Tag: Moscow-Set

Having Read Amor Towles’s A GENTLEMAN IN MOSCOW

Gentleman_In_MoscowI read Towles’s Gentleman In Moscow on the recommendation of two friends whose reading opinions I value. They did not steer me wrong: Gentleman is a wonderful book about a wonderful man, a “gentleman” by birth and a “gentle man” by temperament. It was an opportune time to read Towles’s novel: with Russia playing strongman and all of us emerging from endless lock-downs…what better book to read than one about a Russian character, Count Alexander Rostov, sentenced to a life-time’s house arrest in the Metropol Hotel overlooking Red Square? Yet there isn’t much of the topical in Towles’s Gentleman: to start, the timelessness of the Count’s setting, a storied old hotel which keeps its character through history’s vagaries, offering elegance, steadfast grace and service, comfort and civility to its guests as its denizens. History happens “out there,” in Red Square and beyond: revolution, war, famine, oppression, genocide, injustice, while the hotel carries on. Nevertheless, the snake is never far from the tree: cruelty and evil worm their way in, but in the inimitable characters of the Count and his friends, the Metropol’s loyal staff or devotees, we read about the circumvention of malevolence via cunning goodness, the heart of the novel’s theme. As such, Towles’s Gentleman is a comedy in the Fryian sense, moving toward possibility, towards, as the Count would agree, faith, hope, and love (with his charmingly, parenthetically exclamatory and the “greatest of these is love!”).

From the back-cover-blurb, some of the plot’s detail: “When, in 1922, thirty-year-old Count Alexander Rostov is deemed an unrepentant aristocrat by a Bolshevik tribunal, he is sentenced to house arrest in the Metropol, a grand hotel near the Kremlin. An indomitable man of erudition and wit, Rostov must now live in an attic room as some of the most tumultuous decades in Russian history unfold. Unexpectedly, the Count’s reduced circumstances provide him entry into a world of emotional discovery as he forges friendships with the hotel’s denizens. But when fate puts the life of a young girl in his hands, he must draw on all his ingenuity to protect the future she deserves,” bringing us from that 1922 tribunal to 1954 and the Count’s 65th year as we turn the final page.   (more…)

MINI-REVIEW: Marguerite Kaye’s FROM GOVERNESS TO COUNTESS

From_Governess_To_CountessWhether it was my mood, or a super-busy two weeks, I slogged through the first in Kaye’s new series, From Governess to Countess. If I had to give you a baseline of my narrative immersion, it’d be: perked up to the premise, dragged my way through two-thirds and zipped through the last. Kaye’s novel is well-researched, with a fascinating and nicely developped setting, a lovely heroine and engaging secondary characters. The hero, on the other hand, is concocted out of bleached-out niceness and a copious dose of cluelessness.

I loved the premise: a mysterious “Procurer,” a woman, in 1815 London, seeks out disgraced women to offer them a task that may reestablish their finances and reputation. She is a “procurer” of second chances and her first mission is Miss Allison Galbraith, a Scottish herbalist, whose work has been derided by London’s medical establishment. The Procurer offers Allison a job, in St. Petersburg, as governess to the three orphaned children of Duke and Duchess Derevenko, presently in the care of their military-officer Uncle Aleksei, recently returned from defeating Napoleon.       (more…)