Reading Michelle Smart’s Once a Moretti Wife was balm to Miss Bates’s reading soul after its wounding by Knox’s Madly. Admittedly, if you’re an HP reader, you’re going to recognize some of the line’s pernicious elements in Smart’s novel: a hero and heroine plagued by abusive and/or disappointing families, a heroine the nonpareil to the hero’s usually negative views of women, and a gargantuan mis. MissB. had one of two choices: cling to every accusation thrown at the HP, even though conventions are givens and if you don’t like them, don’t read them, OR revel in its wit and characters’ vibrancy. Add a dollop of amnesia to the heroine, show her disoriented and weak, even while the dark, nasty hero conjures his revenge against her, then catches her when she collapses at his feet and nearly has a heart attack from his fear over her well-being. Marvelous, thought MissB., this is going to be great! And it was. Continue reading
Miss Bates can’t tell if it’s something in the air, but this is the second second-chance-at-love romance she’s read this month. It’s not a favourite trope (hello! marriage-of-convenience 😉 ), dependent as it on filler-back-story, but it does have richness potential. Neville’s latest London-set Georgian romance, Lady Windermere’s Lover, did not disappoint. Though it wasn’t as perfect as Ruin Of A Rogue, Miss Bates read it in one sitting because, even imperfect, Neville’s characters and the unfolding of their relationships engage Miss Bates emotionally, the tried-and-true test of any romance worth its mettle.
Miss Bates’s measuring rod for the estranged-couple trope is Balogh’s Counterfeit Betrothal, the most heart-wrenching-please-please-get-back-together marriage-in-trouble story she’s ever read. Lady Windermere’s Lover doesn’t have the gravitas of Balogh’s classic, maybe because Neville’s couple, Lady Cynthia and Damian, Earl of Windermere, are younger, apart only a year after a disastrous start. They don’t have children and the road to their HEA, though painful in places, is lighter, with lovely humorous touches, like the kitten, Pudge, and a terrific larger-than-life secondary character, Julian Fortescue, the “lover of the title,” who often steals the show. There are echoes here of one of Miss Bates’s favourite romances, Rose Lerner’s marriage-of-convenience romance, In For A Penny. Like Penny, Lady Windermere’s Lover is a cross-class romance, of a cit and aristocrat who marries for lucre, and Windermere has a nice working-class history addendum in the struggle of the Spitalfields silk workers. Lerner’s hero is more sympathetic and heroine has greater depth and historical accuracy, but Neville also deftly navigates these elements. Neville is consistently worth reading; Lady Windermere’s Lover is worth reading. And awaiting that wicked, compelling, Heyer-esque Julian Fortescue to tell his story … Continue reading