Mini-Review: Deanna Raybourn’s AN UNEXPECTED PERIL

An_Unexpected_PerilAn Unexpected Peril is the sixth “Veronica Speedwell” Victorian-Era-set mystery Raybourn has penned and as solid an addition to one of my favourite series as any. While the mystery component didn’t engage as well as the previous two volumes, the marvelous A Dangerous Collaboration and A Murderous Relation, Veronica and lover-and-fellow-sleuth, Stoker, were as charming, sharp, and funny as ever, with, on Veronica’s part, a tenderness and vulnerability that made me like her even more. As for Stoker: his candy-eating, Keats-quoting, animal-obsessed nerdiness, broad shoulders, and good looks, are easy to love. His love for Veronica and one heart-stopping avowal in this volume would make him irresistible to any romance reader. But first, to the mystery, best recounted by the novel’s descriptor:

January 1889. As the newest member of the Curiosity Club–an elite society of brilliant, intrepid women–Veronica Speedwell is excited to put her many skills to good use. As she assembles a memorial exhibition for pioneering mountain climber Alice Baker-Greene, Veronica discovers evidence that the recent death was not a tragic climbing accident but murder. Veronica and her natural historian beau, Stoker, tell the patron of the exhibit, Princess Gisela of Alpenwald, of their findings. With Europe on the verge of war, Gisela’s chancellor, Count von Rechstein, does not want to make waves–and before Veronica and Stoker can figure out their next move, the princess disappears. Having noted Veronica’s resemblance to the princess, von Rechstein begs her to pose as Gisela for the sake of the peace treaty that brought the princess to England. Veronica reluctantly agrees to the scheme. She and Stoker must work together to keep the treaty intact while navigating unwelcome advances, assassination attempts, and Veronica’s own family–the royalty who has never claimed her.

That final element, the family “who has never claimed her” and her love for Stoker make for a new facet to Veronica: the young woman who never belonged suddenly belongs to someone, the child who yearned for family has it in her grasp. But the years of solitude, solitary adventure, and a certain steeling of the heart have rendered Veronica uncomfortable with attachment, and Stoker, loving, funny, astute, gorgeous Stoker, drives a stake through the heart of Veronica’s strikes-out-on-her-own existence and scares her more than any villain. And this is the best part of An Unexpected Peril. Continue reading