Maisey Yates’ HPs have seen more misses than hits for Miss Bates lately. At the same time, Miss B. can’t resist the tantalizing possibility Yates will hit the heights of Pretender To The Throne and, with that hope, readily plunged into another one. Not much distinguishes Married For Amari’s Heir from the sordid premises marking the opening of many an HP. “Mark” is the operative word here. Assistant-in-crime to her con-artist father, heroine Charity Wyatt receives a commanding missive from Rocco Amari, summoning her to a club called The Mark. An upscale boutique shopping bag contains the tight-fitting sexy dress and lingerie she’s to wear to the rendez-vous. Party to her father’s theft of one of Rocco’s many millions, Charity knows she’ll comply with Rocco’s revenge to avoid jail time – despite her father absconding with the money, despite her fear and guilt over her part in it, despite her living hand-to-mouth as a waitress. Rocco’s merciless and she’s about to pay the piper with her virginity. Awful, isn’t it? Nevertheless, their love-making is cleverly handled by Yates, consensual and even tender. The encounter, though Rocco was all kinds of a dick post-love-making, leaves them shaken with intensity and meaning. Months elapse and neither have forgotten the other. When Charity discovers she’s pregnant (let it be said the HP may be the last bastion of miraculous conception), it’s an opportunity to turn her life around. Her destitute existence necessitates, for her baby’s sake, a plea for financial assistance to Rocco. When Rocco decides he wants to be father to the baby, he again holds jail time as a Damocles sword over Charity. Frankly, all the ludicrous, the blackmailing, the threats, near-led Miss Bates to DNF territory, but something about the characters touched her. Continue reading
Small-town contemporary romance is ubiquitous. Miss Bates reads her fair share, especially when it’s by Donna Alward, or Virginia Kantra, who write wonderful contemporary small-town romance in their Jewell Cove and Dare Island series. Sarah Morgan’s Puffin Island series now takes its place next to Alward’s and Kantra’s. Morgan’s first title, First Time In Forever, doesn’t break any molds. It’s typical in characterization, narration, and setting. Miss Bates is interested in the small-town romance as a vision of utopia; she’d argue the hero’s/heroine’s role is complemented by the small town utopian ethos, even so far as to say some of the HEA work is done by its denizens. Our hero and heroine need help and the small-town comes through for them.
For now, Miss Bates sticks to plot and character basics. Emily Donovan arrives at coastal Maine’s Puffin Island a desperate woman, seeking sanctuary and anonymity, the anxious, uncertain, and recent guardian of a niece, six-year-old Lizzy. She meets boating/sailing club owner, tall, dark, and handsome Ryan Cooper, when he knocks on her door offering help, friendship, and smouldering sexy looks. Their encounter breaks open two people wary of love, commitment, and family. Their closed-off selves, cautious and doubtful, are healed as much by the virtues/values of small-town life as falling in love. Emily, in particular, experiences a conversion to small-town living. Ryan, by virtue of having been home for four years, is one of her guides. While he may be advanced in his journey, he needs to take the final steps to finalize/entrench his place on Puffin Island and those steps entail overcoming his commitment-aversion. Continue reading