Is there anything better than a lazy Saturday where you open windows letting the breeze in, lie on the couch, occasionally glance up from your book to watch the leaves dancing, and read to the final page? Nope, there isn’t. I gave the pile of work from the day-job a disdainful smirk-and-sniff and went right to the Kindle. With a compact Maisey Yates Desire, Claim Me, Cowboy, I knew it would be a reading-snack in one setting.
I’ll start right by saying I loved Yates’s outlandish premise. Rich-guy hero Joshua Grayson’s father puts an ad in the Seattle paper for a wife for his son. Joshua is over-the-top handsome and rich, but he eschews love and marriage. He lives in an idyllic, state-of-the-art house in the Oregon mountains in Yates’s mythical Copper Ridge (this being book 6). A sad thing once happened to Joshua and his life is now made of money-making, riding horses, and living in solitude (except for an occasional one-night-stand) in his big-ass house and ranch. His father, Todd, a farmer of modest means, but a big, loving heart places the ad to shake Joshua out of his self-condemning love-exile. Joshua, in turn, advertises for a fake fiancée, “an unsuitable, temporary wife” to get back at his father and gets her in the form of “elfin” Danielle Kelly, 22, with a baby in tow, the well-mannered, sleeping four-month-old Riley.
Here I am again, with another Maisey Yates review under way, having thoroughly enjoyed the first in the Gold Valley series (an offshoot of the equally marvelous Copper Ridge series, the series that started it all, the ur-series!), Smooth-Talking Cowboy. Every time I read a Yates romance and add it to the love pile, I get to think about what it is that Yates is doing in the genre. There is nothing new or unfamiliar to Smooth-Talking Cowboy. It’s signature Yates and many of the tropes she likes to employ are present. I’ve met these hero and heroine types in previous romances and I liked them, just as I liked these two.
Olivia Logan is a town princess. Her family are founders; they’re not extravagantly wealthy, but comfortable, supportive, loving, and Olivia is the apple of their and the town’s eye. When the novel opens, Olivia has not too long ago broken up with her boyfriend, town vet Bennett Dodge. Olivia had long envisioned how her perfect self would have the perfect life and she pressured, prodded, and pushed Bennett to propose. When Bennett hesitated, she broke up with him, with the hope that absence makes the heart fonder. Bennett’s supposed to come back to take up the mantle of providing Olivia with her perfect life: a husband, family, home, made to order for a town princess.
Maisey Yates remains the sole romance writer who makes me stay up till the wee hours to finish one of her books. The Rancher’s Baby is why I’m writing this review on a snowy March morning, bleary-eyed and groggy, to the sound of the coffee-machine spurting my third cup’o’java. Rancher’s Baby is set in Texas and not part of Yates’s Copper-Ridge-Gold-Valley series, the Yoknapatawpha of romance. It’s written for the “Desire” category, which brings out the best in her. So … “Desire”, “Yates,” “baby” set my readerly heart a-flutter … and draw me in this did. A few provisos, the hero, billionaire-rancher Knox McCoy lost his baby-daughter to cancer, a difficult read for some; and, billionaire-business-woman Selena Jacobs was physically and psychologically abused by her father (a less developped aspect to the romance), again, may not appeal. Lastly, the hero and heroine have unprotected sex, which may annoy, flummox, or result in disapproving tut-tutting. I followed a Yates Twitter convo where she defended this writerly decision (which I don’t think needs defending, btw) that people do have unprotected sex. I would say it’s about context. The circumstances under which this happens in The Rancher’s Baby may not work for all, but they did for me. Many many reasons some romance readers may not enjoy, none of which I had a problem with. With the proviso that Yates’s romances make me leave my chin-tapping critical sense at the door.
2018 will prove to be yet another Maisey Yates year for Miss Bates, as she can’t seem to quit Yates’s romances. Last year, she read seven … let’s see how many MissB manages to read in 2018?! If Slow Burn Cowboy is any indication, then MissB’s love affair with the Yates romance isn’t over. Every time she reads one, Miss Bates ponders what draws her to Yates’s romances and every time, her understanding of what makes Yates a great romance writer grows. Not every book is perfect, or memorable, especially after you read so many, you’re no longer reading for individual storylines, but for those writer “tells” that make the books so attractive to a reader-fan. Miss Bates finds in Yates a combination of an upholding of love and fidelity with a healthy dose of raw sexuality. This is not a new observation to Miss B.’s readers. This time around, however, Miss Bates noticed yet one more thing that she loves about Yates: she puts wit and sophistication into her banter/dialogue for characters who’d normally not be associated with wit and banter: cowboys and uneducated, albeit successful, nonprofessional, carpenters, builders, and small-business-owners, or as the hero of Slow Burn Cowboy identifies, a “laborer”. Her characters are wonderful combinations of earthiness and clever wordplay. Does Slow Burn Cowboy hold any surprises for the Yates reader? Not really. Does it satisfy? Absolutely. Continue reading
Truth be told, Miss Bates would advise you not to read past this sentence because she loves every Maisey Yates romance she reads. You’ve been warned: you may have heard this before.
With each Copper Ridge and related romance novels that come out, MissB. anticipates disappointment: “finally, this one will be stale, tired, Yates will just go through the motions”. Nope, each and every one is good: thoughtful, sexy, centred on love, romance, healing, fidelity, and commitment. Hero and heroine are often many kinds of messed up, in need of healing what is soul-and-heart broken. They skirt around what their fabulous love-making intimates, dismiss it as lust, run away from what their bodies already know: this is your soulmate, the one person you’ve waited for, the one who ends all others for you, the one you love and will share a family with. It’s simple and familiar and Yates makes it fresh and wonderful every time. You either buy her view of love and marriage, or you balk at the notion of what the body knows, the mind must get used to; and, what the body knows, the soul recognized a long time ago. This is as true for Golden-Good-Girl Sabrina Leighton as for returned bad-boy, wrong-side-of-tracks Liam Donnelly.
Jonathan Bear, grumpy, huge, solitary, made cameo appearances in previous Copper Ridge romances, as Rebecca Bear’s overprotective, gruff, scary older brother in Last Chance Rebel, one of many Yates contemporary roms set in fictional Copper Ridge, Oregon. With each one Miss Bates picks up, she thinks this’ll be the one to break her, where she throws her hands up to say, “I’m done.” Well, hell no. Seduce Me, Cowboy is fresh and moving and one of the best of the lot. It gripped MissB., kept her up till the wee hours. She’d been drumming her fingers in impatience and anticipation of Jonathan’s story and Yates delivered, giving him an unlikely, perfect heroine. Twenty-four to Jonathan’s thirty-five, Hayley Thompson’s life is far removed from Jonathan’s. She is “good girl” to his “bastard son of the biggest bastard in town,” a beloved, coddled, protected pastor’s daughter to his abusive, abandoned childhood and virgin to his one-night-stand experience. But Hayley is breaking out, to be more than what she calls her family’s “beloved goldfish” and starts by taking a job with the elusive, mysterious, close-mouthed Jonathan Bear, step one of her escape from Copper Ridge and “plan for independence.” Continue reading
Maisey Yates’s The Last Di Sione Claims His Prize concludes the multi-author Di Sione family series. Apropos of being the last volume, it tells the story of Giovanni Di Sione’s eldest grandson, Alessandro “Alex”. It completes Giovanni’s journey to rediscover a lost love, while fulfilling his secret wish to guide each grandchild to love and commitment. Of the volumes Miss Bates has read, the series’ unifying premise never faltered in meaningfulness. Giovanni’s benign machinations and his grandchildren’s adventures to love and the fulfillment of their grandfather’s request were compelling. This is as true of His Prize as any of the others, though Hewitt’s A Di Sione For the Greek’s Pleasure remains the best of the lot. Nevertheless, reading a Maisey Yates romance is never a loss for Miss Bates. Yates is consistently one of the genre’s finest practitioners, whether writing fantasy-driven HP, or closer-to-reality contemporary.
True to premise, Giovanni asks Alex to travel to Aceena in a “search-and-rescue/retrieve” operation to reunite him with a painting entitled “The Lost Love.” The painting, like the other lost and then recovered objects of Giovanni’s youth, is connected to a woman he left behind when he came to America to make his fortune. The portrait is in the possession of the disgraced, exiled royal family D’Oro. Though jaded and surly, Alex agrees to his grand-father’s request, aware of what he owes Giovanni – his upbringing, success, and most importantly, his rearing with love and care when Alex’s wastrel parents died in a car crash.
Maisey Yates continues her Copper Ridge, Oregon saga in yet another of Miss Bates’s belated Christmas romance reads, Hold Me, Cowboy. It was the perfect antidote to the bad after-taste of Sandas’s Untouchable Earl. Miss Bates was captured and gave a rueful chuckle when she read in Yates’s first chapter: ” ‘I just need to … I need to rip the Band-Aid off.’ ‘The Band-Aid?’ ‘The sex Band-Aid.’ He nodded, pretending that he understood. ‘Okay.’ ‘I want this,’ she said, her tone confident. ‘Are you … suggesting … that I give you … sexual healing?’ ” You see, dear reader, Miss Bates suffered from nearly 300 pages of “sexual healing” in her previous rom-read/review and it brought out the snark big-time, but Yates understands the fundamental untruthfulness of the healing in “sexual healing.” It takes all manner of touch to heal. What distinguishes romance from erotica is that the central couple may start with sexual touch, but to make a romance and reach the HEA, there must be other kinds of touch, motivated by emotions that aren’t lust, emerging from the impetus to comfort, care for, and succour. To give Sandas some credit, Miss Bates thinks she understood that, but failed in execution. Yates, on the other hand, did the clever and adroit romance writer thing: there’s lust and it’s pleasurable for her protagonists, but it’s a stopgap to other kinds of touch and talk that will connect, bind, and drive them to an HEA of commitment, fidelity, and love.
Miss Bates is always suspect that Maisey Yates can be as prolific as she is and still retain her novels’ high standards. Yates pulls it off with an ensured hand for the most part. Though Miss Bates prefers Yates’s more realistic contemporary romance, she also can’t resist an HP by an author she consistently enjoys. And so … Yates’s Spaniard’s Pregnant Bride, wherein Yates really rocks a lovely reversal of the princess in the tower narrative, with a towered and towering prince, oops duke … the prince is the heroine’s rejected fiancé. Allegra Valenti, at 22, is set to marry Prince Raphael DeSantis of Santa Firenze thanks to the match-making efforts of her brother’s best friend, Cristian Acosta. Cristian, despite his name, is an arrogant donkey-butt of a hero, purporting to know what’s best for the heroine, even choosing her husband. But, like any good HP, the hero’s high-and-mighty will be hoisted on his own petard. Allegra is smart and possesses what Miss Bates most admires in a heroine, integrity and spunk.
About three years ago, Miss Bates loved Maisey Yates’s HP, Pretender To the Throne. Her recent Yates read, Last Chance Rebel, has much in common, though the mythical-kingdom setting is nothing like the small-town-feel of Copper Ridge, Oregon. Nevertheless, both novels are about contending and making peace with the past, recognizing internal patterns hindering connection and love, and how forgiveness of self and others heals us, the other, and the community.
Last Chance Rebel is Yates’s eleventh Copper Ridge, Oregon series romance and more are out, or planned. Yates has created one of the great contemporary rom series around this community. Her view of it is neither rose-coloured nor condemnatory. Instead, she focusses on interweaving various members’ lives as they come face to face with the incontrovertible fact of love, a feeling so strong, so vibrant, and so frightening that Copper Ridge’s men and woman alternately run to and from it. Like Pretender To the Throne, Last Chance Rebel has a physically scarred heroine, scars caused by the hero’s carelessness. Like Pretender To the Throne, family circumstances bring the hero home to confront his past and role in the heroine’s life. Like Pretender To the Throne, the heroine’s rage against the hero is explosive and the hero’s guilt and atonement, spectacular. Continue reading