Reading Maisey Yates’ Bad News Cowboy gave Miss Bates déjà [vu]rginity. Indeed, a virgin heroine in Yates’ fourth Copper Ridge romance followed Dahl’s in Taking the Heat. The treatment was different, but equally successful, with Yates falling into a more conventional deflowering scene. We met Kate Garrett as the quiet, tom-boyish baby sister to the heroes of Yates’ previous novels in the series, Part Time and Brokedown Cowboy. Our hero is none other than their flippant, promiscuous poker buddy, the handsome, enigmatic Jack Monaghan, Jack of turbulent waters run deep. Verbal sparring and sexual tension ran throughout Kate and Jack’s exchanges in previous novels and it’s great to witness everything coming to a head … enfin. In Bad News Cowboy, Kate’s changing, suddenly aware that her 23-year-old body and sexual self-effacement don’t suit. The safe emotional “cave” she created as hidey-hole in is too small, ” … she was alone … It was secure. It was familiar.” Her itchy restless feelings are her attraction to Jack. Jack too notices how Kate needles and insults him at their weekly Garrett family poker games. They’ve always teased and tormented each other, but now there’s a tension to their encounters they’ve not had before. As in the previous novels, Yates’ characters’ verbal jibes and jabs conceal emotional feints and this no less true of Kate and Jack. Continue reading
Small-town contemporary romance abounds: cutesy towns, quaint “main streets,” bake-shop-owning heroines, and heroes or heroines who ride into town to meet the hometown girl/boy. But writing small-town contemporary romance requires a particular risk. Contemporary small-town romance is light on plot. It doesn’t have the social whirl/hierarchy of the histrom, nor romantic suspense’s thriller-danger zone. It relies on two conventions dosed light-to-heavy: the small town endowed with utopian character, a harbor, a sanctuary for all, or colouring the hero and heroine’s emotional journey potent and compelling. Maisey Yates’ Copper Ridge, Oregon series has accomplished this with some success, as Miss Bates’ reviews of the novella, “Shoulda Been A Cowboy” and first novel, Part Time Cowboy attest. In her second Copper Ridge novel, Brokedown Cowboy, however, Yates is at the top of her game in portraying a hero and heroine’s emotional journey, imbued with banter, honesty, hard truths. When the contemporary romance’s emotional journey convinces, as it does in Brokedown Cowboy, it’s riveting. Such was Miss Bates’ experience in reading Yates’ friends-to-lovers romance of surly Connor Garrett, hard-drinking, still-grieving widower, and Felicity “Liss” Foster, his secret-torch-carrying best friend of eighteen years. Continue reading
Miss Bates almost DNF-ed Janice Kay Johnson’s To Love A Cop (cheesy cover and title should be ignored; this is thoughtful romance). It opens at a gun show, as cop hero, Ethan Winter, admires a gun; to give Johnson credit, he’s there to look out for potentially dangerous gun buyers. He spots a boy, one who seems fascinated by what’s on show. Ethan chats with him, realizes he’s younger than he appears and has skipped school. Ethan takes the boy, Jake, home to his single-mom, Laura Vennetti, to realize yet again that, five years ago, Jake was the boy who shot and killed his cousin when his father, Officer Matt Vennetti, left his service weapon carelessly lying on the kitchen counter. Not long after, with an extended family in shambles and ravaged by guilt, Matt committed suicide.
Heavy subject matter in romance doesn’t drive Miss Bates to DNF; but guns … man, she, like our heroine, doesn’t like them, doesn’t think they belong anywhere, should be strictly controlled and, if it was up to Miss B., banned. Living in Canada, gun control doesn’t have the divisiveness it does for her southern neighbours. But living in a city where a man with a gun killed fourteen women because they were being educated, she doesn’t buy the “guns don’t kill people, people kill people” as a viable argument against their strict control. Miss B. doesn’t like wearing a seat belt either, but it does make for accident prevention. She’s digressed to this point to reinforce she didn’t really want to read Johnson’s romance, didn’t see much romance to be had in it … but she’s awfully glad she squelched her distaste, her visceral judgement against all things “gun” to take the story in. Because Johnson is a long-standing, serious, balanced, considered writer and this is one of the best stories she’s written. Continue reading
If you asked Miss Bates her favourite romance trope, she’d tell you “marriage-of-convenience.” Truth be told though, she gets more pleasure out of opposites-attract than she’s realized. This means that a “marriage of convenience” between “opposites attract” would be her favourite rom reading cocktail. 😉 Alas, Maisey Yates first novel in the Copper Ridge Oregon series, Part Time Cowboy, is not a marriage of convenience narrative, but it sure as heck contains two spitting-fighting protagonists in Deputy Sheriff Eli Garrett and crisis-counselor-turned-B-&-B-owner Sadie Miller – and you all know Miss Bates is a fan of fighting in romance. Also close to her heart is a narrative that sees a character, in this case, Sadie, return home years later with unfinished business (wild teen years of drinking, smoking, and trouble-making) to work through. (The theme also features in the returning hero of Yates’ introductory novella, “Shoulda Been A Cowboy.”) The opposites attract trope is obvious in a wonderful opening scene between Sadie, her car out of gas, and a certain Deputy Sheriff who rescues her, but had once arrested her for shenanigans ten years ago. Sadie’s barely entered town limits before she has a re-meet cute with her nemesis, “Officer Hottie,” Eli Garrett – if he’s filling her tank now, ten years ago, he cuffed her. It doesn’t take him long to become “Officer Stick-Up-His-Ass.” Continue reading
Miss Bates reveled in reading Maisey Yates’ Shoulda Been A Cowboy like a piglet in her sty. She loved reading and reviewing Laurie R. King’s Dreaming Spies, but it felt good to put on her romance-reading slippers and settle into her favourite genre. She had a moue of disappointment when she noticed that Yates’ story was a novella – not enough, dammit. But she was also glad to see Yates charm her all over again, after a one-too-many sheikh-set duds. Though only a soupçon of romance reading, Shoulda Been A Cowboy delivered a bad-boy-good-girl-unresolved-HS-attraction-prodigal-son-return romance, all beloved romance tropes. Hero Jake Caldwell returns to his home town, Copper Ridge, Oregon, after a fifteen-year absence, to sell his inheritance, a run-down ranch and a few dilapidated buildings. One of those buildings has been given new life by leasee heroine, Cassie Ventimiglia, who runs a coffee shop on the premises, The Grind, and lives in one of the apartments. Jake and Cassie share a history beyond being from the same town. Cassie tutored Jake when they were in high school together, when he was resident heart-throb and bad boy, his Johnny “Wild One” to her “Kathie.” Continue reading
Miss Bates loved Robin York’s Deeper. Highly anticipated Harder is the second part of Caroline Piasecki and West Leavitt’s story, in Ruthie Knox’s second incarnation as a writer of New Adult romance. It doesn’t feel as New Adult as the first, though. West and Caroline are grown up; they’ve made decisions and are living with the consequences. Their characters are set, though West must let go of the past to have a future with Caroline. The reader knows that, in ten or fifteen years, she would recognize them as the hero and heroine of Harder. If York wrote Caroline and West’s story twenty years down the line, Miss Bates’d be happy to read it. Caroline and West are just that likable. And why not? Knox/York was successful with Amber and Tony from How To Misbehave to ten-years-later Making It Last.
Though York tends to lean to the thematically didactic, her characters are consistently engaging and her writing inspired, skirting the edgy; in places, overwrought, but there is no doubt she is a stylist. Moreover, whether her vision is congenial to the reader or not, it’s undeniable that she writes with purpose and ideas. A character in Harder describes visual art as, ” … the purpose of art is to make you feel or think, and a lot of the time both.” York does both as well in Harder as she did in Deeper. Miss Bates read Harder with as much pleasure and interest as she did Deeper: she read through the day and she read through the night. And she loved near every moment of it. Continue reading