As I mentioned in a previous post, when I had an Audible account, I listened to Elly Griffiths’s first three Ruth Galloway mysteries. Recently, I read #4, A Room Full of Bones, and it may be my favourite yet. (I have the rest stacked and ready to go all the way to the most recent, #11, The Stone Circle. I’m hooked, yes, and a fan.) Like her standalone mystery, The Stranger Diaries, Griffiths has a winning combination of elements: a likeable, detecting, female lead, literary and genre allusions to make a reader smile fondly, a snappy style, smooth voice, moreover in the third person (my preference), and a great balance between the central mystery (the variable) and the personal lives of her detecting team (the given). That combination of original material with the steady thread of a group of compelling characters can see me follow a detecting series for years (witness my love for and obsession with C. S. Harris’s Sebastian St. Cyr Regency mysteries, all the elements of Griffiths’s within a historical setting). Griffiths’s protagonist, Ruth Galloway, is an academic, a forensic archaeologist professor at North Norfolk University, who’s drawn again and again, thanks to her “bones” expertise, into police cases headed by DCI Harry Nelson of the Norfolk police and his team members. Continue reading
Miss Bates loves category romance above all others and it’s been a while since she read and reviewed one. Jennifer Lohmann is a new-to-Miss-B author, but after reading A Southern Promise, one she’ll happily return to. Detective Howie Berry of the Durham, North Caroline PD, meets the daughter of Durham’s foremost family, Julianne Dawson, née Somerset, in the back seat of a police cruiser. He tells her that her beloved Aunt Binnie was murdered. Lohmann’s opening is wonderfully rendered, hinting at her protagonists’ characterization, setting up tension and conflict, and giving the reader a glimpse into their silent musings. Between Julianne and Howie is a whole city’s past, intertwined with their own demons. Lohmann sets up her cross-class-conflict-of-interest tropes from this opening scene, enriching her narrative and adding depth. The cross-class element is rarely convincing in contemporary romance, but Lohmann understands it better when she situates it in the mind and heart of one of the two main characters. Howie Berry is the result of a one-night stand between a Durham tobacco mill worker and David Berry, the Somerset tobacco company’s vice-president. Julianne is the daughter of the now-defunct tobacco company’s owner. With a wrong-side-of-the-tracks hero, – how refreshing! – Golden-Girl heroine AND a murder, what could go right between these two? Continue reading
Miss Bates read Phillippi Ryan for the first time, having noted time and again Phillippi Ryan’s name on the Agatha Awards nominee or winner lists. Phillippi Ryan’s murder-mystery-thriller-police-procedural narrative structure brings a wheel’s hub and spokes to mind. The novel opens, most dramatically, with a back-stabbing murder in the midst of a hot, tourist-laden June day in Boston’s Curley Park. This central incident radiates outwardly to a number of characters and situations, which come together in a masterful dénouement. The Curley Park murder scene draws hero and heroine, Jake Brogan, BPD detective, and Jane Ryland, unemployed journalist and Jake’s secret-lover. Jane freelances for a local TV station, working to resurrect her defunct career. A student-photographer claiming to have pics of the murder waylays Jane. Jake and DeLuca, his partner, run into an alley to discover a security expert wrestling the perp to the ground. Jane and her new photographer-friend follow. The scene is chaotic; neither Jane, representing the media, nor Jake and his partner, representing law enforcement, can tell the crime’s why or who. Meanwhile, in the mayor’s offices above Curley Park, teen-age Tenley Siskel, whose mom, Catherine, Mayor Holbrooke’s chief of staff, got her a job working the security video, may or may not have recorded the murder. Moreover, Jane responds to a call from her sister Melissa who’s frantic with worry over the disappearance of her nine-year-old step-daughter-to-be, Grace.