One of the things Miss Bates loves about Marion Lennox’s romances is how kind her characters are and yet still often hurt others. Because that’s what we do, an unkind word, a slip of the sarcastic tongue, a nay in place of, with a small giving of self, what could be a yay. But Lennox also understands and sympathetically portrays what that yay might cost, what vulnerability, uncertainty, and fear have to be overcome to reach assent. Lennox’s Stranded With the Secret Billionaire, and this review’s subject, is a book illustrative of this theme and characterization.
Penelope “Penny” Hindmarsh Firth, at 27, has run away from home. She runs from a bullying father, milk-toast mom, and selfish half-sister whose fiancé and soon-to-be-father of baby is none other than Penny’s ex-fiancé, Brett Taggart. Penny has run from urbane Sydney to NSW and, when the novel opens, is trapped in a rising creek, in her low-to-the-ground pink sports-car accompanied by Samson, her cute-as-a-button-but-useless-in-a-crisis poodle. Enter reclusive billionaire-living-as-sheep-farmer Matt Fraser, astride Nugget, to rescue Penny and ensure Samson’s continued spoilage. Continue reading
The day-job ate all of MissB’s reading time in the past few weeks. She greatly missed writing her blog and is so happy to be back this week with a review of Ruthie Knox’s Madly. Hopefully, a two-week hiatus won’t be repeated.
Truth be told, part of it was work and part of it was MissB trying to get through Knox’s long-anticipated return to romance with New York #2, Madly. And, it is “mad,” a wildly unhappy, chaotic romance about Allie Fredericks (Truly‘s heroine’s, May’s, baby sister) and Winston Chamberlain (About Last Night‘s hero’s, Nev’s, older brother). Madly is one of the most fraught romances Miss Bates has ever read (barring Judith Ivory’s Beast, which MissB. loathed) and she struggled to get through it. Continue reading
Jonathan Bear, grumpy, huge, solitary, made several cameo appearances in previous Copper Ridge romances, as heroine Rebecca Bear’s overprotective, gruff, and scary older brother in Last Chance Rebel, one of the many Yates contemporary roms set in Copper Ridge, Oregon. With each one Miss Bates picks up, she thinks this’ll be the one to break her, the one where she throws her hands up and says, “I’m done with this series.” Well, hell no. Seduce Me, Cowboy is fresh and moving and one of the best of the lot. It gripped MissB., kept her up till the wee hours. She’d been drumming her fingers in impatience and anticipation of Jonathan’s story and Yates delivered, giving him an unlikely yet perfect heroine. Twenty-four to Jonathan’s thirty-five, Hayley Thompson is already far removed from Jonathan. She is a “good girl” to his “bastard son of the biggest bastard in town,” a beloved, coddled, and protected pastor’s daughter to his abusive, abandoned childhood, and virgin to his one-night-stands experience. But Hayley is preparing to break out, to be more than what she calls her family’s “beloved goldfish” and she starts by taking a job with the elusive, mysterious, and bearish Jonathan Bear, on her way out of Copper Ridge and the first step to her “plan for independence.” Continue reading
In 1817 London, 20-year-old heroine Georgette Frost, “accustomed to flights of imagination” leaves the family business, Frost’s Bookshop, to seek her fortune, in pursuit of reward money for locating 50 000 Royal Mint stolen gold sovereigns. Hero Sir Hugo Starling, 32, Georgette-described “hawkish of feature, and stuffy of temperament … [r]epresentative of everything chill and sterile about the life of the mind: study, solitude, and sternness,” discovers boy-clad Georgette on her way to adventure and fortune. As a self-styled stodgy rescuer of females and taker-carers of everyone, doctor and younger son of a duke, Hugo cannot allow Georgette to proceed on her foolish errand without protection. He resolves to return her to his friend and her brother, Benedict, and she resolves to foil him. Theresa Romain’s witty pen is immediately evident in Passion Favors the Bold. Among histrom writers, Romain is gently humorous and deeply compassionate towards her characters and never more so than in her second Royal Rewards romance.
Miss Bates rolled joyously around in Lucy Parker’s romance writing like the first touch of clean sheets. She listened to Act Like It, Parker’s first contemporary romance, alternating with reading the second, Pretty Face. MissB. is a fickle rom-reading mistress, rarely glomming, as she did when she first started reading rom ten years ago. But Parker’s original setting, flawed, likeable characters, and witty writing, yet still heart-tugging and romantic, captured and held on for two days of continuous listening and reading. Though this review will focus on Pretty Face, everything she says about it may be applied to Act Like It (with the exception of one of the best audio-book narrators Miss Bates has ever listened to). Like Miss B’s Ruby Lang discovery, Parker made it onto a “not-to-be-missed” romance writer list by page three of Pretty Face and oh, ten minutes into Act Like It.
There be many reasons why MissB. liked Parker’s work, but she’ll start with the setting. Original, engaging, charming, Parker’s novels take place in London’s West-End theatre scene amidst actors, agents, directors, celebrity gossip-rags, and paparazzi bulb-flashes. Kudos to Ms Parker for normalizing the scene, for eliciting sympathy from her reader for the “pretty faces”, male and female, with their vulnerabilities, weaknesses, insecurities, and everyday yearnings, to love and be loved, find a life-partner, and enjoy understanding, support, affection, and tenderness. Continue reading
Maisey Yates’s The Last Di Sione Claims His Prize concludes the multi-author Di Sione family series. Apropos of being the last volume, it tells the story of Giovanni Di Sione’s eldest grandson, Alessandro “Alex”. It completes Giovanni’s journey to rediscover a lost love, while fulfilling his secret wish to guide each grandchild to love and commitment. Of the volumes Miss Bates has read, the series’ unifying premise never faltered in meaningfulness. Giovanni’s benign machinations and his grandchildren’s adventures to love and the fulfillment of their grandfather’s request were compelling. This is as true of His Prize as any of the others, though Hewitt’s A Di Sione For the Greek’s Pleasure remains the best of the lot. Nevertheless, reading a Maisey Yates romance is never a loss for Miss Bates. Yates is consistently one of the genre’s finest practitioners, whether writing fantasy-driven HP, or closer-to-reality contemporary.
True to premise, Giovanni asks Alex to travel to Aceena in a “search-and-rescue/retrieve” operation to reunite him with a painting entitled “The Lost Love.” The painting, like the other lost and then recovered objects of Giovanni’s youth, is connected to a woman he left behind when he came to America to make his fortune. The portrait is in the possession of the disgraced, exiled royal family D’Oro. Though jaded and surly, Alex agrees to his grand-father’s request, aware of what he owes Giovanni – his upbringing, success, and most importantly, his rearing with love and care when Alex’s wastrel parents died in a car crash.
Miss Bates read Kathy Altman’s Tempting the Sheriff with great joy amidst reader-mourning. Harlequin Books recently announced it would end the Superromance line in June 2018. The line has been a MissB favourite for ages. In its monthly titles, she discovered many of her favourite romance writers, Sarah Mayberry, Janice Kay Johnson, and more recently, Liz Talley. Altman, on the other hand, wasn’t as prolific, but MissB remembers Altman’s first, The Other Soldier, and how she loved it. With Altman’s fourth, Miss Bates can see that, like JKJohnson, Altman had the potential to be another favourite. Sadly, it is not to be. But Tempting the Sheriff is a great romance, nevertheless, in the JKJohnsonian vein. As small-town romances go, it doesn’t paint a halcyon picture of small-town life and its denizens. Castle Creek’s citizens are nosy, eccentric, chaotic (sometimes as lovably as Jodi Thomas’s), and occasionally shiftless, sometimes rowdy; they behave lovingly, but also criminally. Small-town life is close and neighbours do know and help each other, but they also feud like crazy and sometimes, small-town life is, well, boring. Into this Pennsylvania town, Altman introduces her hero and heroine: visiting Erie cop, Vaughn Fulton, in Castle Creek to clear out and sell the house he inherited from a deceased uncle; and, Sheriff Lily Tate, workaholic town protector haunted by personal tragedy. Small-town nosiness and proximity aside, Vaughn and Lily must work together when the mayor hires Vaughn to fill in as Lily’s deputy. Continue reading
Without a doubt, Elizabeth Hoyt’s Duke Of Sin was one of the best romances Miss Bates ever read. It was natural, therefore, that she greatly look forward to Duke Of Pleasure, Hoyt’s 11th Maiden Lane novel. She had a glimpse of its hero, Hugh Fitzroy, Duke of Kyle, as probity to Valentine Napier’s debauchery in Duke Of Sin. Therein and as Duke Of Pleasure opens, Hugh Fitzroy has been pursuing the Lords of Chaos, a group of immoral, aristocratics who use and abuse children and women. With Valentine’s semi-taming by his house-keeper-heroine, Bridget Crumb, Hugh finds himself relying on Valentine’s Constaninopolean correspondence to help him identify and eventually destroy the Lords. Late one night, he is beset and hurt by a hired group of thugs near the notorious St. Giles area of London. The night-bound Ghost of St. Giles rescues him, the boy who doubles as the information-gathering daylight guttersnipe, Alf. When Alf, at the end of their encounter, boldly kisses Hugh, he realizes that the guttersnipe “from the dung head that was St. Giles” is a guttersnipette! Hugh brings Alf to his ducal abode to help him pursue the Lords. What Alf finds in Hugh is an emotionally closed off widower with two troubled young sons , still mourning the mere months-old loss of their mother and Hugh’s estranged wife, Katherine. At 21, Alf herself feels a certain restlessness with her life, wondering what it would be like to live as a woman, have children, and how to react to the strange heart-and-body-stirrings Hugh elicits in her. Continue reading
Miss Bates was travelling for work on old chugga-chugga trains this week and, to their rocking motion, read a rom novel and novella, Sabrina Jeffries’s The Danger of Desire and Meredith Duran’s “Sweetest Regret”, two of her favourite romance writers. Jeffries’s rom was the follow-up to one of last year’s top MissB. roms, The Study of Seduction. As for Duran, it had been a while and MissB. was most happy to find herself in Duran’s erudite, moving romance ethos.
Jeffries’s late-Regency Danger of Desire sees yet another St. George’s Club heroes, Warren Corry, Marquess of Knightford, so-called rakehell (though he never behaves as such) pit himself against the shenanigans of miss-dressed-as-boy, Delia Trevor. Clarissa, Study of Seduction‘s heroine, asks Warren (possibly the worst rom-hero name ever) to look out for Delia. Delia, on her part, spends her nights, disguised as a young man, gambling her way to discovering the identity of the man who cheated her deceased brother of her, and his wife and son’s, living. Delia’s mystery and intrigue isn’t the only challenge facing her and Warren as they, at least initially, spar and circle each other. Warren, on the surface devil-may-care, contains a psychic wound, which explains his reluctance to marry. Continue reading
Miss Bates is a Tessa Dare fan. She read the first three Spindle Cove novels and adored them, especially the third, A Week To Be Wicked, with its bespectacled paleontologist-heroine and dissolute rake-hero. Also, it’s a road romance and Miss B. loves a road romance almost as much as she does a closed-cabin one.
Do You Want To Start A Scandal, Spindle Cove #5, doesn’t take place in Spindle Cove, but at the Nottinghamshire estate of Sir Vernon Parkhurst and, as such, is more a closed-estate romance, with a dash of closed-room mystery thrown in. Heroine Charlotte Highwood and hero Piers Brandon, Marquess of Granville, are Sir Vernon’s guests. When the novel opens, neither is in a good place. Charlotte’s marriage-machinating mum, reminiscent of Austen’s Mrs. Bennett, has landed her in the humiliating position of being a gossip-rag’s ridiculed gull, the Prattler‘s. Charlotte is the source of the eponymous “scandal” and the moniker plagues her throughout. Piers, on the other hand, is everything proper, controlled, and aristocratic. His presence at the Parkhurst estate, however, is not in the convention of the languid gentleman enjoying a few weeks in the country. He’s on official crown business, spying on Sir Vernon, who may be asked, by the government, to take a sensitive overseas position. Piers is there to find out if scandal, tryst, blackmail, or any politically-lethal weakness, may put the crown at risk of humiliation. So, Charlotte, prodded by her mother, is on a husband-finding mission while Piers is on a fact-finding one.