It’s been a while since I read a Camden sort-of historical romance. I’ve also drifted away from inspirational romance, thanks to the end Harlequin’s Love Inspired Historical line, where many a favourite author resided. With A Desperate Hope, Camden has moved away from the inspirational (which was fairly “light” to begin with) and towards “Americana” à la Deeanne Gist. (I loved Gist’s Tiffany Girl, but haven’t seen anything from her since. This makes me sad.) But Camden is a solid stand-in and I enjoyed the 1908 upper-state-NY-set historical fiction with a mild romance running through it. Unlike standard inspirational fare, the hero and heroine, while they’ve believers, also have a youthful affair, the heroine had lost her virginity to the hero, and there’s a fair amount of ale-drinking. Hurrah for Americana: this felt more believable than the inspirational romance’s leached ethos. Continue reading
Honestly, folks, I’m scared to take a reading-breath, I’ve had SUCH a run of great books since New Year’s and Holiday’s Three Little Words gets on that list too. Not that I’m complaining, but as an introvert and pessimist, I do wonder: when will the reading ball drop?
So, Holiday’s #3 of Bridesmaids Behaving Badly: I wasn’t super-keen going in because, while I enjoyed #2, it didn’t rock my world. I liked it well enough and I especially liked Holiday’s smooth, easy-as-pie prose. There were also intriguing little moments with Gia Gallo, one of the quarto of girlfriends that make up Holiday’s series and this is Gia’s story and the intriguing Cajun chef in whose restaurant heroine Wendy and hero Noah dine in It Takes Two. Gia is gorgeous, a model, and a mess when it comes to food. She’s got a problem with it. In Three Little Words, we learn that, at days-away from 30, her body isn’t doing the skinny-model thing it used to and Gia’s having trouble coming to terms. Groomed from girlhood to compete in the pageant circuit, Gia doesn’t know what else she can be, what else she can do. She puts her existential crisis on hiatus at the novel’s start, however, because she‘s on her way to deliver her friend’s, Wendy’s, wedding dress to her Pink Palace Florida wedding. With a fitting scheduled, Gia has to get there ASAP. Continue reading
I’m not certain what possessed me to want to read Fiona Davis’s The Masterpiece, other than a yen to leave the familiar reader-world of genre fiction for a while. Romance and mystery fiction are like comfortable only-at-home pants and sweatshirt. I ease into them and enjoy their sense of familiarity; on occasion, they also stifle. I need “something else,” so I venture into other reading territory. As a result I’ve read some remarkable non-fiction, Philippe Sands’s East West Street, the overhyped Peter Frankopan’s The Silk Roads, or left-me-agog Yuval Harari’s Sapiens. This time around, I went for historical fiction, that in retrospect, has a great dose of women’s fiction to it (cue moue of disappointment) Fiona Davis’s The Masterpiece. I love all things art and museums and thought this might be the thing to refresh my romance-murder-mystery-reading malaise. Written in third-person POV, The Masterpiece tells the story of two women, very much of their time and circumstance, 1920s-30s illustrator Clara Darden and 1970s breast cancer survivor, newly divorced Virginia Clay. The main character, however, is NYC’s Grand Central Terminal, its fortunes and misfortunes, its acme and nadir, its glory, dereliction, and resurrection. Of all the novel’s elements, I liked the building and Virginia the best.
I admit I was very curious to try a Jenny Holiday’s romance, after hearing Twitter-praise amidst murmurs of rom-com … BUT, I’m not a rom-com fan. Sex and the City is puerile (Holiday takes a sentimental nod to it here). I like some gravitas to my roms; I like wit, but not humour. With lawyer (*moue of disappointment*) romantic leads, Holiday had several prejudicial strikes against her. Add protagonists who watch baseball over hockey (even though, as a Toronto-set romance, *shudders* that would mean Leafs), I can’t really say I was disposed to love this. I’m also not a fan of wedding settings, especially contemporary wedding settings, with their propensity for destination, vineyards, officiates in place of synagogues, rabbis, priests, and churches, imams and mosques. I sound like a cranky, old lady, but I might as well own it and enjoy it. It’s my crank and I’ll cackle and snark if I want to. So, the series premise: weddings of (best) friends, wedding planning, brides and maidens of honour, dress disasters, bachelor and bachelorette parties. In the case of series novel #2, It Takes Two, the heroine is Wendy Liu, best friend to bride Jane. The hero? The bride’s brother, Noah Denning, the guy who took care of Wendy when her father died, the guy Wendy’s been sparring with for years … and the guy who also stood her up at the high school prom. Continue reading
The day-job ate all of MissB’s reading time in the past few weeks. She greatly missed writing her blog and is so happy to be back this week with a review of Ruthie Knox’s Madly. Hopefully, a two-week hiatus won’t be repeated.
Truth be told, part of it was work and part of it was MissB trying to get through Knox’s long-anticipated return to romance with New York #2, Madly. And, it is “mad,” a wildly unhappy, chaotic romance about Allie Fredericks (Truly‘s heroine’s, May’s, baby sister) and Winston Chamberlain (About Last Night‘s hero’s, Nev’s, older brother). Madly is one of the most fraught romances Miss Bates has ever read (barring Judith Ivory’s Beast, which MissB. loathed) and she struggled to get through it. Continue reading
Much as Miss Bates loves the HP line, she’s never been much for the connected HP-series. A few years ago, the line went with a crud-awful interconnected hotel-setting series and it was ugh. So MissB. was leery of trying another one in this “Di Sione” series, but, hey, Jennifer Hayward! woot!, one of the more original, more interesting HP writers (her The Italian’s Deal For I Do one of MissB’s favourite HPs EVAH). The past few books have never reached The Italian’s Deal‘s heights, but they’ve consistently been well-written and absent of the insane WTF-ery that distinguishes the line. Hayward seems to like the idea of the “deal” as a romantic premise, essentially the opening to a good ole marriage-of-convenience romance narrative, in this case, a marriage-deal for Nate Brunswick and Mina Mastrantino. The product of Benito Di Sione’s affair with his secretary, Nate has a huge-o-rama shoulder chip about his illegitimacy, place in the Di Sione family, except in his relationship with his paternal grand-father, Giovanni, his eschewing of marriage and anything that says “feels”. When Nate was a teen, Giovanni gave him a place at the family-company-table, thus saving him from a life on the streets. Now that Nate’s created and expanded his personal fortune as well as the family one, he wants to give dying, fragile Giovanni the gift of the “Di Sione ring,” which seems to have a mysterious special significance for Giovanni. In one of Nate’s Palermo hotels, he meets an adorably curvy, tiny chambermaid who, it turns out, is none other than the possessor of the precious ring.
Now that Miss Bates has read her second Michelle Smart romance, she can say that Smart is writing some awfully interesting HPs. Plot- and convention-wise, her roms are made of melodrama and hyperbole, but they’re also wonderfully tongue-in-cheek aware of the HP’s tropes. In Married For the Greek’s Convenience, melodrama and hyperbole come in the form of the novel’s premise and hero’s and heroine’s fraught families. Elizabeth Young and Xander Trakas met, wooed, wedded, and consummated their love as just-past-teens ten years ago from the story’s opening. When it opens, bitterness reigns, especially for Elizabeth. Mere days after their Caribbean-beach wedding, Xander abandoned Elizabeth (ostensibly because he cared about her and was protecting her) and asked her to ensure their marriage was annulled. Now Xander needs Elizabeth. Firstly, he recently discovered the judge never confirmed the annulment. Secondly, he needs a “convenient” wife to present a respectable front to a judge who will decide whether he can retain temporary custody of Loukas, his eight-year-old nephew, while his brother and sister-in-law are recovering from addictions, so severe that SIL needs a liver transplant. Wow. Moreover, the people vying for Loukas’s custody? His cold-hearted, avaricious, negligent parents. Xander’s mother makes Cruella de Vil look like Florence Nightingale. Continue reading
Last year, Miss Bates named Liz Talley’s Sweet-Talking Man one of her best 2015 roms. And even though Talley has left behind Miss Bates’s beloved category, the Superromance, Miss B. followed her to a new publisher hoping for the same blend of humour, realistic characterization, and love coming at the hero and heroine from unexpected places. Talley has a real talent for creating heroes who’ve been hurt by a past love, without turning alpha or cold. They’re vulnerable and a little lost in affairs of the heart, susceptible to too easily falling for a girl again. Her heroines are no wilting southern belles, though they retain a kind of genteel naïveté. Then, they surprise you, with earthiness and a plunge into free-spiritedness and their discovery of possessing an independent self, free from familial and social constraints. Charmingly Yours contains these elements and new ones. Unlike the realistic superromance, Charmingly Yours has a definite women’s fic woo-woo vibe. Rosemary Reynolds of Morning Glory, Mississippi, and her coterie of besties, mourn the loss of their dear friend, Lacy Guthrie. In true women’s fic woo-woo fashion, Lacy has left a potentially woo-woo object and mission to her friends – a charm bracelet, for which they must each provide a new charm in the pursuit of a mission Lacy set for them. In Rosemary’s case, Lacy exhorted her to have an adventure, to leave behind her staid life and overprotective mother, and do things well-brought-up young southern ladies wouldn’t. Continue reading
Lauren Layne is a new-to-Miss-Bates romance writer. Miss Bates read the third in her New York’s Finest series, Cuff Me, without reading the first two. Miss B. makes two conclusions: one, Layne is a rom-writer she wants to read again; and, two, part of the reason is, though third-in-series, Cuff Me didn’t have that tired-formulaic feel that too many “series” books do. It helped that Cuff Me has one of Miss Bates’s favourite rom-tropes, opposites-attract, especially when the opposites are a grumpy hero and effervescent heroine. Layne’s contemporary romance reminded Miss Bates of Maisey Yates’s Part Time Cowboy, which Miss B. adored. So if you love Yates’s Copper Ridge series, you’re sure to love Cuff Me.
Our curmudgeon-hero is Vincent Moretti, one of the NYPD’s finest homicide detectives, his perfect-solution record testifying to his abilities. His bubbly, tiny, blonde partner is Jill Henley. Together, playing on their bad-cop-good-cop personas, they’ve been getting their man for six years. When the novel opens, Vin is anticipating Jill’s return from Florida, where she’s been taking care of her injured mum. Vin’s restless desire to see Jill again perturbs him. He adorably grunts through a haircut, a further sprucing up at his apartment, and several rides around town trying to find the perfect welcome-home gift. He finally settles on her favourite donut, which he brings in a crumpled paper bag to his family’s celebratory dinner on Jill’s behalf. Vin’s close-mouthed happiness at seeing Jill again is dashed when his brothers and sister Elena, Jill’s BFF, corral him at the door to tell him about Jill’s engagement.
Hmm, Miss Bates had a somewhat bizarro thought after reading Andrea Laurence’s The CEO’s Unexpected Child: can it be that a not-very-good book can’t be discussed without spoilers? Because awfulness lies in the plot dominating, in a bad plot dominating? It struck Miss Bates that she can always discuss a good rom without spoilers. Would love to hear your thoughts on this, dear readers.
Onto to Laurence’s Desire and sifting through Miss Bates’s thoughts. Laurence’s CEO-mystery-mommy-plot-moppet smorgasbord is one of those roms which could’ve been great. The premise is wild (and possibly therein lies some of Miss Bates’s sour-puss face): what happens when an Italian’s CEO’s stored sperm is mixed up and ends up impregnating an IVF-ed woman instead of her husband’s? What happens when said husband dies in a car crash and pregnant lady finds out he was NOT the man she thought him? What happens when ten months later, studly-CEO discovers the fertility clinic’s error and sues new mommy to six-month-old-daughter for shared custody? That, folks, in a nutshell, is Laurence’s premise. When it opens, Luca Moretti, mega-millions CEO of Moretti Family Kitchen, and Claire Douglas confront each other, with their lawyers, across a negotiating table, trying to work out how Luca will play a significant role in his daughter’s, Eva’s, life.