Liz Talley’s Perfectly Charming is her second Montlake-published Morning Glory novel. Talley used to write great Super-romance for Harlequin. While Miss Bates loved Talley’s Harlequin work, the first Morning Glory, Mississippi, novel was shrug-worthy. But Talley is a strong enough writer to convince MissB. to give the series another try. The series premise is an interesting, though conventional one. Three childhood friends lose #4 in their tight, supportive circle to cancer. Lucy leaves a charm bracelet and wish for each with enough money attached that each heroine can have an adventure, take a chance, and make a change in her life. When her life has taken its turn, she passes the bracelet on. Jessica Culpepper, Perfectly Charming‘s heroine, has already had her life turned upside down when the novel opens. Her “American Dream” existence, the cheerleader who married the wealthy high school football star and had a white-picket fence life, ended in divorce when Benton slept with the florist and told Jess their marriage no longer fulfilled him. Jess’s world crashed, but Lucy’s legacy allows her to leave her loving Morning Glory family and friends, to take a nursing job in Pensacola. Now a year after the divorce, Jess has healed and Florida is the final step in making her psychic cure complete. Continue reading
Miss Bates approaches a new-to-her author, especially a self-published one, with trepidation. Witness? Her DNF posts. But Bliss Bennet is the writer of the Romance Novels For Feminists blog, which Miss B. reads and enjoys. And she was curious: what kind of a romance would a long-familiar blogger write? Given the blog content, will it be “feminist”? Though Miss Bates calls herself a feminist, she doesn’t read romance, or rather she doesn’t deliberately read romance because it carries a particular stance. She went into reading Bennet’s romance with these questions and departed, as she tapped the final page on her Kobo, not really caring how they were, or not, answered. Because she was completely swept up in the story.
When you read a lot of romance, like Miss Bates does, it’s inevitable the narrative becomes stale. You lose patience and are more likely to curl your lip and DNF. There are romance writers, however, who renew your faith in the narrative’s ability to be fresh, yet familiar. The romance reader is this creature: she wants the familiar because it has meaning and the familiar to be sufficiently deviant to keep her interest and delight her. Liz Talley’s Sweet Talking Man was such a narrative for Miss B.: familiar and fresh, well-known conventions unfolding like beloved Christmas ornaments and their subversion unfolding like unexpected gifts. Thus transpires the story of B&B owner, PTA president, organizer-of-all-things, super-single-mom, forty-year-old divorcée heroine, Abigail Beauchamp Orgeron, and artist, teacher, vegan, ukulele-playing, thirty-four-year-old hero, Lief Lively, or as strait-laced Abigail calls him, “resident cuckoo bird.” The familiar is evident in the “opposites-attract” trope and romance narrative deviations in a 40-year-old heroine and the un-alpha-like interests of her December-to-his-May hero. Continue reading