Tag: Medical Romance

REVIEW: Tina Beckett’s HER HARD-TO-RESIST HUSBAND Is Easy To Resist

Her Hard To Resist HusbandAfter historical romance, Miss Bates loves category.  Ever since she read some of Wendy’s recommendations, she’s found the concentrated-focus-on-the-romance bent of them so satisfying.  And, darn it, Harlequin, though no longer the sole publisher of category-type romance, has such appealing covers that, truth be told, they’ve drawn Miss Bates in.  There are promises in those covers and Miss Bates has stood at the bookstore till hoping they’ll bear fruit.  Many times they have: she’s loved many a category romance and counts Sarah Mayberry as one of her favourite romance writers, followed by Molly O’Keefe, Karina Bliss, Donna Alward, Liz Fielding, Jessica Hart, and the beloved Betty Neels, of course.  She’s loved the HP line (she’s looking at you, Sarah Morgan and Kelly Hunter) with a love that is matched only by her love for funky shoes and frothy coffees.   With so many lines and volumes appearing monthly, however, quality can vary … and Tina Beckett’s Her Hard To Resist Husband, with its mouthful of a title, was flawed, not the worst Miss Bates has read, but most definitely not memorable, or interesting, or quirky as category romance can be. Continue reading

More Reading Than Review: Why Miss Bates Loves Betty Neels’ TULIPS FOR AUGUSTA … or Not

Tulips For AugustaMiss Bates hated elements of Neels’ Tulips For Augusta, but she devoured it in a few loving hours.  Though she ought to have been peevish and disgruntled, her interest and enjoyment never wavered.  Therein lies La Neels Power: to madden us with her spinster-bashing, callow (thank you, CG) nurse-y heroines, overbearing, wealthy, medical doctor heroes, and a world that never departs from a mythic, middle-class English gentility … at least until the hero whisks the heroine away to luncheon in his Rolls Royce.  In Fitzgerald’s The Great Gatsby, the narrator, Nick Carraway, says of our crass, nouveau-riche hero Jay Gatsby: he “represented everything for which I have an unaffected scorn.”  Miss Bates thinks that way of Betty Neels, but feels differently. 

This post will unabashedly focus on what Miss Bates loves about Neels, or at least this Neels … about what she hates, she’ll, like Nick, for now, “reserve judgement.”  For many, Neels is a romance reader’s “restorative niche,” (thank you, Dr. Little), the effortless place where we re-new our love of the genre, a place where we turn a blind eye and adopt an attitude of receptivity.  Come on, Betty who is the nonpareil, “charm me,” we say.  Continue reading

REVIEW: “Allie Pleiter’s HOMEFRONT HERO: Casting Off the Old Adam”

Allie Pleiter’s Homefront Hero is a gem. Pleiter wields the strict parameters of the category and inspirational romance like a sonnet in the hands of the Bard. If inspies aren’t your thing, this lovely little book may change your mind. This is one of the best romance novels I’ve read in a sea of uninspired ones!

What does Pleiter accomplish? Because this is an accomplished book. She depicts established and burgeoning faith as something living, breathing, elemental, and essential to a full life.  She does so without preaching, only weaving her characters’ faith effortlessly into the narrative in a believable and moving way. In her hero and heroine, she creates two loveable, sympathetic, and flawed individuals. She makes history come alive with detail and atmosphere without over-riding the plot or the romance. She makes wonderful use of a central, unifying metaphor. Her romance is a fully fleshed romance as well as an allegory of death and resurrection of body and soul. Some of the writing is simply superb. There is banter, delightful dialogue between the two leads and secondary characters with “character,” not just functionality.

The story is set in the midst of America’s involvement in the Great War, at Camp Jackson in S. Carolina.  A wounded, recovering war hero, John Gallows, and a neophyte nurse, Leanne Sample, meet when General Barnes orders him to assist with her project. He has been the driving attraction of an army recruitment campaign; he’s handsome, cavalier, charming, wealthy … and wants only to return to battle. Leanne is also on a mission to convince men and boys to join women in knitting socks for the troops. What better poster boy than John Gallows? John uses his acquiescence as a bargaining chip with General Barnes to return to the front, even though his leg is not, nor ever will be, healed and he is in constant pain. What follows is a wonderful, humorous undermining of an alpha male as he learns to knit at the hands of this beautiful, intelligent, pious, and sharp-tongued young woman who takes a stand against his charm.

What starts as a gentle inspie romance soon grows into a dark night of the soul. John grapples with feelings of self-hatred and worthlessness, declaring himself “an unfinished hero,” even while his feelings for Leanne and her gentle persuasion towards God have him in knots. Once the hero’s and heroine’s feelings are fully engaged, John’s imminent departure, his need to be worthy of his heroic status, brings the first of the dark moments for this couple: separation, possible death. But death comes in another form and John cannot abandon Leanne to it. The Spanish influenza epidemic strikes; John and Leanne are plunged into a dark night of the soul. But it is always darkest before the dawn and this novel concludes with stirring scenes of redemption and rebirth. It also has the best “baby” epilogue I’ve ever read … with nary a baby in sight.

For me, the most appealing aspect of Homefront Hero is Pleiter’s use of the unifying metaphor of knitting. If you’re thinking how prosaic … you’d be wrong. Witness the following lovely little phrases. We are introduced to Leanne as she asks that “God cast her life’s reach far and wide,” playing on the notion of “casting” stitches and nets, as in the Christian reference to fishermen’s nets. She uses an understanding of tension in a knit’s weave to represent the tension that attraction brings between the hero and heroine. It stands as the central metaphor of a communion with God: “God spoke to her thoughts and breaths, in colours and sensations.  All her senses seemed to weave together — sometimes tight and coarse, other times loose and billowy.  When the world was tight and coarse, she would feel God beside her, holding, protecting. When the world was loose and billowy, she would feel Him underneath her like the wind under a seagull.”

Homefront Hero is a story, to quote the hero, of “love and God,” of redemption and hope, of humour and everyday life and heroism.  It is not insipid, naïve, or simplistic, which are the adjectives we can sometimes lay at the feet of inspirational romance.

Miss Bates is very, very pleased and says “You have bewitched me.” (Pride and Prejudice)