicated family dynamics, and the small-town warp and weft of stricture and support. With every book, Copper Ridge grows, as the lonely and disparate find someone special. The road to love, commitment, and many babies, however, is fraught with Yates’s particular vision of what falling in love and committing entail: a crap-load of resistance and torment. Tough Luck Hero‘s hero, town Golden-Boy Colton West, really has had a run of terrible luck. Mayoral candidate Lydia Carpenter is sitting pretty … until Colton and sympathy shots at Ace’s bar see her luck run out too.
(Dear Readers, Miss Bates continues to toil at the day-job above and beyond the call of duty. But when Friday night rolled around, she needed to put the feet up, brew the green tea, add the honey, and read the romance. It was a good one and there was late-night-in-bed reading. And this is why today, she offers her 300th review, compact as heroine Sierra West in Maisey Yates’s One Night Charmer.)
A Maisey Yates review is apropos for Miss Bates’s 300th. Yates is one of her favourite contemporary romance authors, balancing a visceral contemporary voice with traditional-values rom-HEA (marriage and babies). Her characters fall in love, work things out, and commit, but also go on a journey that transcends their weighed-down-with-negativity past. This is no less true for One Night Charmer than all the fabulous Copper Ridge novels and novellas. Moreover, One Night Charmer‘s elements are missbatesian rom-nip: an older, surly hero, wounded and jaded, a “bouncy”, smart ingenue heroine, drunken sex, the wages of sin, marriage-of-convenience, and a baby-filled epilogue. Continue reading
Miss Bates has never NOT had a book on the go; once she finishes one, she has the next lined up. Sometimes, new-book-starting is a desultory affair: tepid, reluctant, maybe even a tad depressing. “Will this satisfy my reading-pleasure-principle?” “I have limited reading time, will this be worth the precious half hour I have nightly?” MissB started reading Maisey Yates’s Take Me, Cowboy in this mode: half-heartedly, maybe even sullenly. But she’d loved so many Yates-romances and went into that good-reading-night anyway. Yates’s Oregon-set Copper Ridge series has had one winner after another, would Take Me, Cowboy exhibit series-exhaustion?
Certainly the romance’s opening had Miss B. scowling: wait a minute, this sounds awfully like the last Yates Miss B. read: Bad News Cowboy, with its plain-Jane, best-bud heroine and looker-womanizer hero who find themselves on friendship’s wrong side, as lovers, prey to powerful desires and frightening feelings.
‘Tis the season when Miss Bates embarks on reading and reviewing Christmas-set romance. There aren’t too many pending in the ARC TBR this year, but enough to tide her over till Christmas. Last year, she opened the Christmas review series with a post on past favourites. (There are great recs in the comments as well.) This year, for her début Christmas romance review post, something a little different: a brief discussion of a past favourite and mini-review of a recent Christmas-set read.
Miss Bates thinks the Christmas setting gives romance writers the opportunity to weave a healing theme into the romance narrative arc of encounter, attraction, consummation, repulsion/dissolution, and reconciliation/HEA. Carla Kelly’s Marian’s Christmas Wish, one of MissB’s favourite Christmas romances, embodies this idea. The eponymous Marian, a maybe-too-young, irrepressible, exuberant heroine meets Gil Collingwood, gentle, older, charming, but a little tired of life’s struggle, when her brother brings him home for Christmas. Their romance is sweet and funny; moreover, it also strikes a serious note when Marian uses her healing salve, created to help her beloved animals, on a persistent, painful sore on Gil’s cheek. The physical healing reflects the heart’s healing of Gil’s reintegration into a family and a hope for the future in the love he’ll share with his betrothed, Marian. The theme of healing through love and the creation of a new family/reintegration into a broken family can also be found in that unlikeliest of genre places, the HP, and, particularly, in Miss Bates’ latest Christmas romance read, Maisey Yates’ A Christmas Vow Of Seduction.
Reading Maisey Yates’ Bad News Cowboy gave Miss Bates déjà [vu]rginity. Indeed, a virgin heroine in Yates’ fourth Copper Ridge romance followed Dahl’s in Taking the Heat. The treatment was different, but equally successful, with Yates falling into a more conventional deflowering scene. We met Kate Garrett as the quiet, tom-boyish baby sister to the heroes of Yates’ previous novels in the series, Part Time and Brokedown Cowboy. Our hero is none other than their flippant, promiscuous poker buddy, the handsome, enigmatic Jack Monaghan, Jack of turbulent waters run deep. Verbal sparring and sexual tension ran throughout Kate and Jack’s exchanges in previous novels and it’s great to witness everything coming to a head … enfin. In Bad News Cowboy, Kate’s changing, suddenly aware that her 23-year-old body and sexual self-effacement don’t suit. The safe emotional “cave” she created as hidey-hole in is too small, ” … she was alone … It was secure. It was familiar.” Her itchy restless feelings are her attraction to Jack. Jack too notices how Kate needles and insults him at their weekly Garrett family poker games. They’ve always teased and tormented each other, but now there’s a tension to their encounters they’ve not had before. As in the previous novels, Yates’ characters’ verbal jibes and jabs conceal emotional feints and this no less true of Kate and Jack. Continue reading
Maisey Yates’ HPs have seen more misses than hits for Miss Bates lately. At the same time, Miss B. can’t resist the tantalizing possibility Yates will hit the heights of Pretender To The Throne and, with that hope, readily plunged into another one. Not much distinguishes Married For Amari’s Heir from the sordid premises marking the opening of many an HP. “Mark” is the operative word here. Assistant-in-crime to her con-artist father, heroine Charity Wyatt receives a commanding missive from Rocco Amari, summoning her to a club called The Mark. An upscale boutique shopping bag contains the tight-fitting sexy dress and lingerie she’s to wear to the rendez-vous. Party to her father’s theft of one of Rocco’s many millions, Charity knows she’ll comply with Rocco’s revenge to avoid jail time – despite her father absconding with the money, despite her fear and guilt over her part in it, despite her living hand-to-mouth as a waitress. Rocco’s merciless and she’s about to pay the piper with her virginity. Awful, isn’t it? Nevertheless, their love-making is cleverly handled by Yates, consensual and even tender. The encounter, though Rocco was all kinds of a dick post-love-making, leaves them shaken with intensity and meaning. Months elapse and neither have forgotten the other. When Charity discovers she’s pregnant (let it be said the HP may be the last bastion of miraculous conception), it’s an opportunity to turn her life around. Her destitute existence necessitates, for her baby’s sake, a plea for financial assistance to Rocco. When Rocco decides he wants to be father to the baby, he again holds jail time as a Damocles sword over Charity. Frankly, all the ludicrous, the blackmailing, the threats, near-led Miss Bates to DNF territory, but something about the characters touched her. Continue reading