My Great Betty Neels read continued with #28, Heaven Is Gentle. I didn’t have too many expectations for this one. There wasn’t much buzz about it as a favourite Betty and consequently, I approached it cavalierly. It surprised me how much I loved it. It opened with a beautifully droll ironic scene. Dr. Christian van Duyl and Professor Wyllie are deciding on hiring a nurse. She must be plain, motherly, large, and eminently spinsterish. Dr. van Duyl is running a special asthma clinic in the Scottish Highlands, of which Professor Wyllie is both patient and participant and said nurse will be on board to aid with patients. Christian and the Prof settle on Miss Eliza Proudfoot, who, when she appears in the Wester Ross clinic, turns out to be beautiful, young, snappy, tiny, and anything but a plain-Jane spinster. At 28, she’s a spinster, but not for lack of offers. What follows holds many Betty delights: Christian and Eliza verbally spar and snap at each other. The more they dislike each other, the greater their attraction. They rescue a cat and kittens, withstand a flood, and Christian rescues Eliza when she’s caught in a dangerous thunder-lightning-torrent storm. Continue reading
For those of you who may have followed along on GR, or Twitter, you know I’ve set out to read the Betty Neels oeuvre, all 134 romances. I’ve alternated between posting short reviews on GR, or commenting #greatbettyread on Twitter. Henceforth, I’ll be posting tiny reviews on the blog, keeping a record of my reading in one place. Plus I prefer its freedom of babbling as I see fit without Twitter constraints, or the fuss of keeping one set of reading thoughts in one place and others in another.
And so, my reading of #27, A Small Slice Of Summer (1975), mainly done in the tub, as most of these are: a good soak and Betty, there’s nothing like it. I enjoyed Slice of Summer, finding nothing atypical about its Betty-fare (why one reads them, no?), but it didn’t rock my world as others have. Nurse Letitia Marsden ends up in Dr. Jason Mourik van Nie’s world by association: her older sister is friend’s with the wife of a doctor-colleague of Jason’s. Their paths cross socially and professionally and proximity is further ensured when Georgina asks Letitia to take their absent nanny’s place when she, husband Julius, toddler Polly, and baby Ivo, visit Holland. BTW, the subtly match-making Georgina and Julius, are the fantabulous Damsel In Green (1971)’s hero and heroine. Continue reading
Miss Bates has been reading rom long enough, ten years to date, that it’s harder and harder to find a new-to-her category author (category being her primary romance consumption). BUT Amy Andrews is new to Miss Bates and she’s sorry she took as long as she did to read her. There was much to like about Andrews’s Swept Away By The Seductive Stranger and the title wasn’t it. The characters, their conflicts, inner and outer, the setting, and their surprisingly honest and realistic romance were.
Nurse Felicity Mitchell is fulfilling the dream of a life-time riding the Indian-Pacific rail to Adelaide when she meets and is attracted to Callum Hollingsworth. Though neither are one-night-stand aficionados, their overwhelming attraction, during dinner with the retirees they share the train with, it appears will lead them to share their deliciously cramped overnight berths. A medical emergency puts a stop to their soon-to-be-tryst and reveals their respective professions as nurse and doctor, respectively. Nevertheless, the post-adrenaline restlessness following the medical emergency’s resolution has them share a night of never-to-be-repeated passion between “strangers on a train”. With the inevitable hokey coincidence of the romance novel plot, it turns out the strangers on the train will soon be co-workers in the clinic, as Callum appears at Nurse Felicity’s Vickers Hill clinic to take over for two months while one of their doctors goes on maternity leave. Continue reading
Liz Talley’s Perfectly Charming is her second Montlake-published Morning Glory novel. Talley used to write great Super-romance for Harlequin. While Miss Bates loved Talley’s Harlequin work, the first Morning Glory, Mississippi, novel was shrug-worthy. But Talley is a strong enough writer to convince MissB. to give the series another try. The series premise is an interesting, though conventional one. Three childhood friends lose #4 in their tight, supportive circle to cancer. Lucy leaves a charm bracelet and wish for each with enough money attached that each heroine can have an adventure, take a chance, and make a change in her life. When her life has taken its turn, she passes the bracelet on. Jessica Culpepper, Perfectly Charming‘s heroine, has already had her life turned upside down when the novel opens. Her “American Dream” existence, the cheerleader who married the wealthy high school football star and had a white-picket fence life, ended in divorce when Benton slept with the florist and told Jess their marriage no longer fulfilled him. Jess’s world crashed, but Lucy’s legacy allows her to leave her loving Morning Glory family and friends, to take a nursing job in Pensacola. Now a year after the divorce, Jess has healed and Florida is the final step in making her psychic cure complete. Continue reading
As you may already know, Miss Bates is a great fan of Christmas-set romances. She anticipates them annually, with much love for publishers’ covers going all out on snow, tinsel, sparkly trees and eggnog-sipping lovers. Romance writers offer a plethora of love in the snow, under the tree, and on the slopes. But there is no romance as good as the one when our couple is snowed in. One of Miss Bates’s favourite Christmas titles is a snowed-in-closed-cabin joy (actually a truck bed, but you’ll have to read it to find out), category romance Kathleen Creighton’s One Christmas Knight. One of Miss Bates’s favourite historical Christmas romances is Lauren Willig’s The Mischief Of the Mistletoe, with its projectile Christmas pudding as THE key plot point and one of the most endearing heroes ever written. Miss B. has written of her great Christmas romance loves before and won’t bore you, dear reader, with more. Well, maybe one, because it’s a recent addition and deserving of praise: Kat Latham’s Three Nights Before Christmas. This year, MissB’s inaugural Christmas romance post is classic vintage rom, Betty Neels’s The Fifth Day Of Christmas. Because if The Divine Betty can do ordinary days well, with such warmth and wit, what will she do with Christmas!!?? Continue reading
Candace Calvert’s contemporary inspirational medical romance Step By Step is second in her Crisis Team series. It is Miss Bates’s first Calvert romance novel and won’t be her last. Whatever liking Miss Bates holds for this title, she acknowledges that the problem with inspirational fiction is its appeal to a niche market. This is problematic when Miss Bates finds an author who merits a wider audience. The dilemma remains, however, because inspie romance, even when it’s as well-written and psychologically nuanced as Calvert’s, contains elements that alienate the general reader.
Calvert’s Step By Step is a second-chance-at-love romance for two widowed protagonists. The wounds are deeper and grieving still fresh for nurse Taylor Cabot: ” … the rings had finally come off, after migrating from her left to her right hand in a painfully slow march through grief – like a turtle navigating broken glass.” Step By Step opens with Taylor and her cousin Aimee watching the San Diego Kidz Kite Festival. A private plane crashes, wreaking havoc and death on festival goers. This disaster scene is one of the “crises” that ER health care workers contend with and are heart-stoppingly described in Calvert’s novel. Taylor rushes to help, abandoning her conversation with Aimee about returning to life and love after grieving her beloved Greg for three years. The transfer of patients to San Diego Hope’s ER reunites Taylor with Seth Donovan, crisis chaplain with California Crisis Care and the man who offered Taylor friendship and compassion when she lost her husband.
“The choppers appeared just after the sun.”
Human beings make sense of experience’s ephemerality by embodying it in art. Maya Lin’s controversial Vietnam Veterans War Memorial was/is integral to healing war’s wounds. It offers solace and remembrance as vets and families, foreigners and natives, bring offerings of flowers, pictures, etc., touch, wonder, and heal as they meditate on the war’s wastes and ravages (war is a universal experience, is it not?). Yusef Komunyakaa’s Vietnam-War-Memorial-set poem, “Facing It” also embodies the war, recounting a vet’s turbulent, ambivalent emotions as he touches and is reflected in the wall, naming loss, anger, and the ever-present American tragedy of race. (Don’t read this humble post, but read and listen to the poem as linked. It’s powerful.) The humble romance genre offers its embodiment in Kathleen Korbel’s A Soldier’s Heart (1994). The novel’s opening line is the prologue’s introduction to nurse Claire Henderson, who held dying Marine Tony Riordan and willed him to live. Twenty-three years later, Tony’s final act of putting his war wounds to rest, psychic where physical are long-healed, is to seek, find, and thank Claire. What he finds in her haunted eyes is the confusion, guilt, and self-destructive impulses of his own struggle with PTSD. Continue reading
Miss Bates is peeved by the claim, and many readers make it sheepishly eyes downcast, that romance fiction is “a comfort read.” It may very well be, and she’s happy if enjoyed as such, but it’s often used to diminish the genre. She applauds rom writers, like Molly O’Keefe, who make reading romance anything but, who make the reader work to earn that HEA (and why O’Keefe runs the risk of making it meh-anti-climactic). It’s great that romance can be visceral and uncomfortable and we have O’Keefe, and others in her company (Cecilia Grant, Victoria Dahl are two who come to mind) who offer this reader experience couched in the “pretty and titillating” many readers who don’t read romance accuse the genre of being. Convincing them otherwise? That ship sailed with the Pinta and Santa Maria for Miss Bates. Second in the Into the Wild historical romance series, Tempted, like its predecessor, Seduced, proves a fine punch to the reader-gut, tackling how the horrors of war inflict psychic wounds on men and women, obstructing and obscuring intimacy and love. Continue reading
Miss Bates is going to make wild and wooly assumptions about Betty Neels. Her 1971 Fate Is Remarkable will be the ground in which Miss Bates will sow outlandish seeds by saying that Neels’ romances can be read as historical romances in disguise, or at least that Neels was NOT interested in telling a romance of her day. This is not unique to Miss B. Liz from Something More said that Neels’ romances are set in a post-WWII England, rather than the 1970s, 80s, and 90s in which Neels wrote. As long as one is willing to suspend one’s disbelief and replace a fast car with a fast curricle, then they may as well be set in the Regency Era as well. This comes through in Neels’ to-some-tedious, detailed descriptions of interiors and architecture. Miss Bates eats them up … along with any references to clothes, food, or gifts, as she’s written about before. Neels often fails in incorporating details from the time and place in which she actually wrote. In Fate Is Remarkable, for example, there are references to awkward cigarette moments, which Sarah, the heroine, dismisses with a titter. Hugo, the hero, smokes a pipe, like a good Victorian gentleman. There are a few telephone conversations, but one knows that Hugo and Sarah would rather correspond. As a matter of fact, more often than not, their day begins with the post. Neels is good on sleek cars, but even those are the kind that last forever, that go from showroom to vintage in a lifetime. Neels’ interiors and her descriptions of furniture and objets d’art are about finding permanence in a changing world. Miss Bates would say that this is her appeal to readers as well. Continue reading
If there’s one thing grown ubiquitous in the past five years in the genre, it’s the small-town romance. Beth Andrews’ fourth title in the “In Shady Grove,” Pennsylvania, series stands for the very idea behind the small-town romance. If urban dwellers leave big-lights, big-city behind, with its rat race, stress, temptations, and sped up lives where we lose sight of our humanity, to return to a smaller world, communities where everyone knows you and you know everyone, our lives will somehow be redeemed. As the hero of Small-Town Redemption suggests, less than a year in Shady Grove and he’s turned into a “boy scout.” The refuge that the small-town purports to offer is a venue by which life is renewed and made better, more human, less overwhelming, where a person can belong by laying down roots and participating in the life of the community, where the community gives the heroine and hero the perfect matrix, ultimately, to live a more sedate pace and bring up children. How accurate is this picture? Not terribly, but it is a powerfully attractive one. What is interesting about Andrews’ romance novel is that the small town promise of redemption figures next to … not at all. It is a novel devoid of a strong sense of place, focussed as it is on tormented hero, Kane Bartasavich, and paragon of virtue and compassion, heroine Charlotte Ellison. The town figures only as a foil for the hero to reject his dissipated Houston past. If this were a historical romance novel, Kane would be an intemperate rake and Charlotte, the sensible, loving, plain virgin-heroine who leads him to the promised land of virtuous family life in the country. In Miss Bates’ opinion, too many romance novels laud and advance the idea that couplehood and family life are defined by a withdrawal from society to a domestic enclave. Andrews’ novel is a romance heavily invested in characterization, not setting. It was a solid read; Miss Bates enjoyed it. She was, however, frustrated with it as well. Continue reading