A new Susanna Kearsley book is cause for celebration. As Bellewether was a long time coming, I was tickled all the colours of the rainbow to read it. It is, at least initially, a novel that felt quieter than others Kearsley has written. I thought the first half of the narrative meandered, like a ship unmoored, like the ship it’s named after and like the bopping ghost-light in the Long Island forest that beckons to Kearsley’s contemporary heroine. Bellewether felt deceptively benign, but Kearsley’s hand steered the narrative ship on a sure course and it sneaks up on you how masterfully she does so when you experience the novel’s last third. It’s not as visceral a read as The Winter Sea, or as gothic-y and deliciously-Mary-Stewart-ish as Named Of the Dragon, but it sure is wonderful.
Signature Kearsley, Bellewether is a double narrative: made of a contemporary heroine in search of discovering something of the past, a past that is meaningful and significant to her in a more-than-scholarly way. And there is a historical narrative, centred on people caught up in a particular era meeting, loving, and redeeming the losses and griefs of their pasts. The most wonderful idea that I took away from Bellewether is that we should never allow historical circumstance, the sweeping canvas of power and politics, to blind us to the possibility of HEA.
A groggy, caffeine-heavy morning for me after a night reading into the wee hours, thanks to Lauren Willig’s Gothic romance, historical mystery The English Wife. The novel opens in January 1899 in Cold Spring NY, at “Illyria,” Bay and Annabelle Van Duyvil’s country estate. Bay and Annabelle’s hermetic existence has thus far been the bane of Bay’s appearances-are-all mother, Alva. Formidable, humorless Alva is ever flanked by Janie, her mousy, silent daughter and Anne, the mouthy, flamboyant niece she took in. To Alva’s great society-loving heart, Bay and Annabelle are finally celebrating the opening of their magnificent estate by holding a costume ball for New York’s best, brightest, and finest. Until now, Bay and Annabelle’s life has been a mystery. Rumours of eccentricities and infidelities swirl around them, about them … maybe because they keep to themselves and, at least on the surface, appear to live an idyllic existence with twins Sebastian and Viola. Bay and Annabelle don’t seem to give a fig about what the “best people” think, rendering them endlessly fascinating to the society pages and ensuring Alva Van Duyvil’s frustrated, officious meddling. Continue reading
Maisey Yates’s The Last Di Sione Claims His Prize concludes the multi-author Di Sione family series. Apropos of being the last volume, it tells the story of Giovanni Di Sione’s eldest grandson, Alessandro “Alex”. It completes Giovanni’s journey to rediscover a lost love, while fulfilling his secret wish to guide each grandchild to love and commitment. Of the volumes Miss Bates has read, the series’ unifying premise never faltered in meaningfulness. Giovanni’s benign machinations and his grandchildren’s adventures to love and the fulfillment of their grandfather’s request were compelling. This is as true of His Prize as any of the others, though Hewitt’s A Di Sione For the Greek’s Pleasure remains the best of the lot. Nevertheless, reading a Maisey Yates romance is never a loss for Miss Bates. Yates is consistently one of the genre’s finest practitioners, whether writing fantasy-driven HP, or closer-to-reality contemporary.
True to premise, Giovanni asks Alex to travel to Aceena in a “search-and-rescue/retrieve” operation to reunite him with a painting entitled “The Lost Love.” The painting, like the other lost and then recovered objects of Giovanni’s youth, is connected to a woman he left behind when he came to America to make his fortune. The portrait is in the possession of the disgraced, exiled royal family D’Oro. Though jaded and surly, Alex agrees to his grand-father’s request, aware of what he owes Giovanni – his upbringing, success, and most importantly, his rearing with love and care when Alex’s wastrel parents died in a car crash.
When Miss Bates returned to reading romance oh-around-’07, her choices were either historical romance, or romantic suspense. Of the latter, she vividly remembers reading Cherry Adair’s Kiss and Tell, pulling an all-nighter to finish the story of operative Jake, heroine Marnie, a snow storm, bad guys, and Marnie’s need for life-saving coumadin. Maybe because it was a first, maybe because it’s good, the book stayed with her. She went on to Brockmann’s Troubleshooters (yet to be completed) and fell in love with Pamela Clare’s and Lisa Marie Rice’s romantic suspense novels. Since then, Miss Bates hasn’t really found a romantic suspense writer to keep her up tense for the end, and cheering for a sympathetic hero and heroine – until Laura K. Curtis’s Mind Games! Heroine Dr. Jane Evans works for Clive Handler’s Applied Human Intelligence agency, developing psychiatric medications. Jane is a workaholic, living without partner or friends, research her sole focus. Walking to her lab from a NYC subway one morning, thugs attempt to abduct her, but a blond giant rescues her – a blond hunk of giant who looks awfully familiar. He’s Eric Sorensen, the fellow student she tutored in university. Eric is not there by accident. He’s been hired by AHI’s head to protect Jane. *Someone* wants Jane for her Mensa-mind and the life-changing drugs she can create. Despite Eric and Harp Security’s best efforts, Jane is kidnapped and brought to a Mexican secret-laboratory location. She and her lab partner, Daniela, are forced to work on developing a drug that will create conscienceless super-soldiers. Eric and his team follow the cartel’s trail and stage a daring rescue – but Eric and Jane’s HEA-road remains danger-riddled. Continue reading