REVIEW: Mary Burchell’s THE BROKEN WING

The_Broken_WingWhen Miss Bates read her first Burchell, A Song Begins, the 13-volume Warrender Saga introductory romance, she waxed adoring and enthusiastic. With the second title, The Broken Wing, as her mama would say, she had to put a little water in her wine. Burchell remains, in Miss Bates’s estimation, one of the finest writers in the genre; her prose is refined, elegant, clear, polished, and yet still tugs at the heartstrings. An appreciation of Burchell’s writing will ensure that Miss Bates reads to the end. She has too much respect for fine prose to DNF, even when narrative elements prove problematic, or personally unappealing.

The Broken Wing is set in the opera world that was so dear to Burchell’s heart and provided one of her most vivid settings. Oscar Warrender and now-wife Anthea Benton, A Song Begins‘s hero and heroine, play a part in Quentin Otway and Tessa Morley’s romance, yet another element Burchell handled well. Oscar and Anthea aren’t in the narrative for a reader’s glimpse of wedded bliss. They play an interesting role in nurturing Tessa’s talent and providing support and friendship, respectively. Tessa, Quentin’s “Mouse” and “Angel”, is the artistic director’s irreplaceable secretary. Quentin and conductor Oscar Warrender are the key figures and driving forces behind the Northern Counties Festival. The novel takes place during the hectic weeks of preparation that precede the festival, throwing the volatile, charming, and rogue-ish Quentin into closer and closer proximity to Tessa, his right-hand women, tea-steeper, and mercurial moods’ soother, “selfless devotion would not have been much good on its own, of course. But fortunately Tessa was remarkably efficient too.”    Continue reading

Mary Burchell’s A SONG BEGINS: Romance Doesn’t Get Better Than This …

A_Song_BeginsUntil reading Mary Burchell’s A Song Begins, Miss Bates found it hard to believe that anyone could rival her beloved Betty Neels. And yet, here she is, enthralled with Mary Burchell. And all she can say is, MOAR! A Song Begins is the first of Burchell’s Warrender Saga, a series of thirteen romances she wrote for Mills and Boon stretching from 1965 to 1985. They are set in the opera world and feature harsh, closed-off heroes and heroines who can hold their own against them. Burchell and Neels share the exclusive heroine POV and the mystery, which Miss Bates loves, of knowing the heroes only by their actions. Their kindness and love for the heroine are hinted at with only very occasional near-tender gestures. Otherwise, they’re cyphers of raised eyebrows, mysterious smiles, flashing, angry eyes, suppressed frustration, and an exacting work ethic, to which our heroine’s inexperience is subject, in Neels’ case in the surgery and Burchell’s on the stage. A Song Begins opens with Anthea Benton, aspiring singer from Cromerdale, trying to win a TV singing spot to help her pay her way to London and voice training. Anthea’s family is financially humble; while loving and supportive of her aspirations, they cannot afford to help her. This TV spot is her only chance and it is foiled by one of the judges, the famous conductor, Oscar Warrender. Anthea’s disappointment is short-lived, however, because she receives word, through her voice teacher, Miss Sharp, that a mysterious benefactor is funding her move to London to study with none other than the maestro himself, Oscar Warrender!   Continue reading